Forms of emotion : : human to nonhuman in drama, theatre and contemporary performance / / Peta Tait.
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Superior document: | Routledge Advances in Theatre and Performance Studies |
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VerfasserIn: | |
Place / Publishing House: | London, England ;, New York, New York : : Routledge,, [2022] ©2022 |
Year of Publication: | 2022 |
Language: | English |
Series: | Routledge Advances in Theatre and Performance Studies
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Physical Description: | 1 online resource (266 pages) |
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245 | 1 | 0 | |a Forms of emotion : |b human to nonhuman in drama, theatre and contemporary performance / |c Peta Tait. |
264 | 1 | |a London, England ; |a New York, New York : |b Routledge, |c [2022] | |
264 | 4 | |c ©2022 | |
300 | |a 1 online resource (266 pages) | ||
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490 | 1 | |a Routledge Advances in Theatre and Performance Studies | |
505 | 0 | |a Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Contents -- List of figures -- Acknowledgements -- Introduction -- Chapter summaries -- Framing the emotions, emotional feeling, mood and affect -- Performing is not feeling that emotion -- 1. Affect theory and performance intention -- Distinctions in performance -- Feeling divided -- Affect currents -- Contested intentions -- Live - in theory -- Impersonal affect and personal feeling -- Presence and transmission -- Resistance -- Formless affect and aesthetic form -- 2. Judging pity, fear and humanness -- Pity and fear in action -- Fear of shame -- Opposition shocks -- Wonder and catharsis -- Mimetic natures -- Towards compassion -- Fear and animalness -- 3. Appraising emotional feeling -- Talk of feeling -- Navigating obstruction -- Substitute passions -- Appraisal of emotional feeling -- Ugly metaphor -- Inexplicable feeling -- Cruel structures of colonized feeling -- 4. Performing moods, tears and bodily phenomena -- Theatrical exchange -- Modernist convergence -- Acting an inner self -- Imagined spaces of longing and happiness -- Doing bodily affect -- Performing freedom -- Unifying aesthetic moods -- 5. Political belief and social cognition of emotions -- Contesting courage -- Acting science and the brain-body -- Trauma's affect -- Unifying empathy -- Theatre's emotional economy -- Emotional feeling as belief -- 6. En/Acting diverse emotional freedoms -- Rule-breaking paradox -- Love's force fields -- Human right to emotional feeling -- Politics of fear -- Rage against postemotional denial -- Theatrical freedoms -- 7. Animals and anthropocentric emotionalism -- Comic surrogates -- Tragic symbols -- Sensory body insensitivity -- Performing emotional connections -- 8. Enveloping the nonhuman: Contemporary indigenous performance -- Collaborating traditions. | |
505 | 8 | |a Continuities in storytelling -- Bodily perceiving movement -- Unity in Bangarra's Dark Emu -- Enveloping affect and emotional movement -- Feeling knowledge and nonhuman time -- 9. Prosodies of affect and emotional climates -- Walking, trusting -- Weather worlds -- Motivating -- Breathing -- Sharing -- Conclusion: Emotional freedom in performance -- References -- Index. | |
588 | |a Description based on print version record. | ||
504 | |a Includes bibliographical references and index. | ||
650 | 0 | |a Performing arts |x Psychological aspects. | |
650 | 0 | |a Emotions |x Psychological aspects. | |
650 | 0 | |a Animal psychology. | |
655 | 4 | |a Electronic books. | |
776 | |z 0-367-64497-5 | ||
830 | 0 | |a Routledge Advances in Theatre and Performance Studies | |
906 | |a BOOK | ||
ADM | |b 2022-07-27 01:53:47 Europe/Vienna |f system |c marc21 |a 2021-10-09 22:12:07 Europe/Vienna |g false | ||
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