Early Film Theories in Italy, 1896-1922 / edited by Francesco Casetti ; with Silvio Alovisio and Luca Mazzei.
This collection for the first time brings together scholars to explore the ways that various people and groups in Italian society reacted to the advent of cinema. Looking at the responses of writers, scholars, clergymen, psychologists, philosophers, members of parliament, and more, the pieces collec...
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Place / Publishing House: | Amsterdam : : Amsterdam University Press,, 2017. ©2017. |
Year of Publication: | 2017 |
Language: | English |
Series: | Film theory in media history.
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Physical Description: | 1 online resource (516 pages). |
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Casetti, Francesco auth Early Film Theories in Italy, 1896-1922 edited by Francesco Casetti ; with Silvio Alovisio and Luca Mazzei. Amsterdam University Press 2017 Amsterdam : Amsterdam University Press, 2017. ©2017. 1 online resource (516 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Film theory in media history This collection for the first time brings together scholars to explore the ways that various people and groups in Italian society reacted to the advent of cinema. Looking at the responses of writers, scholars, clergymen, psychologists, philosophers, members of parliament, and more, the pieces collected here from that period show how Italians developed a common language to describe and discuss this invention that quickly exceeded all expectations and transcended existing categories of thought and artistic forms. The result is a close-up picture of a culture in transition, dealing with a "scandalous" new technology that appeared poised to thoroughly change everyday life. In English. Frontmatter -- Table of Contents -- The Throb of the Cinematograph / Casetti, Francesco -- Section 1 -- Cinema and Modern Life / Casetti, Francesco -- Cinematography / Edipi -- The Philosophy of Cinematograph / Papini, Giovanni -- Summertime Spectacles: The Cinema / Gaio -- Why I Love the Cinema / Maffii, Maffio -- The Movie Theatre Audience / Fossi, Giovanni -- The Art of Celluloid / Crainquebille -- The Triumph of the Cinema / Canudo, Ricciotto -- The Death of the Word / Martini, Fausto Maria -- Section 2 -- Film in Transition / Casetti, Francesco -- The Museum of the Fleeting Moment / d'Ambra, Lucio -- The Woman and the Cinema / Haydée -- Darkness and Intelligence / Toddi, Emanuele -- A Spectatrix is Speaking to You / Serao, Matilde -- Motion Pictures in Provincial Towns / Scaglione, Emilio -- Cinematic Psychology / Coli, Edoardo -- The Cinematograph Doesn't Exist / d'Amico, Silvio -- The Cinema: School of the Will and of Energy / Bertinetti, Giovanni -- The Close-up / Orsi, Alberto -- The Soul of Titles / Quadrone, Ernesto -- Section 3 -- Cinema at War / Mazzei, Luca -- The War, from Up Close / Salvaneschi, Nino -- That Poor Cinema... / Giovannetti, Renato -- Families of Soldiers / Lucatelli, Luigi -- War for the Profit of Industry / Giovannetti, Renato -- The War and Cinematograph / P.R., G. -- Max Linder Dies in The War / d'Ambra, Lucio -- Cinema of War / Procida, Saverio -- Section 4 -- Politics, Morality, Education / Alovisio, Silvio -- The Motion Pictures and Education / Orano, Domenico -- The Intuitive Method in Religious Education / Costetti, Romano -- The Cinema and Its Influence on the Education of the People / Avellone, Giovanni Battista -- The Cinematograph in the Schools / Orestano, Francesco -- Speech at the People's Theatre / Orlando, Vittorio Emanuele -- Cinema for the Cultivation of the Intellect / Buracci, Angelina -- Educational Cinema / Fabietti, Ettore -- Section 5 -- Film, Body, Mind / Alovisio, Silvio -- Collective Psychology / Rossi, Pasquale -- About Some Psychological Observations Made During Film Screenings / Ponzo, Mario -- Concerning the Effects of Film Viewing