Das Flüchtige Werk : : Pianistische Improvisationen der Beethoven-Zeit / / edited by Michael Lehner, [and three others].

The goal of this volume is to examine and describe the manifold improvisational culture around 1800. Therefore, different viewpoints are brought together, the focus lies, besides traditional source analysis, on methods and approaches of historical performance practice und historically informed music...

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Bibliographic Details
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Place / Publishing House:Schliengen, Germany : : Edition Argus,, 2019.
Year of Publication:2019
Language:German
Physical Description:1 online resource (270 pages) :; illustrations
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Other title:Flüchtige Werk
Flüchtige Werk
Summary:The goal of this volume is to examine and describe the manifold improvisational culture around 1800. Therefore, different viewpoints are brought together, the focus lies, besides traditional source analysis, on methods and approaches of historical performance practice und historically informed music theory. What were the different esthetical viewpoints on pianistic improvisation? What were the standard models and conventional designs of improvised piano music of that time? How was improvisation taught? How can the conflict between generic approaches and the ideal of unmistakable individuality of the performer be described? Therefore, a variety of sources is examined by the contributors to this volume: italian partimenti, composed music that is guided by improvisational thinking (like Fantasia and Capriccio) textbooks, teaching documents, concert reports etc ... Besides the outstanding significance of Beethoven as improviser (already noted and admired by his contemporaries), this anthology tries to give a fuller picture by sheding light on then well-known figures like Ciacomo Tritto, Carl Czerny, Joseph Preindl, Joseph Lipavsky, Justin Heinrich Knecht and others.
Hierarchical level:Monograph
Statement of Responsibility: edited by Michael Lehner, [and three others].