Disruption in the Arts : : Textual, Visual, and Performative Strategies for Analyzing Societal Self-Descriptions / / Lars Koch, Tobias Nanz, Johannes Pause.
The volume examines from a comparative perspective the phenomenon of aesthetic disruption within the various arts in contemporary culture. It assumes that the political potential of contemporary art is not solely derived from presenting its audiences with openly political content, but rather from cr...
Saved in:
Funder: | |
---|---|
: | |
TeilnehmendeR: | |
Place / Publishing House: | Berlin ;, Boston : : De Gruyter, , [2018] ©2018 |
Year of Publication: | 2018 |
Language: | English |
Series: | Culture ;
11. |
Physical Description: | 1 online resource (398 pages). |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
993543474904498 |
---|---|
ctrlnum |
(CKB)4100000005958673 (MiAaPQ)EBC5157252 (DE-B1597)490070 (OCoLC)1049627508 (DE-B1597)9783110580082 (oapen)https://directory.doabooks.org/handle/20.500.12854/45277 (EXLCZ)994100000005958673 |
collection |
bib_alma |
record_format |
marc |
spelling |
Nanz, Tobias auth Disruption in the Arts : Textual, Visual, and Performative Strategies for Analyzing Societal Self-Descriptions / Lars Koch, Tobias Nanz, Johannes Pause. De Gruyter 2018 Berlin ; Boston : De Gruyter, [2018] ©2018 1 online resource (398 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Culture & Conflict ; 11 Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Aug 2019) funded by European Research Council (ERC) This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: https://creativecommons.org/licenses/by-nc-nd/4.0 https://www.degruyter.com/dg/page/open-access-policy The volume examines from a comparative perspective the phenomenon of aesthetic disruption within the various arts in contemporary culture. It assumes that the political potential of contemporary art is not solely derived from presenting its audiences with openly political content, but rather from creating a space of perception and interaction using formal means: a space that makes hegemonic structures of action and communication observable, thus problematizing their self-evidence. The contributions conceptualize historical and contemporary politics of form in the media, which aim to be more than mere shock strategies, which are concerned not just with the 'narcissistic' exhibition of art as art, but also with the creation of a new common horizon of experience. They combine the analysis of paradigmatic works, procedures and actions with reference to theoretical debates in the fields of literature, media and art of the twentieth and twenty-first centuries. The essay-collection shows how textual, visual, auditive or performative strategies disclose their own ways of functioning, intervene in automated processes of reception and thus work on stimulating a sense of political possibilities. The editors acknowledge support from the European Union's Seventh Framework Program (FP 7/ 2007-2013), ERC grant agreement no. 312454. In English. Frontmatter -- Table of contents -- Disruption in the Arts: Prologue / Koch, Lars / Nanz, Tobias / Pause, Johannes -- I. Conceptual Approaches -- Aesthetic experiments: On the Event-Like Character and the Function of Disruptions in the Arts / Koch, Lars / Nanz, Tobias -- Scandalous Expectations: Second Order Scandals in Modern Society / Mutter, Moritz -- Ekstasis and Paradoxa. The Miracle as Disruption / Grizelj, Mario -- Imagined Scenarios of Disruption. A Concept / Koch, Lars / Nanz, Tobias / Pause, Johannes -- II. Media -- Disruptive Storytelling. Notes on E.T.A. Hoffmann / Prokić, Tanja -- Perturbing the Reader: The Riddle-character of Art and the Dialectical Impact of Contemporary Literature (Adorno, Goetz, Kracht) / Kleinschmidt, Christoph -- Expansions of the Instant: Disruptions of Time in Contemporary German Literature / Pause, Johannes -- III. Body -- Interferences: Posthuman Perspectives on Early Electronic Music / Schürmer, Anna -- The Dis/rupture of Film as Skin: Jean-Luc Nancy, Claire Denis, and Trouble Every Day / Eschkötter, Daniel -- "They Starve to death, but who dares ask why?": Steve McQueen's Film Hunger / Nusser, Tanja -- Writing Aphasia: Intermedial Observation of Disrupted Language in Wolfgang Herrndorf's Arbeit und Struktur / Heyne, Elisabeth -- IV. Power -- The Red Telephone: A Hybrid Object of the Cold War / Nanz, Tobias -- Christoph Schlingensief's Image Disruption Machine / Koch, Lars -- Citizen n-1: Laura Poitras's Citizenfour as a Reparative Reading of a Paranoid World / Kämpf, Katrin M. / Rogers, Christina -- V. Archive -- Notes on Secondary Drama / Jelinek, Elfriede -- Disturbance in the Intermediate: Secondary Drama as a Parasite / Kovacs, Teresa -- Signal-to-Noise Ratio / Kittler, Friedrich -- Disrupted Arts and Marginalized Humans: A Commentary on Friedrich Kittler's "Signal-to-Noise Ratio" / Nanz, Tobias -- Contributors -- Index of Subjects -- Index of Persons Issued also in print. Arts. Disruption. arts. societal self-description. 