Early film culture in Hong Kong, Taiwan, and Republican China : : kaleidoscopic histories / / edited by Emilie Yueh-yu Yeh.
This volume features new work on cinema in early twentieth-century Hong Kong, Taiwan, and Republican China. Looking beyond relatively well-studied cities like Shanghai, these essays foreground cinema's relationship with imperialism and colonialism and emphasize the rapid development of cinema a...
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Place / Publishing House: | Ann Arbor, Michigan : : University of Michigan Press,, [2018] ©2018 |
Year of Publication: | 2018 |
Language: | English |
Physical Description: | 1 online resource (365 pages) |
Notes: | Description based upon print version of record. |
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Early film culture in Hong Kong, Taiwan, and Republican China : kaleidoscopic histories / edited by Emilie Yueh-yu Yeh. Ann Arbor, Michigan : University of Michigan Press, [2018] ©2018 1 online resource (365 pages) text rdacontent computer rdamedia online resource rdacarrier This work is licensed under the Creative Commons Attribution-Noncommercial-NoDerivatives 4.0 Unported license https://creativecommons.org/licenses/by-nc-nd/4.0/ Sponsored by Knowledge Unlatched CC BY-NC-ND Description based upon print version of record. Includes bibliographical references and index. Introduction -- Part I. Revising historiography : early film culture in Hong Kong, Taiwan, and Guangzhou -- 1. Translating Yingxi : Chinese film genealogy and early cinema in Hong Kong -- 2. Magic lantern shows and screen modernity in colonial Taiwan -- 3. From an imported novelty to an indigenized practices : Hong Kong cinema in the 1920s -- 4. Enlightenment, propaganda, and image creation : a descriptive analysis of the usage of film by the Taiwan education society and the colonial government before 1937 -- 5. 'Guangzhou Film' and Guangzhou urban culture -- 6. The way of the Platinum Dragon : Xue Juexian and the sound of politics in 1930s Cantonese cinema-- Part II. Intermediaries, cinephiles, and film literati -- 7. Toward the opposite side of 'vulgarity' the birth of cinema as a 'healthful entertainment' and the Shanghai YMCA -- 8. Movie matchmakers : the intermediatries between Hollywood and China in the early twentieth century -- 9. The silver star group : a first attempt at theorizing wenyi in the 1920s -- 10. Forming the movie field : film literati in Republican China -- 11. Rhythmic movement, metaphoric sound, and transcultural transmediality : Liu Na'ou and The man who has a camera (1933) -- Chinese and Japanese glossary. This volume features new work on cinema in early twentieth-century Hong Kong, Taiwan, and Republican China. Looking beyond relatively well-studied cities like Shanghai, these essays foreground cinema's relationship with imperialism and colonialism and emphasize the rapid development of cinema as a sociocultural institution. These essays examine where films were screened; how cinema-going as a social activity adapted from and integrated with existing social norms and practices; the extent to which Cantonese opera and other regional performance traditions were models for the development of cinematic conventions; the role foreign films played in the development of cinema as an industry in the Republican era; and much more. Description based on information from publisher. Unrestricted online access star Motion pictures China History. Motion pictures China Hong Kong History. Motion pictures Taiwan History. Motion picture industry China History. Motion picture industry China Hong Kong History. Motion picture industry Taiwan History. 0-472-07372-9 0-472-05372-8 Michigan Publishing (University of Michigan) issuing body. Yeh, Emilie Yueh-yu, editor. |
language |
English |
format |
eBook |
author2 |
Yeh, Emilie Yueh-yu, Michigan Publishing (University of Michigan) |
author_facet |
Yeh, Emilie Yueh-yu, Michigan Publishing (University of Michigan) |
author2_variant |
e y y y eyy eyyy |
author2_role |
TeilnehmendeR TeilnehmendeR |
title |
Early film culture in Hong Kong, Taiwan, and Republican China : kaleidoscopic histories / |
