Landscape's Revenge : : The ecology of failure in Robert Walser and Bernardo Carvalho / / Caio Yurgel.

• VerfasserIn: Yurgel, Caio,
• Place / Publishing House: Berlin ;, Boston : : De Gruyter, , [2018]; ©2019
• Year of Publication: 2019; 2018
• Language: English
• Series: Latin American literatures in the world ; Volume 2.
• Physical Description: 1 online resource (264 pages).
• Notes: Description based upon print version of record.
• Other title: Frontmatter --; Acknowledgement --; Contents --; 1. Introduction --; 2. Literature review: Landscape's revenge --; 3. From the unreal to the apocalypse: The landscape as a function of language and narrative in Walser and Carvalho --; 4. The disappearing act: Moving towards the margins --; 5. How to do things with fire: The desert as landscape's final revenge and as the culmination of Walser's and Carvalho's literary projects --; 6. The desert for conclusion --; References
• Bibliography: Includes bibliographical references.
• ISBN: 3110617587
• Hierarchical level: Monograph
• Statement of Responsibility: Caio Yurgel.

Landscape, as it appears and is described throughout the works of Bernardo Carvalho and Robert Walser, provides an excellent-yet virtually unexplored-pathway to the authors' literary projects. The landscape functions here as a synthetic and unifying figure that triggers, at first, through the analysis of its description per se, the main and most evident elements of the authors' works. However, when sustained as a methodological figure beyond the scope of its own description, the landscape soon reveals a darker, far more fascinating and far less explored side of the authors' oeuvres: a vengeful, seemingly defeatist resentment against the status quo, which gives way to the more latent and biting elements of the authors' prose, such as irony, the unheimlich, an anti-heroic agenda, the apocalyptic aesthetics of a disaster-prone fictional world, as well as an understanding of history and literature through the figures of failure and marginality. By drawing from diverse critical traditions from Latin-America and Europe, this comparative text seeks to unravel, in all of its complexity and scope, the fictional stage upon which Walser's and Carvalho's characters narrate, with their dying breath, a world that is slowly undoing itself.