3-11-056586-2 Koch, Lars, editor. Nanz, Tobias, editor. Pause, Johannes , editor. European Research Council (ERC) funder. fnd http://id.loc.gov/vocabulary/relators/fnd Culture ; 11. |
language |
English |
format |
eBook |
author |
Nanz, Tobias |
spellingShingle |
Nanz, Tobias Disruption in the Arts : Textual, Visual, and Performative Strategies for Analyzing Societal Self-Descriptions / Culture & Conflict ; Frontmatter -- Table of contents -- Disruption in the Arts: Prologue / I. Conceptual Approaches -- Aesthetic experiments: On the Event-Like Character and the Function of Disruptions in the Arts / Scandalous Expectations: Second Order Scandals in Modern Society / Ekstasis and Paradoxa. The Miracle as Disruption / Imagined Scenarios of Disruption. A Concept / II. Media -- Disruptive Storytelling. Notes on E.T.A. Hoffmann / Perturbing the Reader: The Riddle-character of Art and the Dialectical Impact of Contemporary Literature (Adorno, Goetz, Kracht) / Expansions of the Instant: Disruptions of Time in Contemporary German Literature / III. Body -- Interferences: Posthuman Perspectives on Early Electronic Music / The Dis/rupture of Film as Skin: Jean-Luc Nancy, Claire Denis, and Trouble Every Day / "They Starve to death, but who dares ask why?": Steve McQueen's Film Hunger / Writing Aphasia: Intermedial Observation of Disrupted Language in Wolfgang Herrndorf's Arbeit und Struktur / IV. Power -- The Red Telephone: A Hybrid Object of the Cold War / Christoph Schlingensief's Image Disruption Machine / Citizen n-1: Laura Poitras's Citizenfour as a Reparative Reading of a Paranoid World / V. Archive -- Notes on Secondary Drama / Disturbance in the Intermediate: Secondary Drama as a Parasite / Signal-to-Noise Ratio / Disrupted Arts and Marginalized Humans: A Commentary on Friedrich Kittler's "Signal-to-Noise Ratio" / Contributors -- Index of Subjects -- Index of Persons |
author_facet |
Nanz, Tobias Koch, Lars, Nanz, Tobias, Pause, Johannes , European Research Council (ERC) European Research Council (ERC) European Research Council (ERC) |
author_variant |
t n tn |
author2 |
Koch, Lars, Nanz, Tobias, Pause, Johannes , European Research Council (ERC) European Research Council (ERC) |
author2_variant |
l k lk t n tn j p jp |
author2_role |
TeilnehmendeR TeilnehmendeR TeilnehmendeR Funder |
author_corporate |
European Research Council (ERC) |
author_corporate_role |
Funder |
author_sort |
Nanz, Tobias |
author_additional |
Koch, Lars / Nanz, Tobias / Pause, Johannes -- Koch, Lars / Nanz, Tobias -- Mutter, Moritz -- Grizelj, Mario -- Prokić, Tanja -- Kleinschmidt, Christoph -- Pause, Johannes -- Schürmer, Anna -- Eschkötter, Daniel -- Nusser, Tanja -- Heyne, Elisabeth -- Nanz, Tobias -- Koch, Lars -- Kämpf, Katrin M. / Rogers, Christina -- Jelinek, Elfriede -- Kovacs, Teresa -- Kittler, Friedrich -- |
title |
Disruption in the Arts : Textual, Visual, and Performative Strategies for Analyzing Societal Self-Descriptions / |
title_sub |
Textual, Visual, and Performative Strategies for Analyzing Societal Self-Descriptions / |
title_full |
Disruption in the Arts : Textual, Visual, and Performative Strategies for Analyzing Societal Self-Descriptions / Lars Koch, Tobias Nanz, Johannes Pause. |
title_fullStr |
Disruption in the Arts : Textual, Visual, and Performative Strategies for Analyzing Societal Self-Descriptions / Lars Koch, Tobias Nanz, Johannes Pause. |
title_full_unstemmed |
Disruption in the Arts : Textual, Visual, and Performative Strategies for Analyzing Societal Self-Descriptions / Lars Koch, Tobias Nanz, Johannes Pause. |
title_auth |
Disruption in the Arts : Textual, Visual, and Performative Strategies for Analyzing Societal Self-Descriptions / |
title_alt |
