The Greatest Films Never Seen : The Film Archive and the Copyright Smokescreen / / Claudy Op den Kamp.
Orphan works, or artworks for which no copyright holder is traceable, pose a growing problem for museums, archives, and other heritage institutions. As they come under more and more pressure to digitize and share their archives, they are often hampered by the uncertain rights status of items in thei...
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| Place / Publishing House: | Baltimore, Maryland : : Project Muse,, 2020 ©2020 |
| Year of Publication: | 2017 2020 |
| Language: | English |
| Series: | Framing film (Amsterdam, Netherlands)
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| Physical Description: | 1 online resource (185 pages) :; illustrations. |
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| 100 | 1 | |a Op den Kamp, Claudy, |d 1974- |e author. | |
| 245 | 1 | 4 | |a The Greatest Films Never Seen |b The Film Archive and the Copyright Smokescreen / |c Claudy Op den Kamp. |
| 260 | |a Amsterdam |b Amsterdam University Press |c 2017 | ||
| 264 | 1 | |a Baltimore, Maryland : |b Project Muse, |c 2020 | |
| 264 | 4 | |c ©2020 | |
| 300 | |a 1 online resource (185 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Framing film | |
| 540 | |a This eBook is made available Open Access under a CC BY-NC-ND 3.0 license: |u https://creativecommons.org/licenses/by-nc-nd/3.0https://www.aup.nl/en/publish/open-access | ||
| 546 | |a In English. | ||
| 504 | |a Includes bibliographical references, filmography, and index. | ||
| 505 | 0 | |a The Orphan in a Handbag : an introduction to the film archive and intellectual property -- Terra Incognita. The Nederlands Filmmuseum/EYE Film Institute Netherlands -- A Swiss Bank : recategorization I : the embargoed film -- A Handbag : recategorization II : the orphan film -- A Vehicle of Power : recategorization III : the public domain film (or, what orphan films are not) -- A Birthplace : the begotten film -- The Potential for History-Making : of accidents and activation -- Conclusion : the Brighton line. | |
| 520 | |a Orphan works, or artworks for which no copyright holder is traceable, pose a growing problem for museums, archives, and other heritage institutions. As they come under more and more pressure to digitize and share their archives, they are often hampered by the uncertain rights status of items in their collections. The Greatest Films Never Seen: The Film Archive and the Copyright Smokescreen uses the prism of copyright to reconsider human agency and the politics of the archive, and asks what the practical implications are for educational institutions, the creative industries, and the general public. | ||
| 588 | |a Description based on print version record. | ||
| 506 | 0 | |f Unrestricted online access |2 star | |
| 650 | 0 | |a Film archives. | |
| 650 | 0 | |a Orphan works (Copyright) | |
| 650 | 0 | |a Copyright |x Motion pictures. | |
| 655 | 4 | |a Electronic books. | |
| 653 | |a Film Archive, Intellectual Property, Orphan Works, Public Domain, Film Historiography. | ||
| 776 | |z 94-6298-139-6 | ||
| 830 | 0 | |a Framing film (Amsterdam, Netherlands) | |
| 906 | |a BOOK | ||
| ADM | |b 2024-04-26 03:13:25 Europe/Vienna |f system |c marc21 |a 2018-11-14 11:48:20 Europe/Vienna |g false | ||
| AVE | |i DOAB Directory of Open Access Books |P DOAB Directory of Open Access Books |x https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5338281280004498&Force_direct=true |Z 5338281280004498 |b Available |8 5338281280004498 | ||