Sergei M. Eisenstein : : notes for a general history of cinema / / edited by Naum Kleiman & Antonio Somaini ; translations from Russian by Margo Shohl Rosen, Brinton Tench Coxe, and Natalie Ryabchikova.
An iconic figure in twentieth-century cinema, Sergei M. Eisenstein directed landmark films such as Battleship Potemkin and Ivan the Terrible and authored a vast body of theoretical texts. This is the first English-language edition of his recently rediscovered notes for a 'general history of cin...
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Superior document: | Film theory in media history |
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VerfasserIn: | |
TeilnehmendeR: | |
Place / Publishing House: | Amsterdam : : Amsterdam University Press,, [2016] ©2016 |
Year of Publication: | 2016 |
Language: | English Russian |
Series: | Film theory in media history.
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Physical Description: | 1 online resource (545 pages) :; illustrations (black and white); digital file(s). |
Notes: | Translated from the Russian. |
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100 | 1 | |a Eisenstein, Sergei, |d 1898-1948, |e author. | |
245 | 1 | 0 | |a Sergei M. Eisenstein : |b notes for a general history of cinema / |c edited by Naum Kleiman & Antonio Somaini ; translations from Russian by Margo Shohl Rosen, Brinton Tench Coxe, and Natalie Ryabchikova. |
246 | 3 | 0 | |a Notes for a general history of cinema |
260 | |b Amsterdam University Press | ||
264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2016] | |
264 | 4 | |c ©2016 | |
300 | |a 1 online resource (545 pages) : |b illustrations (black and white); digital file(s). | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |2 rda | ||
490 | 1 | |a Film theory in media history | |
500 | |a Translated from the Russian. | ||
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Foreword / Naum Kleiman -- Cinema as "dynamic mummification," history as montage : Einstein's media archaeology / Antonio Somaini -- Notes for a general history of cinema / Sergei M. Eisenstein -- What renders Daumier's art so cinematic for Eisenstein? / Ada Ackerman -- "The heritage we renounce" : Eisenstein in historio-graphy / François Albera -- The Notes for a general history of cinema and the dialectic of the Eistensteinian image / Luka Arsenjuk -- Act now!, or For an untimely Eistenstein / Nico Baumbach -- Pathos and praxis (Eisenstein versus Barthes) / Georges Didi-Huberman -- Eisenstein's absolutely wonderful, totally impossible project / Jane Gaines -- Dynamic typicality / Abe Geil -- Archaeology vs. paleontology : a note on Eisenstein's Notes for a general history of cinema / Vinzenz Hediger -- Point--pathos--totality / Mikhail Iampolski -- Distant echoes / Arun Khopkar -- "Synthesis" of the arts or "friendly cooperation" between the arts? : the general history of cinema according to Eistenstein / Pietro Montani -- Eisenstein's mummy complex : temporality, trauma, and a distinction in Eisenstein's Notes for a general history of cinema / Philip Rosen -- Sergei Eisenstein and the Soviet models for the study of cinema, 1920s-1940s / Masha Salazkina and Natalie Ryabchikova. | |
520 | |a An iconic figure in twentieth-century cinema, Sergei M. Eisenstein directed landmark films such as Battleship Potemkin and Ivan the Terrible and authored a vast body of theoretical texts. This is the first English-language edition of his recently rediscovered notes for a 'general history of cinema.' In these, Eisenstein presents a fascinating genealogy of the media and art forms that preceded the birth of cinema and accompanied its first decades. Cinema is presented as a medium in constant flux and as heir to an expansive tradition, ranging from Dionysian mysteries to death masks and mummies, from wax museums to dioramas and panoramas, pursuing a breathtaking trajectory 'from Dionysus to television.' Eisenstein's notes are accompanied by a series of previously unpublished critical essays by internationally recognized Eisenstein scholars. | ||
530 | |a Also available in print form. | ||
546 | |a In English. | ||
588 | |a Description based on e-publication, viewed on July 14, 2021. | ||
600 | 1 | 0 | |a Eisenstein, Sergei, |d 1898-1948 |x Criticism and interpretation. |
650 | 0 | |a Motion pictures |x History. | |
700 | 1 | |a Kleĭman, N. I. |q (Naum I.), |e editor. | |
700 | 1 | |a Somaini, Antonio, |e editor. | |
700 | 1 | |a Rosen, Margo Shohl, |e translator. | |
700 | 1 | |a Coxe, Brinton Tench, |e translator. | |
700 | 1 | |a Ryabchikova, Natalie, |e translator. | |
776 | 0 | 8 | |i Print version: |t Sergei M. Eisenstein : notes for a general history of cinema. |d Amsterdam : Amsterdam University Press, ©2016 |z 9789089642837 |z 9089642838 |
830 | 0 | |a Film theory in media history. | |
906 | |a BOOK | ||
ADM | |b 2023-06-25 14:03:35 Europe/Vienna |d 00 |f system |c marc21 |a 2021-06-12 22:12:12 Europe/Vienna |g false | ||
AVE | |i DOAB Directory of Open Access Books |P DOAB Directory of Open Access Books |x https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5337650310004498&Force_direct=true |Z 5337650310004498 |b Available |8 5337650310004498 |