Frontmatter -- Table of contents -- Disruption in the Arts: Prologue / I. Conceptual Approaches -- Aesthetic experiments: On the Event-Like Character and the Function of Disruptions in the Arts / Scandalous Expectations: Second Order Scandals in Modern Society / Ekstasis and Paradoxa. The Miracle as Disruption / Imagined Scenarios of Disruption. A Concept / II. Media -- Disruptive Storytelling. Notes on E.T.A. Hoffmann / Perturbing the Reader: The Riddle-character of Art and the Dialectical Impact of Contemporary Literature (Adorno, Goetz, Kracht) / Expansions of the Instant: Disruptions of Time in Contemporary German Literature / III. Body -- Interferences: Posthuman Perspectives on Early Electronic Music / The Dis/rupture of Film as Skin: Jean-Luc Nancy, Claire Denis, and Trouble Every Day / "They Starve to death, but who dares ask why?": Steve McQueen's Film Hunger / Writing Aphasia: Intermedial Observation of Disrupted Language in Wolfgang Herrndorf's Arbeit und Struktur / IV. Power -- The Red Telephone: A Hybrid Object of the Cold War / Christoph Schlingensief's Image Disruption Machine / Citizen n-1: Laura Poitras's Citizenfour as a Reparative Reading of a Paranoid World / V. Archive -- Notes on Secondary Drama / Disturbance in the Intermediate: Secondary Drama as a Parasite / Signal-to-Noise Ratio / Disrupted Arts and Marginalized Humans: A Commentary on Friedrich Kittler's "Signal-to-Noise Ratio" / Contributors -- Index of Subjects -- Index of Persons |
title_new |
Disruption in the Arts : |
title_sort |
disruption in the arts : textual, visual, and performative strategies for analyzing societal self-descriptions / |
series |
Culture & Conflict ; |
series2 |
Culture & Conflict ; |
publisher |
De Gruyter De Gruyter, |
publishDate |
2018 |
physical |
1 online resource (398 pages). Issued also in print. |
contents |
Frontmatter -- Table of contents -- Disruption in the Arts: Prologue / I. Conceptual Approaches -- Aesthetic experiments: On the Event-Like Character and the Function of Disruptions in the Arts / Scandalous Expectations: Second Order Scandals in Modern Society / Ekstasis and Paradoxa. The Miracle as Disruption / Imagined Scenarios of Disruption. A Concept / II. Media -- Disruptive Storytelling. Notes on E.T.A. Hoffmann / Perturbing the Reader: The Riddle-character of Art and the Dialectical Impact of Contemporary Literature (Adorno, Goetz, Kracht) / Expansions of the Instant: Disruptions of Time in Contemporary German Literature / III. Body -- Interferences: Posthuman Perspectives on Early Electronic Music / The Dis/rupture of Film as Skin: Jean-Luc Nancy, Claire Denis, and Trouble Every Day / "They Starve to death, but who dares ask why?": Steve McQueen's Film Hunger / Writing Aphasia: Intermedial Observation of Disrupted Language in Wolfgang Herrndorf's Arbeit und Struktur / IV. Power -- The Red Telephone: A Hybrid Object of the Cold War / Christoph Schlingensief's Image Disruption Machine / Citizen n-1: Laura Poitras's Citizenfour as a Reparative Reading of a Paranoid World / V. Archive -- Notes on Secondary Drama / Disturbance in the Intermediate: Secondary Drama as a Parasite / Signal-to-Noise Ratio / Disrupted Arts and Marginalized Humans: A Commentary on Friedrich Kittler's "Signal-to-Noise Ratio" / Contributors -- Index of Subjects -- Index of Persons |
isbn |
3-11-057975-8 3-11-058008-X 3-11-056586-2 |
callnumber-first |
N - Fine Arts |
callnumber-subject |
NX - Arts in General |
callnumber-label |
NX650 |
callnumber-sort |
NX 3650 P6 D57 42018 |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
700 - Arts |
dewey-ones |
700 - The arts; fine & decorative arts |
dewey-full |
700.1/03 700.103 |
dewey-sort |
3700.1 13 |
dewey-raw |
700.1/03 700.103 |
dewey-search |
700.1/03 700.103 |
oclc_num |
1049627508 |
work_keys_str_mv |
AT nanztobias disruptionintheartstextualvisualandperformativestrategiesforanalyzingsocietalselfdescriptions AT kochlars disruptionintheartstextualvisualandperformativestrategiesforanalyzingsocietalselfdescriptions AT pausejohannes disruptionintheartstextualvisualandperformativestrategiesforanalyzingsocietalselfdescriptions AT europeanresearchcouncilerc disruptionintheartstextualvisualandperformativestrategiesforanalyzingsocietalselfdescriptions |
status_str |
n |
ids_txt_mv |
(CKB)4100000005958673 (MiAaPQ)EBC5157252 (DE-B1597)490070 (OCoLC)1049627508 (DE-B1597)9783110580082 (oapen)https://directory.doabooks.org/handle/20.500.12854/45277 (EXLCZ)994100000005958673 |
carrierType_str_mv |
cr |
hierarchy_sequence |
11. |
is_hierarchy_title |
Disruption in the Arts : Textual, Visual, and Performative Strategies for Analyzing Societal Self-Descriptions / |
