Scorsese and Religion / / Edited by Christopher B. Barnett; Clark J. Elliston.
Scorsese and Religion concerns the religious vision of the great American filmmaker Martin Scorsese. Not only will this volume explore the foundation of Scorsese’s interest in religion—namely, his relation to the Catholic Church—but it will also highlight the religious breadth of Scorsese’s corpus....
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Superior document: | Studies in Religion and the Arts ; 15 |
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Place / Publishing House: | Leiden; , Boston : : BRILL,, 2019. |
Year of Publication: | 2019 |
Language: | English |
Series: | Studies in Religion and the Arts ;
15. |
Physical Description: | 1 online resource (335 pages). |
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(CKB)4100000009373215 (MiAaPQ)EBC5900212 (OCoLC)1121142830 (nllekb)BRILL9789004411401 (oapen)https://directory.doabooks.org/handle/20.500.12854/80726 (ScCtBLL)5b0ada50-1b12-46e7-9a52-ceed712d0ffc (EXLCZ)994100000009373215 |
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Barnett, Christopher B. edt Scorsese and Religion / Edited by Christopher B. Barnett; Clark J. Elliston. Brill 2019 Leiden; Boston : BRILL, 2019. 1 online resource (335 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Studies in Religion and the Arts ; 15 Description based on print version record. Scorsese and Religion concerns the religious vision of the great American filmmaker Martin Scorsese. Not only will this volume explore the foundation of Scorsese’s interest in religion—namely, his relation to the Catholic Church—but it will also highlight the religious breadth of Scorsese’s corpus. Ultimately, this book demonstrates that Scorsese’s cinematic “re-presentation” of reality brings together various religious influences (Catholicism, existentialism, Buddhism, etc.) and topics such as violence, morality, nihilism, and so on. The overarching claim is that Scorsese, who indeed once claimed that his “whole life” had been “movies and religion,” cannot be properly understood without reflecting on the ways in which his religious interests are expressed in and through his art. Front Matter -- Copyright Page / Christopher B. Barnett and Clark J. Elliston -- Dedication / Christopher B. Barnett and Clark J. Elliston -- Acknowledgements / Christopher B. Barnett and Clark J. Elliston -- Illustrations / Christopher B. Barnett and Clark J. Elliston -- Notes on Contributors / Christopher B. Barnett and Clark J. Elliston -- Introduction / Christopher B. Barnett and Clark J. Elliston -- Scorsese and Catholicism / Christopher B. Barnett and Clark J. Elliston -- The Catholic Scorsese – or How a Seminarian Turned to the Movies / Marc Raymond -- No Way Out: Martin Scorsese and the Ecclesial Imagination / Guerric DeBona -- Religious Influences and Themes in Scorsese’s Cinema / Christopher B. Barnett and Clark J. Elliston -- Dostoevskian Elements in Scorsese’s Cinema / Christopher B. Barnett -- The Problem of Violence in Scorsese’s Films: The Catholic Gangster as Tragic Hero / John McAteer -- Violence and Redemption in Scorsese’s Films: A Girardian Reading / Cari Myers -- Scorsese as a Critic of Modernity: The Woman Question / M. Gail Hamner -- Scorsese and Religion: A Selective Filmography / Christopher B. Barnett and Clark J. Elliston -- The Last Temptation of Christ: Scorsese’s Jesus among Ordinary Saints / Rhonda Burnette-Bletsch -- Scorsese’s Kundun as Catholic Encounter with the Dalai Lama and His Tibetan Dharma1 / Kerry P.C. San Chirico -- Pity and Pardon in Scorsese’s Palimpsest, Bringing Out the Dead / Gerard Loughlin -- Martin Scorsese’s Screening Room: Theatricality, Psychoanalysis, and Modernity in Shutter Island / Stephen Mulhall -- Reinventing Human Experience: Hugo and the Theological Possibilities of Film / Clark J. Elliston -- The Wolf of Wall Street and Economic Nihilism / D. Stephen Long -- The Global Afterlives of Silence / Darren J.N. Middleton and Mark W. Dennis -- Back Matter -- null / Christopher B. Barnett and Clark J. Elliston. English CC BY-NC Motion picture producers and directors. Films, cinema Individual film directors, film-makers Scorsese, Martin Criticism and interpretation. 90-04-41137-2 Barnett, Christopher B., editor. Elliston, Clark J., editor. Studies in Religion and the Arts ; 15. |
