Worlding the South : : nineteenth-century literary culture and the southern settler colonies / / [edited by] Sarah Comyn, Porscha Fermanis.

This collection brings together for the first time literary studies of British colonies in nineteenth-century Australia, New Zealand, South Africa, South America, Southeast Asia, and the South Pacific Islands. Drawing on hemispheric studies, Indigenous studies, and southern theory to decentre Britis...

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Bibliographic Details
Superior document:Interventions: rethinking the nineteenth century
HerausgeberIn:
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Place / Publishing House:Manchester, UK : : Manchester University Press,, 2021.
©2021
Year of Publication:2021
Language:English
Series:Interventions: rethinking the nineteenth century (Series).
Physical Description:1 online resource (464 pages) :; digital file(s).
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Other title:Worlding the south
Summary:This collection brings together for the first time literary studies of British colonies in nineteenth-century Australia, New Zealand, South Africa, South America, Southeast Asia, and the South Pacific Islands. Drawing on hemispheric studies, Indigenous studies, and southern theory to decentre British and other European metropoles, the collection offers a groundbreaking challenge to national paradigms and traditional literary periodisations and canons by prioritising southern cultural networks in multiple regional centres from Cape Town to Dunedin. Worlding the South examines the dialectics of literary worldedness in ways that recognise inequalities of power, textual and material violence, and literary and cultural resistance. The collection revises current literary histories of the 'British world' by arguing for the distinctiveness of settler colonialism in the southern hemisphere, and by incorporating Indigenous, diasporic, and south-south perspectives.
"This collection brings together for the first time literary studies of British colonies in nineteenth-century Australia, New Zealand, South Africa, South America, Southeast Asia and the South Pacific Islands. Drawing on hemispheric studies, Indigenous studies and southern theory to decentre British and other European metropoles, the collection offers a groundbreaking challenge to national paradigms and traditional literary periodisations and canons by proposing a new literary history of the region that is predicated less on metropolitan turning points and more on southern cultural networks in multiple regional centres from Cape Town to Dunedin. With a focus on south-south interactions, southern audiences and southern modes of addressivity Worlding the South foregrounds marginal, minor and neglected writers and texts across a hemispheric complex of southern oceans and terrains. Adopting an ontological tradition that tests the dominance of networked theories of globalisation, the collection asks how we can better understand the dialectical relationship between the 'real' world in which a literary text or art object exists and the symbolic or conceptual world it shows or creates. By examining the literary processes of worlding, it demonstrates how art objects make legible homogenising imperial and colonial narratives, inequalities of linguistic power, textual and material violence and literary and cultural resistance. With contributions from leading scholars in nineteenth-century literary and cultural studies, the collection revises literary histories of the 'British world' by arguing for the distinctiveness of settler colonialism in the southern hemisphere and by incorporating Indigenous, diasporic and south-south perspectives." -- Back cover.
Audience:The key market for this book is students and lecturers working on nineteenth-century literature, history, and culture, particularly those focused on settler colonialism in the southern hemisphere.
ISBN:1526152894
Hierarchical level:Monograph
Statement of Responsibility: [edited by] Sarah Comyn, Porscha Fermanis.