on Neurotic Individuals / d'Abundo, Giuseppe -- The Ongoing Battle between Gesture and Word / Patrizi, Mariano Luigi -- The Cinematograph in the Field of Mental Illness and Criminality: Notes / Masini, Mario Umberto / Vidoni, Giuseppe -- Cinema and Juvenile Delinquency / Ponzo, Mario -- Section 6 -- The Aesthetic Side / Alovisio, Silvio / Mazzei, Luca -- Problems of Art: Expression and Movement in Sculpture / Ricci, Corrado -- Scenic Impressionism / Luciani, Sebastiano Arturo -- The Aesthetics of Cinema / Bellonci, Goffredo -- The Poetics of Cinema / Luciani, Sebastiano Arturo -- Manifesto for a Cinematic Revolution / Bellonci, Goffredo -- Theatre and the Cinema / Gramsci, Antonio -- The Futurist Cinematography / Marinetti, F.T. / Corra, Bruno / Settimelli, Emilio / Ginna, Arnaldo / Balla, Giacomo / Chiti, Remo -- In the Beginning Was Sex... / Gramsci, Antonio -- Rectangle-Film (25 x 19) / Toddi, Emanuele -- The Proscenium Arch of My Cinema / Bragaglia, Anton Giulio -- My Views on the Cinematograph / d'Ambra, Lucio -- Meditations in the Dark / Biancale, Michele -- Section 7 -- Theory in a Narrative Form / Mazzei, Luca -- Colour Film / Tanfani, Roberto -- At the Cinema / Cortesi, Luigia -- A Phantom Pursued / Lumbroso, Alberto -- Miopetti's Duel / Borelli, Aldo -- Pamela-Films / Gozzano, Guido -- Feature Film / Vanzi, Pio -- Me, Rirì, and Love in Slippers / Doria, Luciano -- A Cinematic Performance / Tozzi, Federigo -- Life, a Glass Theatre / di San Secondo, Pier Maria Rosso -- The Shears' Reflection / Gozzano, Guido -- Sources -- Author Biographies -- General Bibliography -- Acknowledgements -- About the Editors -- Index of Names -- Index of Concepts -- Index of Films This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: https://creativecommons.org/licenses/by-nc-nd/4.0https://www.aup.nl/en/publish/open-access Includes bibliographical references (pages 490-504) and indexes. Description based on print version record. Unrestricted online access star Motion pictures and the arts Italy. Motion pictures Social aspects Italy. Motion pictures Italy Aesthetics. Motion pictures Italy Philosophy. Motion pictures Italy History. Italy Intellectual life 20th century. Electronic books. early film theories, social impact of cinema, cinema and philosophy, cinema and psychology, cinema and war. 90-8964-855-0 Mazzei, Luca, editor. Alovisio, Silvio, 1968- editor. Casetti, Francesco, editor. Film theory in media history. |
language |
English |
format |
eBook |
author |
Casetti, Francesco |
spellingShingle |
Casetti, Francesco Early Film Theories in Italy, 1896-1922 Film theory in media history Frontmatter -- Table of Contents -- The Throb of the Cinematograph / Section 1 -- Cinema and Modern Life / Cinematography / The Philosophy of Cinematograph / Summertime Spectacles: The Cinema / Why I Love the Cinema / The Movie Theatre Audience / The Art of Celluloid / The Triumph of the Cinema / The Death of the Word / Section 2 -- Film in Transition / The Museum of the Fleeting Moment / The Woman and the Cinema / Darkness and Intelligence / A Spectatrix is Speaking to You / Motion Pictures in Provincial Towns / Cinematic Psychology / The Cinematograph Doesn't Exist / The Cinema: School of the Will and of Energy / The Close-up / The Soul of Titles / Section 3 -- Cinema at War / The War, from Up Close / That Poor Cinema... / Families of Soldiers / War for the Profit of Industry / The War and Cinematograph / Max Linder Dies in The War / Cinema of War / Section 4 -- Politics, Morality, Education / The Motion Pictures and Education / The Intuitive Method in Religious Education / The Cinema and Its Influence on the Education of the People / The Cinematograph in the Schools / Speech at the People's Theatre / Cinema for the Cultivation of the Intellect / Educational Cinema / Section 5 -- Film, Body, Mind / Collective Psychology / About Some Psychological Observations Made During Film Screenings / Concerning