Cinema's Doppelgängers

"Cinema’s Doppelgängers is a counterfactual history of the cinema – or, perhaps, a work of speculative fiction in the guise of a scholarly history of film and movie guide. That is, it’s a history of the movies written from an alternative unfolding of historical time – a world in which neither t...

Full description

Saved in:
Bibliographic Details
:
Year of Publication:2021
Language:English
Physical Description:1 electronic resource (386 p.)
Tags: Add Tag
No Tags, Be the first to tag this record!
LEADER 02065nam-a2200277z--4500
001 993544970704498
005 20231214133537.0
006 m o d
007 cr|mn|---annan
008 202102s2021 xx |||||o ||| 0|eng d
035 |a (CKB)5590000000501167 
035 |a (oapen)https://directory.doabooks.org/handle/20.500.12854/70795 
035 |a (EXLCZ)995590000000501167 
041 0 |a eng 
100 1 |a Dibbern, Doug  |4 auth 
245 1 0 |a Cinema's Doppelgängers 
260 |a Brooklyn, NY  |b punctum books  |c 2021 
300 |a 1 electronic resource (386 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
520 |a "Cinema’s Doppelgängers is a counterfactual history of the cinema – or, perhaps, a work of speculative fiction in the guise of a scholarly history of film and movie guide. That is, it’s a history of the movies written from an alternative unfolding of historical time – a world in which neither the Bolsheviks nor the Nazis came to power, and thus a world in which Sergei Eisenstein never made movies and German filmmakers like Fritz Lang never fled to Hollywood, a world in which the talkies were invented in 1936 rather than 1927, in which the French New Wave critics didn’t become filmmakers, and in which Hitchcock never came to Hollywood. The book attempts, on the one hand, to explore and expand upon the intrinsically creative nature of all historical writing; like all works of fiction, its ultimate goal is to be a work of art in and of itself. But it also aims, on the other hand, to be a legitimate examination of the relationship between the economic and political organization of nations and film industries and the resulting aesthetics of film and thus of the dominant ideas and values of film scholarship and criticism." 
546 |a English 
650 7 |a Film theory & criticism  |2 bicssc 
653 |a aternative realism, cinema, film history, film studies, historiography, speculative fiction 
776 |z 1-953035-62-0 
906 |a BOOK 
ADM |b 2023-12-15 05:57:18 Europe/Vienna  |f system  |c marc21  |a 2021-07-03 22:25:50 Europe/Vienna  |g false 
AVE |i DOAB Directory of Open Access Books  |P DOAB Directory of Open Access Books  |x https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5337773770004498&Force_direct=true  |Z 5337773770004498  |b Available  |8 5337773770004498