spellingShingle |
Early film culture in Hong Kong, Taiwan, and Republican China : kaleidoscopic histories / Introduction -- Part I. Revising historiography : early film culture in Hong Kong, Taiwan, and Guangzhou -- 1. Translating Yingxi : Chinese film genealogy and early cinema in Hong Kong -- 2. Magic lantern shows and screen modernity in colonial Taiwan -- 3. From an imported novelty to an indigenized practices : Hong Kong cinema in the 1920s -- 4. Enlightenment, propaganda, and image creation : a descriptive analysis of the usage of film by the Taiwan education society and the colonial government before 1937 -- 5. 'Guangzhou Film' and Guangzhou urban culture -- 6. The way of the Platinum Dragon : Xue Juexian and the sound of politics in 1930s Cantonese cinema-- Part II. Intermediaries, cinephiles, and film literati -- 7. Toward the opposite side of 'vulgarity' the birth of cinema as a 'healthful entertainment' and the Shanghai YMCA -- 8. Movie matchmakers : the intermediatries between Hollywood and China in the early twentieth century -- 9. The silver star group : a first attempt at theorizing wenyi in the 1920s -- 10. Forming the movie field : film literati in Republican China -- 11. Rhythmic movement, metaphoric sound, and transcultural transmediality : Liu Na'ou and The man who has a camera (1933) -- Chinese and Japanese glossary. |
title_sub |
kaleidoscopic histories / |
title_full |
Early film culture in Hong Kong, Taiwan, and Republican China : kaleidoscopic histories / edited by Emilie Yueh-yu Yeh. |
title_fullStr |
Early film culture in Hong Kong, Taiwan, and Republican China : kaleidoscopic histories / edited by Emilie Yueh-yu Yeh. |
title_full_unstemmed |
Early film culture in Hong Kong, Taiwan, and Republican China : kaleidoscopic histories / edited by Emilie Yueh-yu Yeh. |
title_auth |
Early film culture in Hong Kong, Taiwan, and Republican China : kaleidoscopic histories / |
title_new |
Early film culture in Hong Kong, Taiwan, and Republican China : |
title_sort |
early film culture in hong kong, taiwan, and republican china : kaleidoscopic histories / |
publisher |
University of Michigan Press, |
publishDate |
2018 |
physical |
1 online resource (365 pages) |
contents |
Introduction -- Part I. Revising historiography : early film culture in Hong Kong, Taiwan, and Guangzhou -- 1. Translating Yingxi : Chinese film genealogy and early cinema in Hong Kong -- 2. Magic lantern shows and screen modernity in colonial Taiwan -- 3. From an imported novelty to an indigenized practices : Hong Kong cinema in the 1920s -- 4. Enlightenment, propaganda, and image creation : a descriptive analysis of the usage of film by the Taiwan education society and the colonial government before 1937 -- 5. 'Guangzhou Film' and Guangzhou urban culture -- 6. The way of the Platinum Dragon : Xue Juexian and the sound of politics in 1930s Cantonese cinema-- Part II. Intermediaries, cinephiles, and film literati -- 7. Toward the opposite side of 'vulgarity' the birth of cinema as a 'healthful entertainment' and the Shanghai YMCA -- 8. Movie matchmakers : the intermediatries between Hollywood and China in the early twentieth century -- 9. The silver star group : a first attempt at theorizing wenyi in the 1920s -- 10. Forming the movie field : film literati in Republican China -- 11. Rhythmic movement, metaphoric sound, and transcultural transmediality : Liu Na'ou and The man who has a camera (1933) -- Chinese and Japanese glossary. |
isbn |
0-472-90102-8 0-472-12344-0 0-472-07372-9 0-472-05372-8 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1993 |
callnumber-sort |
PN 41993.5 C4 E254 42018 |
geographic_facet |
China Hong Kong Taiwan |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.430951 |
dewey-sort |
3791.430951 |
dewey-raw |
791.430951 |
dewey-search |
791.430951 |
oclc_num |
1023628201 |
work_keys_str_mv |
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is_hierarchy_title |
Early film culture in Hong Kong, Taiwan, and Republican China : kaleidoscopic histories / |
author2_original_writing_str_mv |
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