The Routledge handbook of the senses in the ancient Near East / / edited by Kiersten Neumann and Allison Thomason.

Saved in:
Bibliographic Details
Superior document:Routledge handbooks
TeilnehmendeR:
Place / Publishing House:London ;, New York, New York : : Routledge,, [2022]
©2022
Year of Publication:2022
Language:English
Series:Routledge handbooks.
Physical Description:1 online resource (771 pages)
Tags: Add Tag
No Tags, Be the first to tag this record!
LEADER 01619nam a2200385 i 4500
001 993543855704498
005 20220606100037.0
006 m o d |
007 cr#cnu||||||||
008 220606s2022 enkab ob 001 0 eng d
020 |a 0-429-28020-3 
020 |a 1-000-43642-X 
035 |a (CKB)4100000012009530 
035 |a (MiAaPQ)EBC6713936 
035 |a (Au-PeEL)EBL6713936 
035 |a (EXLCZ)994100000012009530 
040 |a MiAaPQ  |b eng  |e rda  |e pn  |c MiAaPQ  |d MiAaPQ 
043 |a aw----- 
050 4 |a BF233  |b .R688 2022 
082 0 |a 152.10956  |2 23 
245 0 4 |a The Routledge handbook of the senses in the ancient Near East /  |c edited by Kiersten Neumann and Allison Thomason. 
264 1 |a London ;  |a New York, New York :  |b Routledge,  |c [2022] 
264 4 |c ©2022 
300 |a 1 online resource (771 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Routledge handbooks 
505 0 |a Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- Figures -- Tables -- Contributors -- Acknowledgements -- Editors' Note -- Introduction -- What Is Sensory Studies? The New "Sensory Turn" -- How Does the Field of Sensory Studies Intersect With the Study of the Ancient Near East? -- How Is this a New Compilation? -- The Sections and Chapters in this Volume -- Note -- Bibliography -- Part I Practice, Production, and Taskscapes -- 1 The Sense of Practice: A Case Study of Tablet Sealing at Nippur in the Ur III Period (C. 2112-2004 BCE) -- Introduction -- Learning and Practice -- Sealing Practices and the Ur III Period -- The Case of Nippur -- The Sense of Sealing -- Conclusion -- Notes -- Bibliography -- 2 Senses and Textiles in the Eastern Mediterranean: Late Bronze and Early Iron Ages (1550-1100 BCE) -- Introduction -- The Sensory Experience of Textile Production -- Spinning and Weaving -- Dyes and Dyeing -- Sensory Experience of Clothing and Textiles -- Conclusion -- Notes -- Bibliography -- 3 New Sensory Experiences Through Technological Innovation: The Use and Production of Transparent Drinking Bowls in the ... -- Introduction -- Methodological Background -- Glass and Its Transparency -- Archaeological Contexts of Transparent Hemispherical Glass Bowls -- Use -- Production -- Conclusion -- Notes -- Bibliography -- 4 To Touch Upon: A Tactile Exploration of the Apadana Reliefs at Persepolis -- Introduction -- The Apadana of Persepolis -- Touch of the Craftsmen -- Touch Carved in Stone -- Curating and Producing Interactions With Art -- Conclusion -- Notes -- Bibliography -- 5 Soundscapes and Taskscapes in the Ancient Near East: Interactions and Perceptions -- Introduction -- Work and Taskscapes -- Music and Soundscapes -- Approaching and Delimiting Work Songs -- Sensing the Past: an Overview. 
