Red Glow : : Yugoslav Partisan Photography and Social Movement, 1941-1945 / / Davor Konjikušić; ed. by Rosa-Luxemburg-Stiftung.

Davor Konjikušić offers an in-depth presentation and contextualization of the photographs created by Yugoslav partisans between 1941 and 1945. The book goes beyond an aesthetic depiction of the photographs; it also deals with the history of their use and function within one of the biggest anti-fasci...

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Place / Publishing House:München ;, Berlin : : Deutscher Kunstverlag (DKV), , [2021]
©2022
Year of Publication:2021
Language:English
Physical Description:1 online resource (423 p.)
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245 1 0 |a Red Glow :  |b Yugoslav Partisan Photography and Social Movement, 1941-1945 /  |c Davor Konjikušić; ed. by Rosa-Luxemburg-Stiftung. 
260 |a Berlin/Boston  |b De Gruyter  |c 2021 
264 1 |a München ;  |a Berlin :   |b Deutscher Kunstverlag (DKV),   |c [2021] 
264 4 |c ©2022 
300 |a 1 online resource (423 p.) 
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588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 17. Dez 2021) 
540 |a This eBook is made available Open Access under a CC BY-NC-ND 4.0 license:   |u https://creativecommons.org/licenses/by-nc-nd/4.0   |u https://www.degruyter.com/dg/page/open-access-policy 
520 |a Davor Konjikušić offers an in-depth presentation and contextualization of the photographs created by Yugoslav partisans between 1941 and 1945. The book goes beyond an aesthetic depiction of the photographs; it also deals with the history of their use and function within one of the biggest anti-fascist movements in Europe during the Second World War. The photographs are used to trace the development of a movement that-while seemingly doomed to certain failure-nevertheless survived the most destructive war in human history. This book provides new answers to the question of photography's role as a medium and its significance and use in social movements. 
546 |a In English. 
530 |a Issued also in print. 
505 0 0 |t Frontmatter --   |t Contents --   |t Photography, First and Foremost --   |t 'You're Taking Pictures, While We're Being Killed!' On Materiality, Art, and the Civil Contract of the Partisan Photo Archive --   |t 1. Introduction --   |t 2. The Battleground of Representation: From the Paris Commune to Nazism --   |t 3. The Social Contexts of Photography and Its Development between the Two World Wars --   |t 4. The Red Glow of Partisan Photography --   |t 5. Photography and Propaganda --   |t 6. Partisan Photography's Revolutionary Perspective --   |t 7. Iconic Photographs --   |t 8. Intelligence Uses of Photography and Trophy Photos of Atrocities --   |t 9. Photo Archive: The Themes and Subject Matter of Partisan Photography --   |t 10. Conclusion --   |t List of Partisan Photographers --   |t Bibliography 
650 7 |a HISTORY / Military / World War II.  |2 bisacsh 
653 |a Documentary photography 
653 |a Resistance movement 
776 |z 3-422-98640-5 
700 1 |a Horvatinčić, Sanja,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Klasić, Hrvoje,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Rosa-Luxemburg-Stiftung, ,   |e editor.  |4 edt  |4 http://id.loc.gov/vocabulary/relators/edt 
906 |a BOOK 
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