Identidad y política en la música del cine chileno (1939-1973) / / Martín Farías.

This book analyzes the uses of music in the cinema in Chile in terms of meaning and interpretation, considering the socio-political circumstances that have marked the country during the 20th century. The time frame of this research ranges from 1939 when the sustained production of films with optical...

Full description

Saved in:
Bibliographic Details
VerfasserIn:
Place / Publishing House:Santiago, Chile : : Ariadna Ediciones,, 2021.
Year of Publication:2021
Edition:Primera edición.
Language:Spanish
Physical Description:1 online resource (240 pages) :; illustrations
Tags: Add Tag
No Tags, Be the first to tag this record!
LEADER 02108nam a2200337 i 4500
001 993544963704498
005 20221223113044.0
006 m o d
007 cr |||||||||||
008 221223s2021 cl a o 000 0 spa d
020 |a 979-1-03-655829-0 
035 |a (CKB)5590000000517602 
035 |a (NjHacI)995590000000517602 
035 |a (FrMaCLE)OB-ariadnaediciones-8480 
035 |a (oapen)https://directory.doabooks.org/handle/20.500.12854/70952 
035 |a (MiAaPQ)EBC7174927 
035 |a (Au-PeEL)EBL7174927 
035 |a (OCoLC)1262681634 
035 |a (PPN)25939288X 
035 |a (EXLCZ)995590000000517602 
040 |a NjHacI  |b eng  |e rda  |c NjHacl 
041 |a spa 
043 |a s-cl--- 
050 4 |a M1500.P293  |b .F37 2021 
082 0 4 |a 782.812  |2 23 
100 1 |a Farías, Martín,  |e author. 
245 1 0 |a Identidad y política en la música del cine chileno (1939-1973) /  |c Martín Farías. 
250 |a Primera edición. 
260 |a Santiago  |b Ariadna Ediciones  |c 2021 
264 1 |a Santiago, Chile :  |b Ariadna Ediciones,  |c 2021. 
300 |a 1 online resource (240 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
588 |a Description based on: online resource; title from PDF information screen (Ariadna Ediciones, viewed December 23, 2022). 
520 |a This book analyzes the uses of music in the cinema in Chile in terms of meaning and interpretation, considering the socio-political circumstances that have marked the country during the 20th century. The time frame of this research ranges from 1939 when the sustained production of films with optical sound was established in the country and 1973, when the civil-military coup d'état destroyed all the pillars of the cultural field in Chile and many filmmakers and composers left for the exile. This work aims to challenge existing historiography and research by emphasizing the sound dimension of Chilean cinema. Far from being a secondary and decorative aspect, music has been a central element in different moments and practices of Chilean cinema both internally in its formal and narrative proposals and externally in its discursiveness and links with the social and political. 
546 |a Spanish 
540 |a OpenEdition Books License  |u https://www.openedition.org/12554 
650 0 |a Dramatic music  |z Chile  |y 20th century  |x History and criticism. 
650 0 |a Motion picture music  |z Chile  |x History and criticism  |y 20th century. 
653 |a Chilean cinema 
653 |a soundtracks 
653 |a social function of music 
653 |a cultural history 
776 |z 956-6095-18-X 
906 |a BOOK 
ADM |b 2024-01-16 02:10:17 Europe/Vienna  |f system  |c marc21  |a 2021-07-17 22:16:21 Europe/Vienna  |g false 
AVE |i DOAB Directory of Open Access Books  |P DOAB Directory of Open Access Books  |x https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5340284200004498&Force_direct=true  |Z 5340284200004498  |b Available  |8 5340284200004498