505 8 |a Ancient Near Eastern Work Songs as Indicators of Multisensoriality -- The Song of the Millstone -- The Song of the Plowing Oxen -- Two Songs to Soothe a Child's Crying -- Conclusion: Singing at Work in the Ancient Near East -- Notes -- Bibliography -- Part II Dress and the Body -- 6 Adornment Practices in the Ancient Near East and the Question of Embodied Boundary Maintenance -- Introduction -- The Data -- The Grave Goods -- The Iconography -- Discussion -- Conclusion -- Notes -- Bibliography -- 7 Dress, Sensory Assemblages, and Identity in the Early First Millennium BCE at Hasanlu, Iran -- Introduction -- Hasanlu in Period IVb (1050-800 BCE) -- Assemblages and Phenomena -- Sensorial Assemblages and Intersubjectivity -- Senses and Power Dynamics -- Accumulated Magnificence -- Pins -- Finger- and Toe-Rings -- Head, Neck, and Body Beads -- Armour Scale Pectorals -- Conclusion -- Notes -- Bibliography -- 8 Beyond the Flesh: Sensing Identity Through the Body and Skin in Mesopotamian Glyptic Contexts -- Introduction -- Things, Cognition, and the Haptic Sense -- The Mesopotamian Body: a Sense of the Body, the Divine, and Stone -- The Mantic Body and Clay -- Conclusion -- Notes -- Bibliography -- 9 A Sense of Scale: Proprioception, Embodied Subjectivities, and the Space of Kingship at Persepolis -- Introduction: Touch, Sight, and Productive Entanglements -- Performative Inclusion: Mirroring, Reduplication, and Mimetic Slippage -- Persuasive Stairways: Proprioception and Bodily Interrogation -- Immanent Encounters: Scale, Mediation, and the Body of the King -- Conclusions: the Space of Kingship -- Bibliography -- Part III Ritualised Practice and Ceremonial Spaces -- 10 Temple Ritual as Gesamtkunstwerk: Stimulation of the Senses and Aesthetic Experience in a Religious Context -- Introduction -- Sight -- Sound -- Taste -- Smell and Touch -- Kinetics. 
505 8 |a Gesamtkunstwerk -- Notes -- Bibliography -- 11 Pure Stale Water: Experiencing Jewish Purification Rituals in Early Roman Palestine -- Introduction -- Modern Mikva'ot and Western Modernity -- The Archaeology of Ancient Jewish Ritual Baths -- Sensing Stepped Pools -- Getting Wet! Towards a Sensorial Experience of Stepped Pools -- Changing Settings, Changing Sensorial Experiences -- Ritual Bath AA209 in the Hasmonean Buried Palace, Jericho -- The Southern Mikveh, Masada -- Stepped Pool "Mkv1," Magdala -- Ritual Bath L1060, Gamla -- Conclusion -- Notes -- Bibliography -- 12 Megaliths and Miniatures: Scale and the Senses in the Early Neolithic -- Introduction -- Context: the Early Neolithic Period -- Megaliths -- Miniatures -- A Sensory Perspective -- Bibliography -- 13 Sensing Salience in the Landscapes of Egyptian Royal Living-Rock Stelae -- Introduction -- Sensing the Stelae -- Egyptian Geologics-and Geoaesthetics -- Stelae at Konosso Island, Gateway to Egypt -- Shouting From the Hilltops: the Nauri Decree Stela -- The Medium Is the Message -- Notes -- Bibliography -- 14 In the Light and in the Dark: Exhibiting Power, Exploiting Spaces in Early and Old Syrian Ebla-an Analysis of the Five ... -- Introduction -- In the Light: Exhibiting Power in Early Syrian Ebla -- In the Dark: Exploiting Spaces in Old Syrian Ebla -- Who Was There? -- Conclusion -- Note -- Bibliography -- 15 The Ishtar Gate: A Sensescape of Divine Agency -- Introduction -- The Affect of Architecture and the Protective Powers of City Gates -- City Walls and City Gates in Mesopotamia -- Craftsmanship and the Affect of Monuments -- Decorating the Walls and Infusing Them With Agency -- Colour and Affect at Babylon -- Conclusion -- Notes -- Bibliography -- 16 The Jerusalem Temple: A Sensory Encounter With the Sacred -- Introduction -- Journey to the Temple -- Musical Performance. 
505 8 |a Ritual of Sacrifice -- Aromas of Worship -- Feasting in Yahweh's Presence -- Sacred Space and the Dimming of the Senses -- Conclusion -- Notes -- Bibliography -- 17 The Ancient Synagogue at Nabratein: The Acoustic Dynamics of Architectural Change -- Introduction -- The Ritual of Scripture Reading and Translation -- The Two Architectural Arrangements of Nabratein Synagogue 1 -- The Acoustics of a Scripture Reader's Or a Scripture Translator's Voice -- The Acoustics of Synagogue 1a -- Direct Sound -- Location 1: the Impact of First Reflections On the Listener in Front of the Scripture Reader -- Side Reflections, Step 1 -- Side Reflections, Step 2 -- Side Reflections, Step 3 -- Ceiling Reflection: Steps 1 Through 3 -- Location 2: the Impact of First Reflections On the Listener Behind the Scripture Reader -- Location 3: the Impact of First Reflections On the Listeners to Each Side of the Scripture Reader -- The Acoustic Zones of the Open-Centre Synagogue, Nabratein Synagogue 1a -- The Acoustics of Nabratein Synagogue 1b -- Listener at Four Metres -- Listener at Seven Metres -- The Acoustic Character of Nabratein's Pre-Basilical Synagogue, Synagogue 1b -- Conclusion: From the Open-Centre Synagogue to the Basilica Synagogue -- Afterword -- Notes -- Bibliography -- Part IV Death and Burial -- 18 Sensing the Ancestors: The Importance of Senses in Constructing Ancestorship in the Ancient Near East -- Introduction -- Senses and the Cult of the Ancestors in the Ancient Near East -- The Power of Touch: Fragmentation, Manipulation, and Decoration of the Human Body as a Proxy for Ancestral Veneration -- Don't Open That Door! Residential Graves as Locales for Creating a Visual Reference for the Cult of the Ancestors -- Do You Remember That Smell? Human Decay and the Use of Perfumes for a Sensorial Experience of the Dead Ancestors. 
