Modes of Knowing : Resources from the Baroque / / edited by John Law and Evelyn Ruppert

How might we think differently? This book is an attempt to respond to this question. Its contributors are all interested in non-standard modes of knowing. They are all more or less uneasy with the restrictions or the agendas implied by academic modes of knowing, and they have chosen to do this by wo...

Full description

Saved in:
Bibliographic Details
:
TeilnehmendeR:
Place / Publishing House:Manchester : : Mattering Press,, 2016
©2016
Year of Publication:2016
Language:English
Physical Description:1 online resource (1 online resource)
Tags: Add Tag
No Tags, Be the first to tag this record!
id 993544596104498
ctrlnum (CKB)5590000000430783
(OCoLC)1006344023
(MdBmJHUP)muse95586
(oapen)https://directory.doabooks.org/handle/20.500.12854/53797
(EXLCZ)995590000000430783
collection bib_alma
record_format marc
spelling John Law, Evelyn Ruppert auth
Modes of Knowing Resources from the Baroque / edited by John Law and Evelyn Ruppert
Mattering Press 2016
Manchester : Mattering Press, 2016
©2016
1 online resource (1 online resource)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
Description based on print version record.
How might we think differently? This book is an attempt to respond to this question. Its contributors are all interested in non-standard modes of knowing. They are all more or less uneasy with the restrictions or the agendas implied by academic modes of knowing, and they have chosen to do this by working with, through, or against one important Western alternative - that of the baroque. Why the baroque? One answer is that the baroque made space for and fostered many forms of otherness. It involved knowing things differently, extravagantly, excessively, and in materially heterogeneous ways, and it apprehended that which is other and could not be caught in a cognitive or symbolic net. It also involved knowing in ways that did not gather into a single point and knew itself to be performative. As part of a great Western division between rationalist and non-rationalist modes of knowing, the baroque is therefore a possible resource for creating ways of knowing differently - a storehouse of possible alternative techniques. To say this is not to say that it is the right mode of knowing. The book's authors do not seek to create a 'baroque social science' whatever that might be, but instead work in a range of ways to explore how drawing on the 'resources of the baroque' can help us to think differently.
English
Philosophy of mind fast (OCoLC)fst01060840
Other (Philosophy) fast (OCoLC)fst01048904
Knowledge, Theory of fast (OCoLC)fst00988194
Arts, Baroque fast (OCoLC)fst00817918
Philosophy of mind
Other (Philosophy)
Arts, Baroque
Knowledge, Theory of
Electronic books.
Sociology (General)
0-9931449-9-3
Ruppert, Evelyn Sharon, 1959- editor.
Law, John, 1946- editor.
language English
format eBook
author John Law, Evelyn Ruppert
spellingShingle John Law, Evelyn Ruppert
Modes of Knowing Resources from the Baroque /
author_facet John Law, Evelyn Ruppert
Ruppert, Evelyn Sharon, 1959-
Law, John, 1946-
author_variant l e r j ler lerj
author2 Ruppert, Evelyn Sharon, 1959-
Law, John, 1946-
author2_variant e s r es esr
j l jl
author2_role TeilnehmendeR
TeilnehmendeR
author_sort John Law, Evelyn Ruppert
title Modes of Knowing Resources from the Baroque /
title_sub Resources from the Baroque /
title_full Modes of Knowing Resources from the Baroque / edited by John Law and Evelyn Ruppert
title_fullStr Modes of Knowing Resources from the Baroque / edited by John Law and Evelyn Ruppert
title_full_unstemmed Modes of Knowing Resources from the Baroque / edited by John Law and Evelyn Ruppert
title_auth Modes of Knowing Resources from the Baroque /
title_new Modes of Knowing
title_sort modes of knowing resources from the baroque /
publisher Mattering Press
Mattering Press,
publishDate 2016
physical 1 online resource (1 online resource)
isbn 0-9931449-8-5
0-9931449-9-3
genre Electronic books.
genre_facet Electronic books.
illustrated Not Illustrated
oclc_num 1006344023
work_keys_str_mv AT johnlawevelynruppert modesofknowingresourcesfromthebaroque
AT ruppertevelynsharon modesofknowingresourcesfromthebaroque
AT lawjohn modesofknowingresourcesfromthebaroque
status_str c
ids_txt_mv (CKB)5590000000430783
(OCoLC)1006344023
(MdBmJHUP)muse95586
(oapen)https://directory.doabooks.org/handle/20.500.12854/53797
(EXLCZ)995590000000430783
carrierType_str_mv cr
is_hierarchy_title Modes of Knowing Resources from the Baroque /
author2_original_writing_str_mv noLinkedField
noLinkedField
_version_ 1796651476846641152
