Crowd Scenes : Movies and Mass Politics / / Michael Tratner.
The movies and the masses erupted on the world stage together. In a few decades around the turn of the twentieth century, millions of persons who rarely could afford a night at the theater and had never voted in an election became regular paying customers at movie palaces and proud members of new po...
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Place / Publishing House: | New York : : Fordham University Press,, 2008. ©2008. |
Year of Publication: | 2008 |
Edition: | 1st ed. |
Language: | English |
Physical Description: | 1 online resource (161 pages) :; illustrations; digital file(s). |
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(CKB)3710000001157487 (OAPEN)626974 (OCoLC)1111394229 (MdBmJHUP)muse73510 (OCoLC)654349791 (ScCtBLL)3f1e5b47-a5e7-4c91-a0c6-49f97e49a88b (EXLCZ)993710000001157487 |
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Tratner, Michael. Crowd Scenes Movies and Mass Politics / Michael Tratner. 1st ed. New York : Fordham University Press, 2008. ©2008. 1 online resource (161 pages) : illustrations; digital file(s). text txt rdacontent computer c rdamedia online resource cr rdacarrier text file rda The movies and the masses erupted on the world stage together. In a few decades around the turn of the twentieth century, millions of persons who rarely could afford a night at the theater and had never voted in an election became regular paying customers at movie palaces and proud members of new political parties. The question of how to represent these new masses fascinated and plagued politicians and filmmakers alike.Michael Tratner examines the representations of masses—the crowd scenes—in Hollywood films from The Birth of a Nation through such popular love stories as Gone with the Wind, The Sound of Music, and Dr. Zhivago. He then contrasts these with similar scenes in early Soviet and Nazi films. What emerges is a political debate being carried out in filmic style. In both sets of films, the crowd is represented as a seething cauldron of emotions. Also available in print form. Includes bibliographical references (p. 153-158) and index. Movies and the history of crowd psychology -- Collective spectatorship -- Constructing public institutions and private sexuality : The birth of a nation and Intolerance -- The passion of mass politics in the most popular love stories -- Loving the crowd : transformations of gender in early Soviet and Nazi films -- From love of the state to the state of love : Fritz Lang's move from Weimar to Hollywood. Description based on print version record. CC BY-NC-ND Motion pictures Political aspects. Crowds in motion pictures. Electronic books. Print version (hardback): 9780823229017 Print version (paperback): 9780823229024 |
language |
English |
format |
eBook |
author |
Tratner, Michael. |
spellingShingle |
Tratner, Michael. Crowd Scenes Movies and Mass Politics / Movies and the history of crowd psychology -- Collective spectatorship -- Constructing public institutions and private sexuality : The birth of a nation and Intolerance -- The passion of mass politics in the most popular love stories -- Loving the crowd : transformations of gender in early Soviet and Nazi films -- From love of the state to the state of love : Fritz Lang's move from Weimar to Hollywood. |
author_facet |
Tratner, Michael. |
author_variant |
m t mt |
author_sort |
Tratner, Michael. |
title |
Crowd Scenes Movies and Mass Politics / |
title_sub |
Movies and Mass Politics / |
title_full |
Crowd Scenes Movies and Mass Politics / Michael Tratner. |
title_fullStr |
Crowd Scenes Movies and Mass Politics / Michael Tratner. |
title_full_unstemmed |
Crowd Scenes Movies and Mass Politics / Michael Tratner. |
title_auth |
Crowd Scenes Movies and Mass Politics / |
title_new |
Crowd Scenes |
title_sort |
crowd scenes movies and mass politics / |
publisher |
Fordham University Press, |
publishDate |
2008 |
physical |
1 online resource (161 pages) : illustrations; digital file(s). Also available in print form. |
edition |
1st ed. |
contents |
Movies and the history of crowd psychology -- Collective spectatorship -- Constructing public institutions and private sexuality : The birth of a nation and Intolerance -- The passion of mass politics in the most popular love stories -- Loving the crowd : transformations of gender in early Soviet and Nazi films -- From love of the state to the state of love : Fritz Lang's move from Weimar to Hollywood. |
isbn |
0-8232-8078-0 9780823229017 9780823229024 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1995 |
callnumber-sort |
PN 41995.9 C67 T73 42008 |
genre |
Electronic books. |
genre_facet |
Electronic books. |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.45/6552 |
dewey-sort |
3791.45 46552 |
dewey-raw |
791.45/6552 |
dewey-search |
791.45/6552 |
oclc_num |
1111394229 654349791 |
work_keys_str_mv |
AT tratnermichael crowdscenesmoviesandmasspolitics |
status_str |
c |
ids_txt_mv |
(CKB)3710000001157487 (OAPEN)626974 (OCoLC)1111394229 (MdBmJHUP)muse73510 (OCoLC)654349791 (ScCtBLL)3f1e5b47-a5e7-4c91-a0c6-49f97e49a88b (EXLCZ)993710000001157487 |
carrierType_str_mv |
cr |
is_hierarchy_title |
Crowd Scenes Movies and Mass Politics / |
_version_ |
1796651420849537024 |
fullrecord |
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