The Buddhist poetry of the Great Kamo Priestess : : Daisaiin Senshi and Hosshin Wakashū / / by Edward Kamens.

Senshi was born in 964 and died in 1035, in the Heian period of Japanese history (794–1185). Most of the poems discussed here are what may loosely be called Buddhist poems, since they deal with Buddhist scriptures, practices, and ideas. For this reason, most of them have been treated as examples of...

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Superior document:Michigan Monograph Series in Japanese Studies ; no. 5
:
VerfasserIn:
TeilnehmendeR:
Place / Publishing House:Ann Arbor, Michigan : : University of Michigan Press,, 1991.
Year of Publication:1991
Language:English
Series:Michigan monograph series in Japanese studies ; no. 5.
Physical Description:1 online resource (1 online resource xi, 170 pages.)
Notes:Includes the text of Hosshin Wakashū.
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245 1 4 |a The Buddhist poetry of the Great Kamo Priestess :  |b Daisaiin Senshi and Hosshin Wakashū /  |c by Edward Kamens. 
264 1 |a Ann Arbor, Michigan :  |b University of Michigan Press,  |c 1991. 
300 |a 1 online resource (1 online resource xi, 170 pages.) 
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490 1 |a Michigan Monograph Series in Japanese Studies ;  |v no. 5 
505 0 |a Cover -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Abbreviations -- Prologue -- Part One: The Great Kamo Priestess -- Part Two: A Reading of Hosshin Wakashū -- Epilogue -- Appendix: The Text of Hosshin Wakashū -- List of Characters for Names and Terms -- Bibliography -- Index -- About the Author 
520 |a Senshi was born in 964 and died in 1035, in the Heian period of Japanese history (794–1185). Most of the poems discussed here are what may loosely be called Buddhist poems, since they deal with Buddhist scriptures, practices, and ideas. For this reason, most of them have been treated as examples of a category or subgenre of waka called Shakkyoka, “Buddhist poems. Yet many Shakkyoka are more like other poems in the waka canon than they are unlike them. In the case of Senshi’s “Buddhist poems,” their language links them to the traditions of secular verse. Moreover, the poems use the essentially secular public literary language of waka to address and express serious and relatively private religious concerns and aspirations. In reading Senshi’s poems, it is as important to think about their relationship to the traditions and conventions of waka and to other waka texts as it is to think about their relationship to Buddhist thoughts, practices, and texts. The Buddhist Poetry of the Great Kamo Priestess creates a context for the reading of Senshi’s poems by presenting what is known and what has been thought about her and them. As such, it is a vital source for any reader of Senshi and other literature of the Heian period. 
546 |a English 
536 |a National Endowment for the Humanities 
500 |a Includes the text of Hosshin Wakashū. 
588 |a Description based on information from the publisher. 
542 |f This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License:  |u https://creativecommons.org/licenses/by-nc-nd/4.0/ 
504 |a Includes bibliographical references (pages 161-164) and index. 
540 |a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International  |f CC BY-NC-ND  |u https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode 
506 0 |f Unrestricted online access  |2 star 
650 0 |a Buddhism in literature. 
600 0 0 |a Senshi,  |c Princess, daughter of Murakami, Emperor of Japan,  |d 964-1035.  |t Hoshin wakashū. 
776 |z 0-472-03831-1 
700 1 2 |a Senshi,  |c Princess, daughter of Murakami, Emperor of Japan,  |d 964-1035.  |t Hosshin wakashū.  |f 1990. 
710 2 |a University of Michigan.  |b Center for Japanese Studies. 
830 0 |a Michigan monograph series in Japanese studies ;  |v no. 5. 
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