author2_original_writing_str_mv |
noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField |
_version_ |
1804806088123482112 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06642nam a22007335i 4500</leader><controlfield tag="001">993543474904498</controlfield><controlfield tag="005">20190828104755.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr cnu||||||||</controlfield><controlfield tag="008">190828s2018 gw fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">3-11-057975-8</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">3-11-058008-X</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9783110580082</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CKB)4100000005958673</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MiAaPQ)EBC5157252</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)490070</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1049627508</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)9783110580082</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(oapen)https://directory.doabooks.org/handle/20.500.12854/45277</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EXLCZ)994100000005958673</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">gw</subfield><subfield code="c">DE</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">NX650.P6</subfield><subfield code="b">D57 2018</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LIT000000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">700.1/03</subfield><subfield code="2">23</subfield></datafield><datafield tag="082" ind1=" " ind2=" "><subfield code="a">700.103</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Nanz, Tobias</subfield><subfield code="4">auth</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Disruption in the Arts :</subfield><subfield code="b">Textual, Visual, and Performative Strategies for Analyzing Societal Self-Descriptions /</subfield><subfield code="c">Lars Koch, Tobias Nanz, Johannes Pause.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="b">De Gruyter</subfield><subfield code="c">2018</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Berlin ;</subfield><subfield code="a">Boston : </subfield><subfield code="b">De Gruyter, </subfield><subfield code="c">[2018]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (398 pages).</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Culture & Conflict ;</subfield><subfield code="v">11</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Aug 2019)</subfield></datafield><datafield tag="536" ind1=" " ind2=" "><subfield code="a">funded by European Research Council (ERC)</subfield></datafield><datafield tag="540" ind1=" " ind2=" "><subfield code="a">This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: </subfield><subfield code="u">https://creativecommons.org/licenses/by-nc-nd/4.0 </subfield><subfield code="u">https://www.degruyter.com/dg/page/open-access-policy</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The volume examines from a comparative perspective the phenomenon of aesthetic disruption within the various arts in contemporary culture. It assumes that the political potential of contemporary art is not solely derived from presenting its audiences with openly political content, but rather from creating a space of perception and interaction using formal means: a space that makes hegemonic structures of action and communication observable, thus problematizing their self-evidence. The contributions conceptualize historical and contemporary politics of form in the media, which aim to be more than mere shock strategies, which are concerned not just with the 'narcissistic' exhibition of art as art, but also with the creation of a new common horizon of experience. They combine the analysis of paradigmatic works, procedures and actions with reference to theoretical debates in the fields of literature, media and art of the twentieth and twenty-first centuries. The essay-collection shows how textual, visual, auditive or performative strategies disclose their own ways of functioning, intervene in automated processes of reception and thus work on stimulating a sense of political possibilities. The editors acknowledge support from the European Union's Seventh Framework Program (FP 7/ 2007-2013), ERC grant agreement no. 312454.