Music and Resistance : Cultural Defense During the German Occupation of Norway 1940-45 / Michael Custodis
The role of music during the German occupation of Norway (1940-45) proves to be an exceptional case for cultural opposition in a dictatorship. Few famous musicians, some local celebrities and innumerous hardly known activists preferred artistic instead of militant means to demonstrate reluctance, sp...
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| Year of Publication: | 2021 |
| Edition: | 1st, New ed. |
| Language: | English |
| Series: | Münsteraner Schriften zur zeitgenössischen Musik
6 |
| Physical Description: | 1 online resource (430 p.); mit zahlreichen, teils farbigen Abbildungen |
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Table of Contents:
- Abbreviations Foreword I. Music as Resistance Nordic Exceptionalism Institutionalizing Cultural Defense Sivorg and Music The Historiography of Music and Nazism in Norway Music as Resistance - A Preliminary Model Nordic Music Politics The Secret List of Confi dants II. Persecution of Musicians and Music in Concentration Camps Locations and Numbers Causes for Detention Violinist Jac Maliniak - From Warsaw and Trondheim to Auschwitz Mundane Music to Remember and Forget Enforced Submission and Voluntary Action Camp Odysseys - Frank Storm Johansen and Gunnar Kjeldaas Acts of Musical Resistance Claims for Compensation III. Artistic Liberty and Periphery Military Music Music in Churches Composing Resistance in Bergen and Harald Sæverud's Symphony No. 5 (1941) Activities in Stavanger, Trondheim, and Tromsø IV. Remote Resistance in Stockholm Numbers and Procedures Expatriates from Norway A Nordic Casablanca Norwegian Counterpropaganda Sentiments V. Different Modes of Consolidation Media and Occupation. Fighting Men of Norway (1942), Edge of Darkness (1943), and Song of Norway (1944) A Voice of Pride and Compassion - Moses Pergament's Den judiska sången (1944/45) Musical Resistance and Perseverance Archival Sources References Index of Names