language |
English |
format |
eBook |
author2 |
Barnett, Christopher B., Elliston, Clark J., |
author_facet |
Barnett, Christopher B., Elliston, Clark J., |
author2_variant |
c b b cb cbb c b b cb cbb c j e cj cje |
author2_role |
TeilnehmendeR TeilnehmendeR |
author_additional |
Christopher B. Barnett and Clark J. Elliston -- Dedication / Christopher B. Barnett and Clark J. Elliston -- Acknowledgements / Christopher B. Barnett and Clark J. Elliston -- Illustrations / Christopher B. Barnett and Clark J. Elliston -- Notes on Contributors / Christopher B. Barnett and Clark J. Elliston -- Introduction / Christopher B. Barnett and Clark J. Elliston -- Scorsese and Catholicism / Christopher B. Barnett and Clark J. Elliston -- The Catholic Scorsese – or How a Seminarian Turned to the Movies / Marc Raymond -- No Way Out: Martin Scorsese and the Ecclesial Imagination / Guerric DeBona -- Religious Influences and Themes in Scorsese’s Cinema / Christopher B. Barnett and Clark J. Elliston -- Dostoevskian Elements in Scorsese’s Cinema / Christopher B. Barnett -- The Problem of Violence in Scorsese’s Films: The Catholic Gangster as Tragic Hero / John McAteer -- Violence and Redemption in Scorsese’s Films: A Girardian Reading / Cari Myers -- Scorsese as a Critic of Modernity: The Woman Question / M. Gail Hamner -- Scorsese and Religion: A Selective Filmography / Christopher B. Barnett and Clark J. Elliston -- The Last Temptation of Christ: Scorsese’s Jesus among Ordinary Saints / Rhonda Burnette-Bletsch -- Scorsese’s Kundun as Catholic Encounter with the Dalai Lama and His Tibetan Dharma1 / Kerry P.C. San Chirico -- Pity and Pardon in Scorsese’s Palimpsest, Bringing Out the Dead / Gerard Loughlin -- Martin Scorsese’s Screening Room: Theatricality, Psychoanalysis, and Modernity in Shutter Island / Stephen Mulhall -- Reinventing Human Experience: Hugo and the Theological Possibilities of Film / Clark J. Elliston -- The Wolf of Wall Street and Economic Nihilism / D. Stephen Long -- The Global Afterlives of Silence / Darren J.N. Middleton and Mark W. Dennis -- Back Matter -- null / Christopher B. Barnett and Clark J. Elliston. |
title |
Scorsese and Religion / |
spellingShingle |
Scorsese and Religion / Studies in Religion and the Arts ; Front Matter -- Copyright Page / |
title_full |
Scorsese and Religion / Edited by Christopher B. Barnett; Clark J. Elliston. |
title_fullStr |
Scorsese and Religion / Edited by Christopher B. Barnett; Clark J. Elliston. |
title_full_unstemmed |
Scorsese and Religion / Edited by Christopher B. Barnett; Clark J. Elliston. |
title_auth |
Scorsese and Religion / |
title_new |
Scorsese and Religion / |
title_sort |
scorsese and religion / |
series |
Studies in Religion and the Arts ; |
series2 |
Studies in Religion and the Arts ; |
publisher |
Brill BRILL, |
publishDate |
2019 |
physical |
1 online resource (335 pages). |
contents |
Front Matter -- Copyright Page / |
isbn |
90-04-41140-2 90-04-41137-2 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1998 |
callnumber-sort |
PN 41998.3 S39 |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.430233092 |
dewey-sort |
3791.430233092 |
dewey-raw |
791.430233092 |
dewey-search |
791.430233092 |
oclc_num |
1121142830 |
work_keys_str_mv |
AT barnettchristopherb scorseseandreligion AT ellistonclarkj scorseseandreligion |
status_str |
c |
ids_txt_mv |
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carrierType_str_mv |
cr |
hierarchy_parent_title |
Studies in Religion and the Arts ; 15 |
hierarchy_sequence |
15. |
is_hierarchy_title |
Scorsese and Religion / |
container_title |
Studies in Religion and the Arts ; 15 |
author2_original_writing_str_mv |
noLinkedField noLinkedField |
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