Early Film Theories in Italy, 1896-1922 / edited by Francesco Casetti ; with Silvio Alovisio and Luca Mazzei.

This collection for the first time brings together scholars to explore the ways that various people and groups in Italian society reacted to the advent of cinema. Looking at the responses of writers, scholars, clergymen, psychologists, philosophers, members of parliament, and more, the pieces collec...

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Place / Publishing House:Amsterdam : : Amsterdam University Press,, 2017.
©2017.
Year of Publication:2017
Language:English
Series:Film theory in media history.
Physical Description:1 online resource (516 pages).
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ctrlnum (CKB)3800000000216633
(MiAaPQ)EBC5400985
(DE-B1597)502541
(OCoLC)1038495570
(DE-B1597)9789048527106
(OCoLC)1111591254
(MdBmJHUP)muse76482
(oapen)https://directory.doabooks.org/handle/20.500.12854/26010
(EXLCZ)993800000000216633
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spelling Casetti, Francesco auth
Early Film Theories in Italy, 1896-1922 edited by Francesco Casetti ; with Silvio Alovisio and Luca Mazzei.
Amsterdam University Press 2017
Amsterdam : Amsterdam University Press, 2017.
©2017.
1 online resource (516 pages).
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
Film theory in media history
This collection for the first time brings together scholars to explore the ways that various people and groups in Italian society reacted to the advent of cinema. Looking at the responses of writers, scholars, clergymen, psychologists, philosophers, members of parliament, and more, the pieces collected here from that period show how Italians developed a common language to describe and discuss this invention that quickly exceeded all expectations and transcended existing categories of thought and artistic forms. The result is a close-up picture of a culture in transition, dealing with a "scandalous" new technology that appeared poised to thoroughly change everyday life.
In English.
Frontmatter -- Table of Contents -- The Throb of the Cinematograph / Casetti, Francesco -- Section 1 -- Cinema and Modern Life / Casetti, Francesco -- Cinematography / Edipi -- The Philosophy of Cinematograph / Papini, Giovanni -- Summertime Spectacles: The Cinema / Gaio -- Why I Love the Cinema / Maffii, Maffio -- The Movie Theatre Audience / Fossi, Giovanni -- The Art of Celluloid / Crainquebille -- The Triumph of the Cinema / Canudo, Ricciotto -- The Death of the Word / Martini, Fausto Maria -- Section 2 -- Film in Transition / Casetti, Francesco -- The Museum of the Fleeting Moment / d'Ambra, Lucio -- The Woman and the Cinema / Haydée -- Darkness and Intelligence / Toddi, Emanuele -- A Spectatrix is Speaking to You / Serao, Matilde -- Motion Pictures in Provincial Towns / Scaglione, Emilio -- Cinematic Psychology / Coli, Edoardo -- The Cinematograph Doesn't Exist / d'Amico, Silvio -- The Cinema: School of the Will and of Energy / Bertinetti, Giovanni -- The Close-up / Orsi, Alberto -- The Soul of Titles / Quadrone, Ernesto -- Section 3 -- Cinema at War / Mazzei, Luca -- The War, from Up Close / Salvaneschi, Nino -- That Poor Cinema... / Giovannetti, Renato -- Families of Soldiers / Lucatelli, Luigi -- War for the Profit of Industry / Giovannetti, Renato -- The War and Cinematograph / P.R., G. -- Max Linder Dies in The War / d'Ambra, Lucio -- Cinema of War / Procida, Saverio -- Section 4 -- Politics, Morality, Education / Alovisio, Silvio -- The Motion Pictures and Education / Orano, Domenico -- The Intuitive Method in Religious Education / Costetti, Romano -- The Cinema and Its Influence on the Education of the People / Avellone, Giovanni Battista -- The Cinematograph in the Schools / Orestano, Francesco -- Speech at the People's Theatre / Orlando, Vittorio Emanuele -- Cinema for the Cultivation of the Intellect / Buracci, Angelina -- Educational Cinema / Fabietti, Ettore -- Section 5 -- Film, Body, Mind / Alovisio, Silvio -- Collective Psychology / Rossi, Pasquale -- About Some Psychological Observations Made During Film Screenings / Ponzo, Mario -- Concerning the Effects of Film Viewing on Neurotic Individuals / d'Abundo, Giuseppe -- The Ongoing Battle between Gesture and Word / Patrizi, Mariano Luigi -- The Cinematograph in the Field of Mental Illness and Criminality: Notes / Masini, Mario Umberto / Vidoni, Giuseppe -- Cinema and Juvenile Delinquency / Ponzo, Mario -- Section 6 -- The Aesthetic Side / Alovisio, Silvio / Mazzei, Luca -- Problems of Art: Expression and Movement in Sculpture / Ricci, Corrado -- Scenic Impressionism / Luciani, Sebastiano Arturo -- The Aesthetics of Cinema / Bellonci, Goffredo -- The Poetics of Cinema / Luciani, Sebastiano Arturo -- Manifesto for a Cinematic Revolution / Bellonci, Goffredo -- Theatre and the Cinema / Gramsci, Antonio -- The Futurist Cinematography / Marinetti, F.T. / Corra, Bruno / Settimelli, Emilio / Ginna, Arnaldo / Balla, Giacomo / Chiti, Remo -- In the Beginning Was Sex... / Gramsci, Antonio -- Rectangle-Film (25 x 19) / Toddi, Emanuele -- The Proscenium Arch of My Cinema / Bragaglia, Anton Giulio -- My Views on the Cinematograph / d'Ambra, Lucio -- Meditations in the Dark / Biancale, Michele -- Section 7 -- Theory in a Narrative Form / Mazzei, Luca -- Colour Film / Tanfani, Roberto -- At the Cinema / Cortesi, Luigia -- A Phantom Pursued / Lumbroso, Alberto -- Miopetti's Duel / Borelli, Aldo -- Pamela-Films / Gozzano, Guido -- Feature Film / Vanzi, Pio -- Me, Rirì, and Love in Slippers / Doria, Luciano -- A Cinematic Performance / Tozzi, Federigo -- Life, a Glass Theatre / di San Secondo, Pier Maria Rosso -- The Shears' Reflection / Gozzano, Guido -- Sources -- Author Biographies -- General Bibliography -- Acknowledgements -- About the Editors -- Index of Names -- Index of Concepts -- Index of Films
This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: https://creativecommons.org/licenses/by-nc-nd/4.0https://www.aup.nl/en/publish/open-access
Includes bibliographical references (pages 490-504) and indexes.
Description based on print version record.
Unrestricted online access star
Motion pictures and the arts Italy.
Motion pictures Social aspects Italy.
Motion pictures Italy Aesthetics.
Motion pictures Italy Philosophy.
Motion pictures Italy History.
Italy Intellectual life 20th century.
Electronic books.
early film theories, social impact of cinema, cinema and philosophy, cinema and psychology, cinema and war.
90-8964-855-0
Mazzei, Luca, editor.
Alovisio, Silvio, 1968- editor.
Casetti, Francesco, editor.
Film theory in media history.
