History and Drama : : the Pan-European tradition / / Joachim Küpper, Jan Mosch, Elena Penskaya.

Aristotle's neat compartmentalization notwithstanding (Poetics, ch. 9), historians and playwrights have both been laying claim to representations of the past - arguably since Antiquity, but certainly since the Renaissance. At a time when narratology challenges historiographers to differentiate...

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Place / Publishing House:Berlin : : De Gruyter,, 2019.
Year of Publication:2019
Language:English
Physical Description:1 online resource (viii, 202 pages) :; illustrations
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Table of Contents:
  • Frontmatter
  • Acknowledgments
  • Contents
  • Introduction
  • Literature and Historiography in Aristotle and in Modern Times
  • History, Myth, and Early Modern Drama
  • King Arthur in Medieval French Literature: History and Fiction, the Sense of the Tragic, and the Role of Dreams in La Mort le Roi Artu
  • When History Does Not Fit into Drama: Some Thoughts on the Absence of King Arthur in Early Modern Plays
  • Machiavelli's Soteriology and the Humanist Quattrocento Dialogue
  • Lucretia without Poniard: Pieter Corneliszoon Hooft's Geeraerdt van Velsen between Livy and Tacitus
  • The Historical Writing of Catherine II: Dynasty and Self-Fashioning in The Chesme Palace (Chesmenskii Dvorets)
  • History - Drama - Mythology
  • Fielding's Farces: Travestying the Historiosophical Discourse
  • Ostrovsky's Experience of the Creation of the European Theatrical Canon and Russian Stage Practice: Personal Preferences and General Trends
  • The Bildungsdrama and Alexander Ostrovsky's Plays
  • "Sail[ing] on the Pathless Deep": Michael Madhusudan Datta's Dramatic Entanglements
  • The Crystallization of Early Modern European Drama in the Folk-Theater Tradition in Tyrol: The Marienberg Griseldis from 1713, Staged in 2016
  • Rhetorical Ventriloquism in Application
  • Notes on Contributors
  • Index.