Shakespeare's Legal Ecologies : : law and distributed selfhood / / Kevin Curran.

Shakespeare's Legal Ecologies offers the first sustained examination of the relationship between law and selfhood in Shakespeare's work. Curran argues that law provided Shakespeare with the conceptual resources to imagine selfhood in social and distributed terms, as a product of interperso...

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Bibliographic Details
Superior document:Rethinking the Early Modern
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Place / Publishing House:Evanston, Illinois : : Northwestern University Press,, 2017.
Year of Publication:2017
Language:English
Series:Rethinking the Early Modern.
Physical Description:1 online resource (x, 179 pages).
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520 |a Shakespeare's Legal Ecologies offers the first sustained examination of the relationship between law and selfhood in Shakespeare's work. Curran argues that law provided Shakespeare with the conceptual resources to imagine selfhood in social and distributed terms, as a product of interpersonal exchange or gathering of various material forces. Curran reveals Shakespeare's distinctly communitarian vision of personal and political experience, the way he regarded living and acting in the world as materially and socially embedded practices. At the center of the book is Shakespeare's fascination with questions fundamental to law and philosophy: What are the sources of agency? For whom am I responsible, and how far does responsibility extend? Curran guides readers through Shakespeare's responses, paying attention to historical and intellectual contexts. The result is a new theory of Shakespeare's relationship to law and an original account of law's role in the ethical work of his writings. 
505 0 |a Introduction -- Property : land law and selfhood in Richard II -- Hospitality : managing otherness in the sonnets and the Merchant of Venice -- Criminality : the phenomenology of treason in Macbeth -- Judgment : the sociality of law in Hamlet and the Winter's Tale -- Coda: Shakespeare's ethics of exteriority. 
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600 1 0 |a Shakespeare, William,  |d 1564-1616. 
830 0 |a Rethinking the Early Modern. 
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