History and Drama : : the Pan-European tradition / / Joachim Küpper, Jan Mosch, Elena Penskaya.
Aristotle's neat compartmentalization notwithstanding (Poetics, ch. 9), historians and playwrights have both been laying claim to representations of the past - arguably since Antiquity, but certainly since the Renaissance. At a time when narratology challenges historiographers to differentiate...
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Place / Publishing House: | Berlin : : De Gruyter,, 2019. |
Year of Publication: | 2019 |
Language: | English |
Physical Description: | 1 online resource (viii, 202 pages) :; illustrations |
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Table of Contents:
- Frontmatter
- Acknowledgments
- Contents
- Introduction
- Literature and Historiography in Aristotle and in Modern Times
- History, Myth, and Early Modern Drama
- King Arthur in Medieval French Literature: History and Fiction, the Sense of the Tragic, and the Role of Dreams in La Mort le Roi Artu
- When History Does Not Fit into Drama: Some Thoughts on the Absence of King Arthur in Early Modern Plays
- Machiavelli's Soteriology and the Humanist Quattrocento Dialogue
- Lucretia without Poniard: Pieter Corneliszoon Hooft's Geeraerdt van Velsen between Livy and Tacitus
- The Historical Writing of Catherine II: Dynasty and Self-Fashioning in The Chesme Palace (Chesmenskii Dvorets)
- History - Drama - Mythology
- Fielding's Farces: Travestying the Historiosophical Discourse
- Ostrovsky's Experience of the Creation of the European Theatrical Canon and Russian Stage Practice: Personal Preferences and General Trends
- The Bildungsdrama and Alexander Ostrovsky's Plays
- "Sail[ing] on the Pathless Deep": Michael Madhusudan Datta's Dramatic Entanglements
- The Crystallization of Early Modern European Drama in the Folk-Theater Tradition in Tyrol: The Marienberg Griseldis from 1713, Staged in 2016
- Rhetorical Ventriloquism in Application
- Notes on Contributors
- Index.