language English
format eBook
author Casetti, Francesco
spellingShingle Casetti, Francesco
Early Film Theories in Italy, 1896-1922
Film theory in media history
Frontmatter --
Table of Contents --
The Throb of the Cinematograph /
Section 1 --
Cinema and Modern Life /
Cinematography /
The Philosophy of Cinematograph /
Summertime Spectacles: The Cinema /
Why I Love the Cinema /
The Movie Theatre Audience /
The Art of Celluloid /
The Triumph of the Cinema /
The Death of the Word /
Section 2 --
Film in Transition /
The Museum of the Fleeting Moment /
The Woman and the Cinema /
Darkness and Intelligence /
A Spectatrix is Speaking to You /
Motion Pictures in Provincial Towns /
Cinematic Psychology /
The Cinematograph Doesn't Exist /
The Cinema: School of the Will and of Energy /
The Close-up /
The Soul of Titles /
Section 3 --
Cinema at War /
The War, from Up Close /
That Poor Cinema... /
Families of Soldiers /
War for the Profit of Industry /
The War and Cinematograph /
Max Linder Dies in The War /
Cinema of War /
Section 4 --
Politics, Morality, Education /
The Motion Pictures and Education /
The Intuitive Method in Religious Education /
The Cinema and Its Influence on the Education of the People /
The Cinematograph in the Schools /
Speech at the People's Theatre /
Cinema for the Cultivation of the Intellect /
Educational Cinema /
Section 5 --
Film, Body, Mind /
Collective Psychology /
About Some Psychological Observations Made During Film Screenings /
Concerning the Effects of Film Viewing on Neurotic Individuals /
The Ongoing Battle between Gesture and Word /
The Cinematograph in the Field of Mental Illness and Criminality: Notes /
Cinema and Juvenile Delinquency /
Section 6 --
The Aesthetic Side /
Problems of Art: Expression and Movement in Sculpture /
Scenic Impressionism /
The Aesthetics of Cinema /
The Poetics of Cinema /
Manifesto for a Cinematic Revolution /
Theatre and the Cinema /
The Futurist Cinematography /
In the Beginning Was Sex... /
Rectangle-Film (25 x 19) /
The Proscenium Arch of My Cinema /
My Views on the Cinematograph /
Meditations in the Dark /
Section 7 --
Theory in a Narrative Form /
Colour Film /
At the Cinema /
A Phantom Pursued /
Miopetti's Duel /
Pamela-Films /
Feature Film /
Me, Rirì, and Love in Slippers /
A Cinematic Performance /
Life, a Glass Theatre /
The Shears' Reflection /
Sources --
Author Biographies --
General Bibliography --
Acknowledgements --
About the Editors --
Index of Names --
Index of Concepts --
Index of Films
author_facet Casetti, Francesco
Mazzei, Luca,
Alovisio, Silvio, 1968-
Casetti, Francesco,
author_variant f c fc
author2 Mazzei, Luca,
Alovisio, Silvio, 1968-
Casetti, Francesco,
author2_variant l m lm
s a sa
f c fc
author2_role TeilnehmendeR
TeilnehmendeR
TeilnehmendeR
author_sort Casetti, Francesco
author_additional Casetti, Francesco --
Edipi --
Papini, Giovanni --
Gaio --
Maffii, Maffio --
Fossi, Giovanni --
Crainquebille --
Canudo, Ricciotto --
Martini, Fausto Maria --
d'Ambra, Lucio --
Haydée --
Toddi, Emanuele --
Serao, Matilde --
Scaglione, Emilio --
Coli, Edoardo --
d'Amico, Silvio --
Bertinetti, Giovanni --
Orsi, Alberto --
Quadrone, Ernesto --
Mazzei, Luca --
Salvaneschi, Nino --
Giovannetti, Renato --
Lucatelli, Luigi --
P.R., G. --
Procida, Saverio --
Alovisio, Silvio --
Orano, Domenico --
Costetti, Romano --
Avellone, Giovanni Battista --
Orestano, Francesco --
Orlando, Vittorio Emanuele --
Buracci, Angelina --
Fabietti, Ettore --
Rossi, Pasquale --
Ponzo, Mario --
d'Abundo, Giuseppe --
Patrizi, Mariano Luigi --
Masini, Mario Umberto / Vidoni, Giuseppe --
Alovisio, Silvio / Mazzei, Luca --
Ricci, Corrado --
Luciani, Sebastiano Arturo --
Bellonci, Goffredo --
Gramsci, Antonio --
Marinetti, F.T. / Corra, Bruno / Settimelli, Emilio / Ginna, Arnaldo / Balla, Giacomo / Chiti, Remo --
Bragaglia, Anton Giulio --
Biancale, Michele --
Tanfani, Roberto --
Cortesi, Luigia --
Lumbroso, Alberto --
Borelli, Aldo --
Gozzano, Guido --
Vanzi, Pio --
Doria, Luciano --
Tozzi, Federigo --
di San Secondo, Pier Maria Rosso --
title Early Film Theories in Italy, 1896-1922
title_full Early Film Theories in Italy, 1896-1922 edited by Francesco Casetti ; with Silvio Alovisio and Luca Mazzei.