the Effects of Film Viewing on Neurotic Individuals / The Ongoing Battle between Gesture and Word / The Cinematograph in the Field of Mental Illness and Criminality: Notes / Cinema and Juvenile Delinquency / Section 6 -- The Aesthetic Side / Problems of Art: Expression and Movement in Sculpture / Scenic Impressionism / The Aesthetics of Cinema / The Poetics of Cinema / Manifesto for a Cinematic Revolution / Theatre and the Cinema / The Futurist Cinematography / In the Beginning Was Sex... / Rectangle-Film (25 x 19) / The Proscenium Arch of My Cinema / My Views on the Cinematograph / Meditations in the Dark / Section 7 -- Theory in a Narrative Form / Colour Film / At the Cinema / A Phantom Pursued / Miopetti's Duel / Pamela-Films / Feature Film / Me, Rirì, and Love in Slippers / A Cinematic Performance / Life, a Glass Theatre / The Shears' Reflection / Sources -- Author Biographies -- General Bibliography -- Acknowledgements -- About the Editors -- Index of Names -- Index of Concepts -- Index of Films |
author_facet |
Casetti, Francesco Mazzei, Luca, Alovisio, Silvio, 1968- Casetti, Francesco, |
author_variant |
f c fc |
author2 |
Mazzei, Luca, Alovisio, Silvio, 1968- Casetti, Francesco, |
author2_variant |
l m lm s a sa f c fc |
author2_role |
TeilnehmendeR TeilnehmendeR TeilnehmendeR |
author_sort |
Casetti, Francesco |
author_additional |
Casetti, Francesco -- Edipi -- Papini, Giovanni -- Gaio -- Maffii, Maffio -- Fossi, Giovanni -- Crainquebille -- Canudo, Ricciotto -- Martini, Fausto Maria -- d'Ambra, Lucio -- Haydée -- Toddi, Emanuele -- Serao, Matilde -- Scaglione, Emilio -- Coli, Edoardo -- d'Amico, Silvio -- Bertinetti, Giovanni -- Orsi, Alberto -- Quadrone, Ernesto -- Mazzei, Luca -- Salvaneschi, Nino -- Giovannetti, Renato -- Lucatelli, Luigi -- P.R., G. -- Procida, Saverio -- Alovisio, Silvio -- Orano, Domenico -- Costetti, Romano -- Avellone, Giovanni Battista -- Orestano, Francesco -- Orlando, Vittorio Emanuele -- Buracci, Angelina -- Fabietti, Ettore -- Rossi, Pasquale -- Ponzo, Mario -- d'Abundo, Giuseppe -- Patrizi, Mariano Luigi -- Masini, Mario Umberto / Vidoni, Giuseppe -- Alovisio, Silvio / Mazzei, Luca -- Ricci, Corrado -- Luciani, Sebastiano Arturo -- Bellonci, Goffredo -- Gramsci, Antonio -- Marinetti, F.T. / Corra, Bruno / Settimelli, Emilio / Ginna, Arnaldo / Balla, Giacomo / Chiti, Remo -- Bragaglia, Anton Giulio -- Biancale, Michele -- Tanfani, Roberto -- Cortesi, Luigia -- Lumbroso, Alberto -- Borelli, Aldo -- Gozzano, Guido -- Vanzi, Pio -- Doria, Luciano -- Tozzi, Federigo -- di San Secondo, Pier Maria Rosso -- |
title |
Early Film Theories in Italy, 1896-1922 |
title_full |
Early Film Theories in Italy, 1896-1922 edited by Francesco Casetti ; with Silvio Alovisio and Luca Mazzei. |
title_fullStr |
Early Film Theories in Italy, 1896-1922 edited by Francesco Casetti ; with Silvio Alovisio and Luca Mazzei. |
title_full_unstemmed |
Early Film Theories in Italy, 1896-1922 edited by Francesco Casetti ; with Silvio Alovisio and Luca Mazzei. |
title_auth |
Early Film Theories in Italy, 1896-1922 |
title_alt |
Frontmatter -- Table of Contents -- The Throb of the Cinematograph / Section 1 -- Cinema and Modern Life / Cinematography / The Philosophy of Cinematograph / Summertime Spectacles: The Cinema / Why I Love the Cinema / The Movie Theatre Audience / The Art of Celluloid / The Triumph of the Cinema / The Death of the Word / Section 2 -- Film in Transition / The Museum of the Fleeting Moment / The Woman and the Cinema / Darkness and Intelligence / A Spectatrix is Speaking to You / Motion Pictures in Provincial Towns / Cinematic Psychology / The Cinematograph Doesn't Exist / The Cinema: School of the Will and of Energy / The Close-up / The Soul of Titles / Section 3 -- Cinema at War / The War, from Up Close / That Poor Cinema... / Families of Soldiers / War for the Profit of Industry / The War and Cinematograph / Max Linder Dies in The War / Cinema of War / Section 4 -- Politics, Morality, Education / The Motion Pictures and Education / The Intuitive Method in Religious Education / The Cinema and Its Influence on the Education of the People / The Cinematograph in the Schools / Speech at the People's Theatre / Cinema for the Cultivation of the Intellect / Educational Cinema / Section 5 -- Film, Body, Mind / Collective Psychology / About Some Psychological Observations Made During Film Screenings / Concerning the Effects of Film Viewing on Neurotic Individuals / The Ongoing Battle between Gesture and Word / The Cinematograph in the Field of Mental Illness and Criminality: Notes / Cinema and Juvenile Delinquency / Section 6 -- The Aesthetic Side / Problems of Art: Expression and Movement in Sculpture / Scenic Impressionism / The Aesthetics of Cinema / The Poetics of Cinema / Manifesto for a Cinematic Revolution / Theatre and the Cinema / The Futurist Cinematography / In the Beginning Was Sex... / Rectangle-Film (25 x 19) / The Proscenium Arch of My Cinema / My Views on the Cinematograph / Meditations in the Dark / Section 7 -- Theory in a Narrative Form / Colour Film / At the Cinema / A Phantom Pursued / Miopetti's Duel / Pamela-Films / Feature Film / Me, Rirì, and Love in Slippers / A Cinematic Performance / Life, a Glass Theatre / The Shears' Reflection / Sources -- Author Biographies -- General Bibliography -- Acknowledgements -- About the Editors -- Index of Names -- Index of Concepts -- Index of Films |
title_new |
Early Film Theories in Italy, 1896-1922 |
title_sort |
early film theories in italy, 1896-1922 |
series |
Film theory in media history |
series2 |
Film theory in media history |
publisher |
Amsterdam University Press Amsterdam University Press, |
publishDate |
2017 |
physical |
1 online resource (516 pages). |
contents |
Frontmatter -- Table of Contents -- The Throb of the Cinematograph / Section 1 -- Cinema and Modern Life / Cinematography / The Philosophy of Cinematograph / Summertime Spectacles: The Cinema / Why I Love the Cinema / The Movie Theatre Audience / The Art of Celluloid / The Triumph of the Cinema / The Death of the Word / Section 2 -- Film in Transition / The Museum of the Fleeting Moment / The Woman and the Cinema / Darkness and Intelligence / A Spectatrix is Speaking to You / Motion Pictures in Provincial Towns / Cinematic Psychology / The Cinematograph Doesn't Exist / The Cinema: School of the Will and of Energy / The Close-up / The Soul of Titles / Section 3 -- Cinema at War / The War, from Up Close / That Poor Cinema... / Families of Soldiers / War for the Profit of Industry / The War and Cinematograph / Max Linder Dies in The War / Cinema of War / Section 4 -- Politics, Morality, Education / The Motion Pictures and Education / The Intuitive Method in Religious Education / The Cinema and Its Influence on the Education of the People / The Cinematograph in the Schools / Speech at the People's Theatre / Cinema for the Cultivation of the Intellect / Educational Cinema / Section 5 -- Film, Body, Mind / Collective Psychology / About Some Psychological Observations Made During Film Screenings / Concerning the Effects of Film Viewing on Neurotic Individuals / The Ongoing Battle between Gesture and Word / The Cinematograph in the Field of Mental Illness and Criminality: Notes / Cinema and Juvenile Delinquency / Section 6 -- The Aesthetic Side / Problems of Art: Expression and Movement in Sculpture / Scenic Impressionism / The Aesthetics of Cinema / The Poetics of Cinema / Manifesto for a Cinematic Revolution / Theatre and the Cinema / The Futurist Cinematography / In the Beginning Was Sex... / Rectangle-Film (25 x 19) / The Proscenium Arch of My Cinema / My Views on the Cinematograph / Meditations in the Dark / Section 7 -- Theory in a Narrative Form / Colour Film / At the Cinema / A Phantom Pursued / Miopetti's Duel / Pamela-Films / Feature Film / Me, Rirì, and Love in Slippers / A Cinematic Performance / Life, a Glass Theatre / The Shears' Reflection / Sources -- Author Biographies -- General Bibliography -- Acknowledgements -- About the Editors -- Index of Names -- Index of Concepts -- Index of Films |
