The myth of Piers Plowman : : constructing a medieval literary archive / / Lawrence Warner.

Addressing the history of the production and reception of the great medieval poem, Piers Plowman, Lawrence Warner reveals the many ways in which scholars, editors and critics over the centuries created their own speculative narratives about the poem, which gradually came to be regarded as factually...

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Bibliographic Details
Superior document:Cambridge studies in medieval literature ; 89
VerfasserIn:
Place / Publishing House:Cambridge : : Cambridge University Press,, 2014.
Year of Publication:2014
Language:English
Series:Cambridge studies in medieval literature ; 89.
Physical Description:1 online resource (xiv, 220 pages) :; digital, PDF file(s).
Notes:
  • Title from publisher's bibliographic system (viewed on 20 Jul 2016).
  • Open Access title.
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Summary:Addressing the history of the production and reception of the great medieval poem, Piers Plowman, Lawrence Warner reveals the many ways in which scholars, editors and critics over the centuries created their own speculative narratives about the poem, which gradually came to be regarded as factually true. Warner begins by considering the possibility that Langland wrote a romance about a werewolf and bear-suited lovers, and he goes on to explore the methods of the poem's localization, and medieval readers' particular interest in its Latinity. Warner shows that the 'Protestant Piers' was a reaction against the poem's oral mode of transmission, reveals the extensive eighteenth-century textual scholarship on the poem and contextualizes its first modernization. This lively account of Piers Plowman challenges the way the poem has traditionally been read and understood. This title is available as Open Access on Cambridge Books Online and via Knowledge Unlatched.
Bibliography:Includes bibliographical references and index.
ISBN:1107779685
1107777186
1107778832
1107781345
1107785006
1107784549
1107780101
1107338824
Access:Open Access title.
Hierarchical level:Monograph
Statement of Responsibility: Lawrence Warner.