Articulating the ?ijaba : : Cultural Patronage and Political Legitimacy in Al-Andalus / / Mariam Rosser-Owen.
In Articulating the Ḥijāba, Mariam Rosser-Owen analyses for the first time the artistic and cultural patronage of the ‘Amirid regents of the last Cordoban Umayyad caliph, Hisham II, a period rarely covered in the historiography of al-Andalus.; Readership: All interested in the history, literature, a...
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Superior document: | Handbook of Oriental Studies. Section 1 the near and Middle East Series ; Volume 156. |
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Place / Publishing House: | Leiden, The Netherlands : : Koninklijke Brill NV,, [2022] ©2022 |
Year of Publication: | 2022 |
Edition: | First edition. |
Language: | English |
Series: | Handbuch der Orientalistik. Nahe und der Mittlere Osten ;
Volume 156. |
Physical Description: | 1 online resource (xxvi, 478 pages) :; illustrations, maps |
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100 | 1 | |a Rosser-Owen, Mariam, |e author. | |
245 | 1 | 0 | |a Articulating the ?ijaba : |b Cultural Patronage and Political Legitimacy in Al-Andalus / |c Mariam Rosser-Owen. |
250 | |a First edition. | ||
264 | 1 | |a Leiden, The Netherlands : |b Koninklijke Brill NV, |c [2022] | |
264 | 4 | |c ©2022 | |
300 | |a 1 online resource (xxvi, 478 pages) : |b illustrations, maps | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 1 | |a Handbook of Oriental Studies. Section 1 the near and Middle East Series ; |v Volume 156. | |
588 | |a Description based on: online resource; title from PDF information screen (JSTOR, viewed September 10, 2022). | ||
520 | |a In Articulating the Ḥijāba, Mariam Rosser-Owen analyses for the first time the artistic and cultural patronage of the ‘Amirid regents of the last Cordoban Umayyad caliph, Hisham II, a period rarely covered in the historiography of al-Andalus.; Readership: All interested in the history, literature, art, architecture and archaeology of medieval Islamic Iberia, relations with the Maghrib, the organisation of artistic workshops, and the patronage and meaning of artworks | ||
546 | |a English | ||
505 | 0 | |a Intro -- Contents -- Acknowledgements -- Figures -- Abbreviations -- Maps -- Introduction -- Chapter 1 Al-Dawla al-ʿĀmiriyya: Constructing the ʿĀmirid State -- 1 Succession Crisis -- 2 Regency -- 3 The Maghrib -- 4 Conspicuous Piety -- 5 The Rise to Power -- 6 Al-Manṣūr -- 7 The Culmination of Power -- 8 Rupture -- 9 Restoration -- 10 Inheritance -- Chapter 2 Appropriating Diplomacy: The ʿĀmirid Court -- 1 The 'Ceremonial Idiom' -- 2 Tools of Diplomacy -- 2.1 Gifts -- 2.2 Dynastic Marriages -- 3 ʿĀmirid Diplomatic Relations -- 4 Diplomatic Exchange with the Maghrib -- 5 Objects of Exchange -- Chapter 3 'The Creation of Loyalty': Public and Private Staging of the ʿĀmirid Court -- 1 Elegance and Eloquence: the Literary Court -- 2 Private Poetry -- 3 A Culture of Learning -- Chapter 4 Architecture as Titulature: al-Madīnat al-Zāhira -- 1 Looking for al-Zāhira -- 2 Reconstructing the Palace -- 3 Reconstructing the City -- 3.1 The Mosque -- 3.2 Organs of State Bureaucracy -- 3.3 Walls -- 4 Why Did al-Manṣūr Build al-Madīnat al-Zāhira? -- 5 What Did al-Madīnat al-Zāhira Look Like? -- Chapter 5 The Politics of Piety: Al-Manṣūr's Extension to the Great Mosque of Cordoba -- 1 The Pre-ʿĀmirid Mosque -- 2 The ʿĀmirid Mosque (Figure 49) -- 2.1 Analysis of the Interior -- 2.1.1 'Decorative Differences' That Can be Explained through the Need for Practical Solutions to Existing Construction Issues (See plan in Figure 49) -- 2.1.1.1 Double Qibla Wall Not Continued -- 2.1.1.2 Five-Lobed Arches to Resolve Disparity along the New Courtyard Façade -- 2.1.1.3 Five-Lobed and Pointed Arches to Resolve Disparity within the Northern Zone -- 2.1.1.4 Introduction of Lead Discs -- 2.1.2 Architectural Differences in Cordoba IV That Seem Purely Decorative, and Can Be Read as Ostentatiously Costly -- 2.1.2.1 Stone Construction -- 2.1.2.2 Increasing Complexity of Roll Corbels. | |