isbn |
90-485-2710-4 90-8964-855-0 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1993 |
callnumber-sort |
PN 41993.5 I88 E27 42017 |
genre |
Electronic books. |
geographic |
Italy Intellectual life 20th century. |
genre_facet |
Electronic books. |
geographic_facet |
Italy. Italy |
era_facet |
20th century. |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.430945 |
dewey-sort |
3791.430945 |
dewey-raw |
791.430945 |
dewey-search |
791.430945 |
oclc_num |
1038495570 1111591254 |
work_keys_str_mv |
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status_str |
c |
ids_txt_mv |
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Early Film Theories in Italy, 1896-1922 |
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code="t">A Spectatrix is Speaking to You / </subfield><subfield code="r">Serao, Matilde -- </subfield><subfield code="t">Motion Pictures in Provincial Towns / </subfield><subfield code="r">Scaglione, Emilio -- </subfield><subfield code="t">Cinematic Psychology / </subfield><subfield code="r">Coli, Edoardo -- </subfield><subfield code="t">The Cinematograph Doesn't Exist / </subfield><subfield code="r">d'Amico, Silvio -- </subfield><subfield code="t">The Cinema: School of the Will and of Energy / </subfield><subfield code="r">Bertinetti, Giovanni -- </subfield><subfield code="t">The Close-up / </subfield><subfield code="r">Orsi, Alberto -- </subfield><subfield code="t">The Soul of Titles / </subfield><subfield code="r">Quadrone, Ernesto -- </subfield><subfield code="t">Section 3 -- </subfield><subfield code="t">Cinema at War / </subfield><subfield code="r">Mazzei, Luca -- </subfield><subfield code="t">The War, from Up Close / </subfield><subfield code="r">Salvaneschi, Nino -- </subfield><subfield code="t">That Poor Cinema... / </subfield><subfield code="r">Giovannetti, Renato -- </subfield><subfield code="t">Families of Soldiers / </subfield><subfield code="r">Lucatelli, Luigi -- </subfield><subfield code="t">War for the Profit of Industry / </subfield><subfield code="r">Giovannetti, Renato -- </subfield><subfield code="t">The War and Cinematograph / </subfield><subfield code="r">P.R., G. -- </subfield><subfield code="t">Max Linder Dies in The War / </subfield><subfield code="r">d'Ambra, Lucio -- </subfield><subfield code="t">Cinema of War / </subfield><subfield code="r">Procida, Saverio -- </subfield><subfield code="t">Section 4 -- </subfield><subfield code="t">Politics, Morality, Education / </subfield><subfield code="r">Alovisio, Silvio -- </subfield><subfield code="t">The Motion Pictures and Education / </subfield><subfield code="r">Orano, Domenico -- </subfield><subfield code="t">The Intuitive Method in Religious Education / </subfield><subfield code="r">Costetti, Romano -- </subfield><subfield code="t">The Cinema and Its Influence on the Education of the People / </subfield><subfield code="r">Avellone, Giovanni Battista -- </subfield><subfield code="t">The Cinematograph in the Schools / </subfield><subfield code="r">Orestano, Francesco -- </subfield><subfield code="t">Speech at the People's Theatre / </subfield><subfield code="r">Orlando, Vittorio Emanuele -- </subfield><subfield code="t">Cinema for the Cultivation of the Intellect / </subfield><subfield code="r">Buracci, Angelina -- </subfield><subfield code="t">Educational Cinema / </subfield><subfield code="r">Fabietti, Ettore -- </subfield><subfield code="t">Section 5 -- </subfield><subfield code="t">Film, Body, Mind / </subfield><subfield code="r">Alovisio, Silvio -- </subfield><subfield code="t">Collective Psychology / </subfield><subfield code="r">Rossi, Pasquale -- </subfield><subfield code="t">About Some Psychological Observations Made During Film Screenings / </subfield><subfield