fullrecord <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02924cam a22004814a 4500</leader><controlfield tag="001">993544596104498</controlfield><controlfield tag="005">20230621140208.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr||||||||nn|n</controlfield><controlfield tag="008">171010s2016 uik o 00 0 eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0-9931449-8-5</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CKB)5590000000430783</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1006344023</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MdBmJHUP)muse95586</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(oapen)https://directory.doabooks.org/handle/20.500.12854/53797</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EXLCZ)995590000000430783</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">MdBmJHUP</subfield><subfield code="c">MdBmJHUP</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">John Law, Evelyn Ruppert</subfield><subfield code="4">auth</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Modes of Knowing</subfield><subfield code="b">Resources from the Baroque /</subfield><subfield code="c">edited by John Law and Evelyn Ruppert</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="b">Mattering Press</subfield><subfield code="c">2016</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Manchester :</subfield><subfield code="b">Mattering Press,</subfield><subfield code="c">2016</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (1 online resource)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on print version record.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">How might we think differently? This book is an attempt to respond to this question. Its contributors are all interested in non-standard modes of knowing. They are all more or less uneasy with the restrictions or the agendas implied by academic modes of knowing, and they have chosen to do this by working with, through, or against one important Western alternative - that of the baroque. Why the baroque? One answer is that the baroque made space for and fostered many forms of otherness. It involved knowing things differently, extravagantly, excessively, and in materially heterogeneous ways, and it apprehended that which is other and could not be caught in a cognitive or symbolic net. It also involved knowing in ways that did not gather into a single point and knew itself to be performative. As part of a great Western division between rationalist and non-rationalist modes of knowing, the baroque is therefore a possible resource for creating ways of knowing differently - a storehouse of possible alternative techniques. To say this is not to say that it is the right mode of knowing. The book's authors do not seek to create a 'baroque social science' whatever that might be, but instead work in a range of ways to explore how drawing on the 'resources of the baroque' can help us to think differently.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Philosophy of mind</subfield><subfield code="2">fast</subfield><subfield code="0">(OCoLC)fst01060840</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Other (Philosophy)</subfield><subfield code="2">fast</subfield><subfield code="0">(OCoLC)fst01048904</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Knowledge, Theory of</subfield><subfield code="2">fast</subfield><subfield code="0">(OCoLC)fst00988194</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Arts, Baroque</subfield><subfield code="2">fast</subfield><subfield code="0">(OCoLC)fst00817918</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Philosophy of mind</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Other (Philosophy)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Arts, Baroque</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Knowledge, Theory of</subfield></datafield><datafield tag="655" ind1=" " ind2="4"><subfield code="a">Electronic books. </subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Sociology (General)</subfield></datafield><datafield tag="776" ind1=" " ind2=" "><subfield code="z">0-9931449-9-3</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Ruppert, Evelyn Sharon,</subfield><subfield code="d">1959-</subfield><subfield code="e">editor.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Law, John,</subfield><subfield code="d">1946-</subfield><subfield code="e">editor.</subfield></datafield><datafield tag="906" ind1=" " ind2=" "><subfield code="a">BOOK</subfield></datafield><datafield tag="ADM" ind1=" " ind2=" "><subfield code="b">2023-08-29 03:33:15 Europe/Vienna</subfield><subfield code="f">system</subfield><subfield code="c">marc21</subfield><subfield code="a">2021-01-16 22:18:34 Europe/Vienna</subfield><subfield code="g">false</subfield></datafield><datafield tag="AVE" ind1=" " ind2=" "><subfield code="i">DOAB Directory of Open Access Books</subfield><subfield code="P">DOAB Directory of Open Access Books</subfield><subfield code="x">https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&amp;portfolio_pid=5337651390004498&amp;Force_direct=true</subfield><subfield code="Z">5337651390004498</subfield><subfield code="b">Available</subfield><subfield code="8">5337651390004498</subfield></datafield></record></collection>