Screening Europe in Australasia : Transnational silent film before and after the rise of Hollywood

Through a detailed study of the circulation of European silent film in Australasia in the early twentieth century, this book challenges the historical myopia that treats Hollywood films as having always dominated global film culture. Before World War I, European silent feature films were ubiquitous...

Full description

Saved in:
Bibliographic Details
Superior document:Exeter Studies in Film History
:
Year of Publication:2022
Language:English
Series:Exeter Studies in Film History
Physical Description:1 electronic resource (484 p.)
Tags: Add Tag
No Tags, Be the first to tag this record!
LEADER 02749nam-a2200361z--4500
001 993544993804498
005 20231214133545.0
006 m o d
007 cr|mn|---annan
008 202205s2022 xx |||||o ||| 0|eng d
035 |a (CKB)5700000000080373 
035 |a (oapen)https://directory.doabooks.org/handle/20.500.12854/81293 
035 |a (EXLCZ)995700000000080373 
041 0 |a eng 
100 1 |a Allen, Julie K.  |4 auth 
245 1 0 |a Screening Europe in Australasia  |b Transnational silent film before and after the rise of Hollywood 
246 |a Screening Europe in Australasia  
260 |a Exeter  |b University of Exeter Press  |c 2022 
300 |a 1 electronic resource (484 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Exeter Studies in Film History 
520 |a Through a detailed study of the circulation of European silent film in Australasia in the early twentieth century, this book challenges the historical myopia that treats Hollywood films as having always dominated global film culture. Before World War I, European silent feature films were ubiquitous in Australia and New Zealand, teaching Antipodean audiences about Continental cultures and familiarizing them with glamorous European stars, from Asta Nielsen to Emil Jannings. After the rise of Hollywood and then the shift to sound film, this history—and its implications for cross-cultural exchange—was lost. Julie K. Allen recovers that history, with its flamboyant participants, transnational currents, innovative genres, and geopolitical complications, bringing it all vividly to life. Making ground-breaking use of digitized Australian and New Zealand newspapers, the author reconstructs the distribution and exhibition of European silent films in the Antipodes, along the way incorporating compelling biographical sketches of the ambitious pioneers of the Australasian cinema industry. She reveals the complexity and competitiveness of the early cinema market, in a region with high consumer demand and low domestic production, and frames the dramatic shift to almost exclusively American cinema programming during World War I, contextualizing the rise of the art film in the 1920s in competition with mainstream Hollywood productions. 
546 |a English 
650 7 |a Films, cinema  |2 bicssc 
650 7 |a Media studies  |2 bicssc 
650 7 |a 20th century history: c 1900 to c 2000  |2 bicssc 
650 7 |a Cinema industry  |2 bicssc 
650 7 |a Popular culture  |2 bicssc 
650 7 |a Australasia  |2 bicssc 
653 |a film, movies, cinema, silent film, Hollywood, popular entertainment, European, Australia 
776 |z 1-905816-89-8 
906 |a BOOK 
ADM |b 2023-12-15 05:57:37 Europe/Vienna  |f system  |c marc21  |a 2022-04-30 21:31:43 Europe/Vienna  |g false 
AVE |i DOAB Directory of Open Access Books  |P DOAB Directory of Open Access Books  |x https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5337760580004498&Force_direct=true  |Z 5337760580004498  |b Available  |8 5337760580004498