code="r">Ponzo, Mario -- </subfield><subfield code="t">Concerning the Effects of Film Viewing on Neurotic Individuals / </subfield><subfield code="r">d'Abundo, Giuseppe -- </subfield><subfield code="t">The Ongoing Battle between Gesture and Word / </subfield><subfield code="r">Patrizi, Mariano Luigi -- </subfield><subfield code="t">The Cinematograph in the Field of Mental Illness and Criminality: Notes / </subfield><subfield code="r">Masini, Mario Umberto / Vidoni, Giuseppe -- </subfield><subfield code="t">Cinema and Juvenile Delinquency / </subfield><subfield code="r">Ponzo, Mario -- </subfield><subfield code="t">Section 6 -- </subfield><subfield code="t">The Aesthetic Side / </subfield><subfield code="r">Alovisio, Silvio / Mazzei, Luca -- </subfield><subfield code="t">Problems of Art: Expression and Movement in Sculpture / </subfield><subfield code="r">Ricci, Corrado -- </subfield><subfield code="t">Scenic Impressionism / </subfield><subfield code="r">Luciani, Sebastiano Arturo -- </subfield><subfield code="t">The Aesthetics of Cinema / </subfield><subfield code="r">Bellonci, Goffredo -- </subfield><subfield code="t">The Poetics of Cinema / </subfield><subfield code="r">Luciani, Sebastiano Arturo -- </subfield><subfield code="t">Manifesto for a Cinematic Revolution / </subfield><subfield code="r">Bellonci, Goffredo -- </subfield><subfield code="t">Theatre and the Cinema / </subfield><subfield code="r">Gramsci, Antonio -- </subfield><subfield code="t">The Futurist Cinematography / </subfield><subfield code="r">Marinetti, F.T. / Corra, Bruno / Settimelli, Emilio / Ginna, Arnaldo / Balla, Giacomo / Chiti, Remo -- </subfield><subfield code="t">In the Beginning Was Sex... / </subfield><subfield code="r">Gramsci, Antonio -- </subfield><subfield code="t">Rectangle-Film (25 x 19) / </subfield><subfield code="r">Toddi, Emanuele -- </subfield><subfield code="t">The Proscenium Arch of My Cinema / </subfield><subfield code="r">Bragaglia, Anton Giulio -- </subfield><subfield code="t">My Views on the Cinematograph / </subfield><subfield code="r">d'Ambra, Lucio -- </subfield><subfield code="t">Meditations in the Dark / </subfield><subfield code="r">Biancale, Michele -- </subfield><subfield code="t">Section 7 -- </subfield><subfield code="t">Theory in a Narrative Form / </subfield><subfield code="r">Mazzei, Luca -- </subfield><subfield code="t">Colour Film / </subfield><subfield code="r">Tanfani, Roberto -- </subfield><subfield code="t">At the Cinema / </subfield><subfield code="r">Cortesi, Luigia -- </subfield><subfield code="t">A Phantom Pursued / </subfield><subfield code="r">Lumbroso, Alberto -- </subfield><subfield code="t">Miopetti's Duel / </subfield><subfield code="r">Borelli, Aldo -- </subfield><subfield code="t">Pamela-Films / </subfield><subfield code="r">Gozzano, Guido -- </subfield><subfield code="t">Feature Film / </subfield><subfield code="r">Vanzi, Pio -- </subfield><subfield code="t">Me, Rirì, and Love in Slippers / </subfield><subfield code="r">Doria, Luciano -- </subfield><subfield code="t">A Cinematic Performance / </subfield><subfield code="r">Tozzi, Federigo -- </subfield><subfield code="t">Life, a Glass Theatre / </subfield><subfield code="r">di San Secondo, Pier Maria Rosso -- </subfield><subfield code="t">The Shears' Reflection / </subfield><subfield code="r">Gozzano, Guido -- </subfield><subfield code="t">Sources -- </subfield><subfield code="t">Author Biographies -- </subfield><subfield code="t">General Bibliography -- </subfield><subfield code="t">Acknowledgements -- </subfield><subfield code="t">About the Editors -- </subfield><subfield code="t">Index of Names -- </subfield><subfield code="t">Index of Concepts -- </subfield><subfield code="t">Index of Films</subfield></datafield><datafield tag="540" ind1=" " ind2=" "><subfield code="a">This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: </subfield><subfield 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