title_fullStr Early Film Theories in Italy, 1896-1922 edited by Francesco Casetti ; with Silvio Alovisio and Luca Mazzei.
title_full_unstemmed Early Film Theories in Italy, 1896-1922 edited by Francesco Casetti ; with Silvio Alovisio and Luca Mazzei.
title_auth Early Film Theories in Italy, 1896-1922
title_alt Frontmatter --
Table of Contents --
The Throb of the Cinematograph /
Section 1 --
Cinema and Modern Life /
Cinematography /
The Philosophy of Cinematograph /
Summertime Spectacles: The Cinema /
Why I Love the Cinema /
The Movie Theatre Audience /
The Art of Celluloid /
The Triumph of the Cinema /
The Death of the Word /
Section 2 --
Film in Transition /
The Museum of the Fleeting Moment /
The Woman and the Cinema /
Darkness and Intelligence /
A Spectatrix is Speaking to You /
Motion Pictures in Provincial Towns /
Cinematic Psychology /
The Cinematograph Doesn't Exist /
The Cinema: School of the Will and of Energy /
The Close-up /
The Soul of Titles /
Section 3 --
Cinema at War /
The War, from Up Close /
That Poor Cinema... /
Families of Soldiers /
War for the Profit of Industry /
The War and Cinematograph /
Max Linder Dies in The War /
Cinema of War /
Section 4 --
Politics, Morality, Education /
The Motion Pictures and Education /
The Intuitive Method in Religious Education /
The Cinema and Its Influence on the Education of the People /
The Cinematograph in the Schools /
Speech at the People's Theatre /
Cinema for the Cultivation of the Intellect /
Educational Cinema /
Section 5 --
Film, Body, Mind /
Collective Psychology /
About Some Psychological Observations Made During Film Screenings /
Concerning the Effects of Film Viewing on Neurotic Individuals /
The Ongoing Battle between Gesture and Word /
The Cinematograph in the Field of Mental Illness and Criminality: Notes /
Cinema and Juvenile Delinquency /
Section 6 --
The Aesthetic Side /
Problems of Art: Expression and Movement in Sculpture /
Scenic Impressionism /
The Aesthetics of Cinema /
The Poetics of Cinema /
Manifesto for a Cinematic Revolution /
Theatre and the Cinema /
The Futurist Cinematography /
In the Beginning Was Sex... /
Rectangle-Film (25 x 19) /
The Proscenium Arch of My Cinema /
My Views on the Cinematograph /
Meditations in the Dark /
Section 7 --
Theory in a Narrative Form /
Colour Film /
At the Cinema /
A Phantom Pursued /
Miopetti's Duel /
Pamela-Films /
Feature Film /
Me, Rirì, and Love in Slippers /
A Cinematic Performance /
Life, a Glass Theatre /
The Shears' Reflection /
Sources --
Author Biographies --
General Bibliography --
Acknowledgements --
About the Editors --
Index of Names --
Index of Concepts --
Index of Films
title_new Early Film Theories in Italy, 1896-1922
title_sort early film theories in italy, 1896-1922
series Film theory in media history
series2 Film theory in media history
publisher Amsterdam University Press
Amsterdam University Press,
publishDate 2017
physical 1 online resource (516 pages).
