Performance Practice of Electroacoustic Music / / edited by Germán Toro-Pérez.
This book is dedicated to the topic of performance practice of electroacoustic music, focusing mainly on the production of RAI's Studio di Fonologia in Milan between the 1950s and 1970s. It is the result of an in-depth dialogue between musicology and musical practice, presenting musicological a...
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| Place / Publishing House: | Bern : : Peter Lang AG, Internationaler Verlag der Wissenschaften,, 2018. |
| Year of Publication: | 2018 |
| Language: | English |
| Physical Description: | 1 online resource (158 pages) |
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| 245 | 0 | 0 | |a Performance Practice of Electroacoustic Music / |c edited by Germán Toro-Pérez. |
| 246 | |a Performance Practice of Electroacoustic Music | ||
| 264 | 1 | |a Bern : |b Peter Lang AG, Internationaler Verlag der Wissenschaften, |c 2018. | |
| 300 | |a 1 online resource (158 pages) | ||
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| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | |a Description based on publisher supplied metadata and other sources. | ||
| 520 | |a This book is dedicated to the topic of performance practice of electroacoustic music, focusing mainly on the production of RAI's Studio di Fonologia in Milan between the 1950s and 1970s. It is the result of an in-depth dialogue between musicology and musical practice, presenting musicological and practice-based contributions, some dealing with specific problems of performance practice, in particular the analysis and interpretation of the aesthetic prerequisites and production conditions of the repertoire from a musicological perspective, others focusing on specific works and on their realisation from a performer's perspective. Overall, this publication is intended as a contribution to the performance culture of the repertoire. | ||
| 650 | 0 | |a Music. | |
| 776 | |z 3-0343-3118-5 | ||
| 700 | 1 | |a Toro-Pérez, Germán, |e editor. | |
| 906 | |a BOOK | ||
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