Post-cinema : : Cinema in the Post-art Era /

Post-cinema : : Cinema in the Post-art Era / / Dominique Chateau, José Moure.

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Post-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent this novation represents a unitary current or multiple ways. The book proposes to integrate the post-cinema question within the post-art question in order t...

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Bibliographic Details
MitwirkendeR:
Andrea, Pinotti,
André, Gaudreault,
Oever, Annie van den, 1957-
Christophe, Génin,
Christophe, Viart,
Céline, Scemama,
Dominique, Chateau,
Dudley, Andrew,
Eugénie, Zvonkine,
Francesco, Casetti,
Jost, François, 1949-,
Gabriela, Rivadeneira Crespo,
Giovanna, Fossati,
Gérard, Courant,
José, Moure,
Malte, Hagener,
Miriam, De Rosa,
Philippe, Marion,
Richard, Conte,
Victor, Burgin,
Wang, Bing,
HerausgeberIn:
Chateau, Dominique,
Moure, José,
Place / Publishing House:Amsterdam : : Amsterdam University Press,, [2020]
©2020
Year of Publication:2020
Edition:1st ed.
Language:English
Series:The Key Debates: Mutations and Appropriations in European Film Studies
Physical Description:1 online resource (376 p.)
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Table of Contents:
  • Frontmatter
  • Table of Contents
  • Editorial
  • Acknowledgments
  • 1. Introduction
  • PART I A Tribute to Agnès Varda
  • 2. The Incipit of Beaches of Agnès (Les plages d’Agnès) An Installation in the Form of a Self-portrait
  • PART II The End of Cinema?
  • 3. Announcing the End of the Film Era. The Lumière Galaxy: Seven Key Words for the Cinema to Come by Francesco Casetti, Columbia University Press, 2015
  • 4. Cinema Hangs Tough
  • 5. Jean-Luc Godard’s Histoire(s) du cinéma or Cinema Surpasses Itself
  • PART III Technological Transformations
  • 6. Mutation, Appropriation and Style
  • 7. The Twenty-First-Century Postcinematic Ecology of the Film Museum. Theorizing a Film Archival Practice in Transition – A Dialogue
  • 8. In-Flight Entertainment or the Emptying Process of Art in the Air
  • PART IV New Dispositif, New Conditions
  • 9. What Kind of Art Is the Cinema of Interactions?
  • 10. Thinking Inside and Outside of the (Black) Box. Bird Box and Netflix’s Algorithmic Operations
  • 11. Post-cinema Ecology
  • PART V Transformations in Film Form
  • 12. Dwelling with Moving Images
  • 13. Extraordinary Stories, a Mariano Llinás Postmodern Art Film
  • 14. Art, Otherwise Than Art. Cinema and Contemporary Art: A Mutual Challenge
  • 15. The Zidane Film
  • PART VI Post-cinema, an Artists’ Affair
  • 16. The Happy Failure. La pluie (Projet pour un texte) by Marcel Broodthaers, 1969
  • 17. Per aspera ad astra, or Through Postcinema Toward Cinema, the Reverse Journey of Ilya Khrzhanovsky’s DAU
  • 18. Cinématon: The Shortest Films for the Longest Film – A Dialogue
  • 19. Documentary as Contemporary Art – A Dialogue

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