505 | 8 | |a 2.1.2.3 New Decorative Elements on the External Gates -- 2.1.3 Architectural Features That Were Imitated from the Earlier Mosque -- 2.1.3.1 Continuation of Transverse Arcade Running Parallel to Qibla Wall -- 2.1.3.2 Arcade of Large Horseshoes along Longitudinal Wall -- 2.1.3.3 Alternating Pattern of Coloured Columns -- 2.1.3.4 Newly-Carved Stone Capitals -- 2.1.3.5 Imitation of al-Ḥakam's Original Eastern Façade -- 2.1.4 ʿĀmirid Interventions into al-Ḥakam's Prayer Hall -- 2.1.4.1 Addition of Transverse Arcade along the Qibla Wall -- 2.1.4.2 An ʿĀmirid Tribune in the Maqṣūra? -- 3 Qurʾānic Inscriptions at the Great Mosque of Cordoba -- 3.1 Reading al-Manṣūr's Extension: the ʿĀmirid Epigraphic Programme on the Eastern Façade (Figure 67) -- Chapter 6 The Dār al-Ṣināʿa: ʿĀmirid Patronage of the Luxury Arts -- 1 The Origins of the Dār al-Ṣināʿa -- 1.1 Structure of the Industry -- 1.2 Craftsmen Working across Media -- 1.3 Materials -- 1.3.1 Stone and Marble -- 1.3.2 Ivory -- 1.3.3 Perfumes and Perfume Containers -- 1.3.4 Other Object Types -- 2 Iṣtināʿ: The Strategic Use of Objects -- 2.1 Precedents for Patronage: The Two Jaʿfars -- 2.2 Anonymous Objects -- 2.3 How al-Manṣūr Used Objects -- Chapter 7 Building a Corpus of ʿĀmirid Art -- 1 Objects Associated with al-Manṣūr -- 1.1 The Andalusiyyīn Minbar (Dated 369/980 and 375/985 -- Figures 5-7 -- Appendix 4.4) -- 1.2 Al-Manṣūr's Marble Basin (Dated 377/987-8 -- Figures 108-109, 113-118 -- Appendix 4.7) -- 2 Objects Associated with ʿAbd al-Malik al-Muẓaffar (r. 1002-8) -- 2.1 The Pamplona Casket (Dated 395/1004-5 -- Figures 120-127 -- Appendix 4.11) -- 2.2 The Braga Pyxis (Datable 1004-8, Figures 11, 15 -- Appendix 4.12) -- 2.3 Marble Basins -- 2.3.1 Basin Made for ʿAbd al-Malik (Datable 1004-7, Figures 128-133 -- Appendix 4.13) -- 2.3.2 Basin Made for ʿAbd al-Malik, Found in Toledo (Appendix 4.14). | |
505 | 8 | |a 2.3.3 Fragments from a Basin, Found at the Alhambra (Figures 134-135, Appendix 4.15) -- 2.4 The 'Suaire de Saint Lazare' (Datable 1007-8) and Its Comparanda (Figures 84, 136 -- Appendix 4.18) -- 2.5 An ʿĀmirid Minbar for the al-Qarawiyyīn Mosque? (Appendix 4.17) -- 3 Objects Associated with ʿAbd al-Raḥmān 'Sanchuelo' -- 3.1 The 'Ashmolean' Pyxis (Dated 389/999, Figures 139-141, Appendix 4.10) -- 3.2 The Xàtiva Basin (Figures 142-143) -- 4 ʿĀmirid Objects without Designated Patrons -- 4.1 Ivories -- 4.1.1 The Doha Casket (Dated 394/1003-4, Figures 145-146, Appendix 4.16) -- 4.1.2 The Bargello and V& -- A Caskets (Figures 148-155 -- Appendix 4.19) -- 4.1.3 The Metropolitan Museum Panel (Figure 32) -- 4.1.4 Ivories from San Millán de la Cogolla -- 4.2 Stone and Marble -- 4.2.1 The 'Bādīs Basin' (Figures 156-158, Appendix 4.20) -- 4.2.2 Other Objects in 'the Large Basin Group' -- 4.2.3 Small Basins -- 4.2.3.1 Basin in Madrid -- 4.2.3.2 Basin in Seville -- 4.2.3.3 Small basin in Granada -- 4.2.3.4 Border fragment in Cordoba -- 4.2.3.5 Side fragment in Seville -- 5 The Language of ʿĀmirid Art -- Chapter 8 Poems in Stone: Imagery, Text and Meaning in ʿĀmirid Art -- 1 Poetic and Visual Imagery -- 1.1 The Lion and Gazelle (Figure 157) -- 1.2 Nature Imagery -- 1.3 The 'Heraldic' Eagle (Figures 116, 132, 158) -- 1.3.1 Banners -- 1.4 The Tale of the Tortoise and Two Ducks -- 2 Text and Image in ʿĀmirid Art -- 2.1 Visualising the Ideal Ruler -- Conclusion -- Appendix 1 Genealogy of the Banū Abī ʿĀmir, 711-1085 -- Appendix 2 Timeline of al-Manṣūr's Main Campaigns and Offices Held -- Appendix 3a Qurʾānic Inscriptions inside the Cordoba Mosque -- Appendix 3b Qurʾānic Inscriptions on the Eastern Façade of the Cordoba Mosque -- Appendix 4 Inscriptions on Objects Made for the ʿĀmirids -- Bibliography -- Index. | |
588 | |a Description based on print version record. | ||
504 | |a Includes bibliographical references and index. | ||
650 | 0 | |a Muslims |z Spain |x History. | |
651 | 0 | |a Spain |x Civilization |y 711-1516. | |
651 | 0 | |a Córdoba (Spain) |x History. | |
651 | 0 | |a Spain |x Kings and rulers. | |
600 | 3 | 0 | |a Umayyad dynasty. |
776 | |z 90-04-46913-3 | ||
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