contents Frontmatter --
Table of Contents --
The Throb of the Cinematograph /
Section 1 --
Cinema and Modern Life /
Cinematography /
The Philosophy of Cinematograph /
Summertime Spectacles: The Cinema /
Why I Love the Cinema /
The Movie Theatre Audience /
The Art of Celluloid /
The Triumph of the Cinema /
The Death of the Word /
Section 2 --
Film in Transition /
The Museum of the Fleeting Moment /
The Woman and the Cinema /
Darkness and Intelligence /
A Spectatrix is Speaking to You /
Motion Pictures in Provincial Towns /
Cinematic Psychology /
The Cinematograph Doesn't Exist /
The Cinema: School of the Will and of Energy /
The Close-up /
The Soul of Titles /
Section 3 --
Cinema at War /
The War, from Up Close /
That Poor Cinema... /
Families of Soldiers /
War for the Profit of Industry /
The War and Cinematograph /
Max Linder Dies in The War /
Cinema of War /
Section 4 --
Politics, Morality, Education /
The Motion Pictures and Education /
The Intuitive Method in Religious Education /
The Cinema and Its Influence on the Education of the People /
The Cinematograph in the Schools /
Speech at the People's Theatre /
Cinema for the Cultivation of the Intellect /
Educational Cinema /
Section 5 --
Film, Body, Mind /
Collective Psychology /
About Some Psychological Observations Made During Film Screenings /
Concerning the Effects of Film Viewing on Neurotic Individuals /
The Ongoing Battle between Gesture and Word /
The Cinematograph in the Field of Mental Illness and Criminality: Notes /
Cinema and Juvenile Delinquency /
Section 6 --
The Aesthetic Side /
Problems of Art: Expression and Movement in Sculpture /
Scenic Impressionism /
The Aesthetics of Cinema /
The Poetics of Cinema /
Manifesto for a Cinematic Revolution /
Theatre and the Cinema /
The Futurist Cinematography /
In the Beginning Was Sex... /
Rectangle-Film (25 x 19) /
The Proscenium Arch of My Cinema /
My Views on the Cinematograph /
Meditations in the Dark /
Section 7 --
Theory in a Narrative Form /
Colour Film /
At the Cinema /
A Phantom Pursued /
Miopetti's Duel /
Pamela-Films /
Feature Film /
Me, Rirì, and Love in Slippers /
A Cinematic Performance /
Life, a Glass Theatre /
The Shears' Reflection /
Sources --
Author Biographies --
General Bibliography --
Acknowledgements --
About the Editors --
Index of Names --
Index of Concepts --
Index of Films
isbn 90-485-2710-4
90-8964-855-0
callnumber-first P - Language and Literature
callnumber-subject PN - General Literature
callnumber-label PN1993
callnumber-sort PN 41993.5 I88 E27 42017
genre Electronic books.
geographic Italy Intellectual life 20th century.
genre_facet Electronic books.
geographic_facet Italy.
Italy
era_facet 20th century.
illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 790 - Sports, games & entertainment
dewey-ones 791 - Public performances
dewey-full 791.430945
dewey-sort 3791.430945
dewey-raw 791.430945
dewey-search 791.430945
oclc_num 1038495570
1111591254
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code="t">Why I Love the Cinema / </subfield><subfield code="r">Maffii, Maffio -- </subfield><subfield code="t">The Movie Theatre Audience / </subfield><subfield code="r">Fossi, Giovanni -- </subfield><subfield code="t">The Art of Celluloid / </subfield><subfield code="r">Crainquebille -- </subfield><subfield code="t">The Triumph of the Cinema / </subfield><subfield code="r">Canudo, Ricciotto -- </subfield><subfield code="t">The Death of the Word / </subfield><subfield code="r">Martini, Fausto Maria -- </subfield><subfield code="t">Section 2 -- </subfield><subfield code="t">Film in Transition / </subfield><subfield code="r">Casetti, Francesco -- </subfield><subfield code="t">The Museum of the Fleeting Moment / </subfield><subfield code="r">d'Ambra, Lucio -- </subfield><subfield code="t">The Woman and the Cinema / </subfield><subfield code="r">Haydée -- </subfield><subfield code="t">Darkness and Intelligence / </subfield><subfield code="r">Toddi, Emanuele -- </subfield><subfield code="t">A Spectatrix is Speaking to You / </subfield><subfield code="r">Serao, Matilde -- </subfield><subfield code="t">Motion Pictures in Provincial Towns / </subfield><subfield code="r">Scaglione, Emilio -- </subfield><subfield code="t">Cinematic Psychology / </subfield><subfield code="r">Coli, Edoardo -- </subfield><subfield code="t">The Cinematograph Doesn't Exist / </subfield><subfield code="r">d'Amico, Silvio -- </subfield><subfield code="t">The Cinema: School of the Will and of Energy / </subfield><subfield code="r">Bertinetti, Giovanni -- </subfield><subfield code="t">The Close-up / </subfield><subfield code="r">Orsi, Alberto -- </subfield><subfield code="t">The Soul of Titles / </subfield><subfield code="r">Quadrone, Ernesto -- </subfield><subfield code="t">Section 3 -- </subfield><subfield code="t">Cinema at War / </subfield><subfield code="r">Mazzei, Luca -- </subfield><subfield code="t">The War, from Up Close / </subfield><subfield code="r">Salvaneschi, Nino -- </subfield><subfield code="t">That Poor Cinema... / </subfield><subfield code="r">Giovannetti, Renato -- </subfield><subfield code="t">Families of Soldiers / </subfield><subfield code="r">Lucatelli, Luigi -- </subfield><subfield code="t">War for the Profit of Industry / </subfield><subfield code="r">Giovannetti, Renato -- </subfield><subfield code="t">The War and Cinematograph / </subfield><subfield code="r">P.R., G. -- </subfield><subfield code="t">Max Linder Dies in The War / </subfield><subfield code="r">d'Ambra, Lucio -- </subfield><subfield code="t">Cinema of War / </subfield><subfield code="r">Procida, Saverio -- </subfield><subfield code="t">Section 4 -- </subfield><subfield code="t">Politics, Morality, Education / </subfield><subfield code="r">Alovisio, Silvio -- </subfield><subfield code="t">The Motion Pictures and Education / </subfield><subfield code="r">Orano, Domenico -- </subfield><subfield code="t">The Intuitive Method in Religious Education / </subfield><subfield code="r">Costetti, Romano -- </subfield><subfield code="t">The Cinema and Its Influence on the Education of the People / </subfield><subfield code="r">Avellone, Giovanni Battista -- </subfield><subfield code="t">The Cinematograph in the Schools / </subfield><subfield code="r">Orestano, Francesco -- </subfield><subfield code="t">Speech at the People's Theatre / </subfield><subfield code="r">Orlando, Vittorio Emanuele -- </subfield><subfield code="t">Cinema for the Cultivation of the Intellect / </subfield><subfield code="r">Buracci, Angelina -- </subfield><subfield code="t">Educational Cinema / </subfield><subfield code="r">Fabietti, Ettore -- </subfield><subfield code="t">Section 5 -- </subfield><subfield code="t">Film, Body, Mind / </subfield><subfield code="r">Alovisio, Silvio -- </subfield><subfield code="t">Collective Psychology / </subfield><subfield code="r">Rossi, Pasquale -- </subfield><subfield code="t">About Some Psychological Observations Made During Film Screenings / </subfield><subfield code="r">Ponzo, Mario -- </subfield><subfield code="t">Concerning the Effects of Film Viewing on Neurotic Individuals / </subfield><subfield code="r">d'Abundo, Giuseppe -- </subfield><subfield code="t">The Ongoing Battle between Gesture and Word / </subfield><subfield code="r">Patrizi, Mariano Luigi -- </subfield><subfield code="t">The Cinematograph in the Field of Mental Illness and Criminality: Notes / </subfield><subfield code="r">Masini, Mario Umberto / Vidoni, Giuseppe -- </subfield><subfield code="t">Cinema and Juvenile Delinquency / </subfield><subfield code="r">Ponzo, Mario -- </subfield><subfield code="t">Section 6 -- </subfield><subfield code="t">The Aesthetic Side / </subfield><subfield code="r">Alovisio, Silvio / Mazzei, Luca -- </subfield><subfield code="t">Problems of Art: Expression and Movement in Sculpture / </subfield><subfield code="r">Ricci, Corrado -- </subfield><subfield code="t">Scenic Impressionism / </subfield><subfield code="r">Luciani, Sebastiano Arturo -- </subfield><subfield code="t">The Aesthetics of Cinema / </subfield><subfield code="r">Bellonci, Goffredo -- </subfield><subfield code="t">The Poetics of Cinema / </subfield><subfield code="r">Luciani, Sebastiano Arturo -- </subfield><subfield code="t">Manifesto for a Cinematic Revolution / </subfield><subfield code="r">Bellonci, Goffredo -- </subfield><subfield code="t">Theatre and the Cinema / </subfield><subfield code="r">Gramsci, Antonio -- </subfield><subfield code="t">The Futurist Cinematography / </subfield><subfield code="r">Marinetti, F.T. / Corra, Bruno / Settimelli, Emilio / Ginna, Arnaldo / Balla, Giacomo / Chiti, Remo -- </subfield><subfield code="t">In the Beginning Was Sex... / </subfield><subfield code="r">Gramsci, Antonio -- </subfield><subfield code="t">Rectangle-Film (25 x 19) / </subfield><subfield code="r">Toddi, Emanuele -- </subfield><subfield code="t">The Proscenium Arch of My Cinema / </subfield><subfield code="r">Bragaglia, Anton Giulio -- </subfield><subfield code="t">My Views on the Cinematograph / </subfield><subfield code="r">d'Ambra, Lucio -- </subfield><subfield code="t">Meditations in the Dark / </subfield><subfield code="r">Biancale, Michele -- </subfield><subfield code="t">Section 7 -- </subfield><subfield code="t">Theory in a Narrative Form / </subfield><subfield code="r">Mazzei, Luca -- </subfield><subfield code="t">Colour Film / </subfield><subfield code="r">Tanfani, Roberto -- </subfield><subfield code="t">At the Cinema / </subfield><subfield code="r">Cortesi, Luigia -- </subfield><subfield code="t">A Phantom Pursued / </subfield><subfield code="r">Lumbroso, Alberto -- </subfield><subfield code="t">Miopetti's Duel / </subfield><subfield code="r">Borelli, Aldo -- </subfield><subfield code="t">Pamela-Films / </subfield><subfield code="r">Gozzano, Guido -- </subfield><subfield code="t">Feature Film / </subfield><subfield code="r">Vanzi, Pio -- </subfield><subfield code="t">Me, Rirì, and Love in Slippers / </subfield><subfield code="r">Doria, Luciano -- </subfield><subfield code="t">A Cinematic Performance / </subfield><subfield code="r">Tozzi, Federigo -- </subfield><subfield code="t">Life, a Glass Theatre / </subfield><subfield code="r">di San Secondo, Pier Maria Rosso -- </subfield><subfield code="t">The Shears' Reflection / </subfield><subfield code="r">Gozzano, Guido -- </subfield><subfield code="t">Sources -- </subfield><subfield code="t">Author Biographies -- </subfield><subfield code="t">General Bibliography -- </subfield><subfield code="t">Acknowledgements -- </subfield><subfield code="t">About the Editors -- </subfield><subfield code="t">Index of Names -- </subfield><subfield code="t">Index of Concepts -- </subfield><subfield code="t">Index of Films</subfield></datafield><datafield tag="540" ind1=" " ind2=" "><subfield code="a">This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: </subfield><subfield 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