505 8 |a Feasting With the Spirits of the Ancestors: Offerings and Lamentations During Postmortem Rituals -- Conclusions -- Notes -- Bibliography -- 19 Sensing the Dead in Household Burials of the Second Millennium BCE -- Introduction -- Research Questions, Data, and Methodology -- From Flesh to Bone: the Funerary Sequence Approach -- Case Study: the Funerary Sequence of Qatna's Royal Hypogeum -- Pre-interment Phase: Navigating the Burial Chamber -- Interment Phase: Inhumation and Disturbance -- Scents and Sensibility -- Post-interment Phase: Body Curation and Representations -- Discussion: Corporealities and Sensing the Dead at Qatna -- Sensing the Dead in Tomb 100 at Megiddo -- Materializing Mourning: Burial Assemblages -- Sight and Light -- Altered Minds -- Discussion and Conclusions -- Notes -- Bibliography -- 20 The Smells of Eternity: Aromatic Oils and Resins in the Phoenician Mortuary Record -- Introduction -- Death and the Sense of Smell -- The Phoenician Evidence -- Smelling in Phoenician? -- Buried in Myrrh and Bdellium -- Aromatics in Phoenician Mortuary Contexts -- Myrrh (Commiphora Myrrha): Phoenician Mr -- Akkadian Murru -- Hebrew Môr -- Greek Σμύρνα -- Bdellium Or Bdelium (Commiphora Mukul): Phoenician Bdlh -- Akkadian guḫlu/ budulḫu -- Hebrew Bedolaḥ -- Greek Βδέλλιον -- Cedar (Cedrus Libani): Phoenician ʿṣ (?), Akkadian Erēnu, Hebrew ʿeren/ ʿerez, Greek Κέδρος -- Other Aromatic Woods -- Other Oleo-Resins and Scented Oils -- Smells of Life, Smells of Death -- Notes -- Bibliography -- 21 The Sixth Sense: Multisensory Encounters With the Dead in Roman Egypt -- Introduction -- Seeing the Dead: Shrouds and Portraits -- Sensing the Dead: the Mummified Body -- Engaging With the Dead: Ritual Interactions -- Experiencing the Dead: Tombs and Catacombs -- Death in a New Light: Portraits and Torches -- Conclusion -- Notes -- Bibliography. 
505 8 |a Part V Science, Medicine, and Aesthetics. 
545 0 |a Kiersten Neumann is Curator and Research Associate at the Oriental Institute of the University of Chicago, USA, and has published numerous articles on topics pertaining to sensory experience, ritualised practice, and visual culture of the first millennium BCE, as well as museum practice, collections histories, and the reception of Assyrian and Achaemenid art. Allison Thomason is Professor of History at Southern Illinois University Edwardsville, USA. Her book, Luxury and Legitimation: Royal Collecting in Ancient Mesopotamia (2005), and her subsequent publications explore portable objects, dress, and sensory experiences in the ancient Near East. 
588 |a Description based on print version record. 
504 |a Includes bibliographical references and index. 
650 0 |a Senses and sensation  |z Middle East  |x History. 
700 1 |a Neumann, Kiersten,  |e editor. 
700 1 |a Thomason, Allison,  |e editor. 
830 0 |a Routledge handbooks. 
906 |a BOOK 
ADM |b 2022-12-22 20:13:40 Europe/Vienna  |f system  |c marc21  |a 2021-09-05 10:54:50 Europe/Vienna  |g false 
AVE |P DOAB Directory of Open Access Books  |x https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5337459240004498&Force_direct=true  |Z 5337459240004498  |8 5337459240004498