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Table of contents -- </subfield><subfield code="t">Disruption in the Arts: Prologue / </subfield><subfield code="r">Koch, Lars / Nanz, Tobias / Pause, Johannes -- </subfield><subfield code="t">I. Conceptual Approaches -- </subfield><subfield code="t">Aesthetic experiments: On the Event-Like Character and the Function of Disruptions in the Arts / </subfield><subfield code="r">Koch, Lars / Nanz, Tobias -- </subfield><subfield code="t">Scandalous Expectations: Second Order Scandals in Modern Society / </subfield><subfield code="r">Mutter, Moritz -- </subfield><subfield code="t">Ekstasis and Paradoxa. The Miracle as Disruption / </subfield><subfield code="r">Grizelj, Mario -- </subfield><subfield code="t">Imagined Scenarios of Disruption. A Concept / </subfield><subfield code="r">Koch, Lars / Nanz, Tobias / Pause, Johannes -- </subfield><subfield code="t">II. Media -- </subfield><subfield code="t">Disruptive Storytelling. Notes on E.T.A. Hoffmann / </subfield><subfield code="r">Prokić, Tanja -- </subfield><subfield code="t">Perturbing the Reader: The Riddle-character of Art and the Dialectical Impact of Contemporary Literature (Adorno, Goetz, Kracht) / </subfield><subfield code="r">Kleinschmidt, Christoph -- </subfield><subfield code="t">Expansions of the Instant: Disruptions of Time in Contemporary German Literature / </subfield><subfield code="r">Pause, Johannes -- </subfield><subfield code="t">III. Body -- </subfield><subfield code="t">Interferences: Posthuman Perspectives on Early Electronic Music / </subfield><subfield code="r">Schürmer, Anna -- </subfield><subfield code="t">The Dis/rupture of Film as Skin: Jean-Luc Nancy, Claire Denis, and Trouble Every Day / </subfield><subfield code="r">Eschkötter, Daniel -- </subfield><subfield code="t">"They Starve to death, but who dares ask why?": Steve McQueen's Film Hunger / </subfield><subfield code="r">Nusser, Tanja -- </subfield><subfield code="t">Writing Aphasia: Intermedial Observation of Disrupted Language in Wolfgang Herrndorf's Arbeit und Struktur / </subfield><subfield code="r">Heyne, Elisabeth -- </subfield><subfield code="t">IV. Power -- </subfield><subfield code="t">The Red Telephone: A Hybrid Object of the Cold War / </subfield><subfield code="r">Nanz, Tobias -- </subfield><subfield code="t">Christoph Schlingensief's Image Disruption Machine / </subfield><subfield code="r">Koch, Lars -- </subfield><subfield code="t">Citizen n-1: Laura Poitras's Citizenfour as a Reparative Reading of a Paranoid World / </subfield><subfield code="r">Kämpf, Katrin M. / Rogers, Christina -- </subfield><subfield code="t">V. Archive -- </subfield><subfield code="t">Notes on Secondary Drama / </subfield><subfield code="r">Jelinek, Elfriede -- </subfield><subfield code="t">Disturbance in the Intermediate: Secondary Drama as a Parasite / </subfield><subfield code="r">Kovacs, Teresa -- </subfield><subfield code="t">Signal-to-Noise Ratio / </subfield><subfield code="r">Kittler, Friedrich -- </subfield><subfield code="t">Disrupted Arts and Marginalized Humans: A Commentary on Friedrich Kittler's "Signal-to-Noise Ratio" / </subfield><subfield code="r">Nanz, Tobias -- </subfield><subfield code="t">Contributors -- </subfield><subfield code="t">Index of Subjects -- </subfield><subfield code="t">Index of Persons</subfield></datafield><datafield tag="530" ind1=" " ind2=" "><subfield code="a">Issued also in print.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Arts.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Disruption.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">arts.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">societal self-description.</subfield></datafield><datafield tag="776" ind1=" " ind2=" "><subfield code="z">3-11-056586-2</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Koch, Lars, </subfield><subfield code="e">editor.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Nanz, Tobias, </subfield><subfield code="e">editor.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Pause, Johannes , </subfield><subfield code="e">editor.</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">European Research Council (ERC)</subfield><subfield code="e">funder.</subfield><subfield code="4">fnd</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/fnd</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Culture ;</subfield><subfield code="v">11.</subfield></datafield><datafield tag="906" ind1=" " ind2=" "><subfield code="a">BOOK</subfield></datafield><datafield tag="ADM" ind1=" " ind2=" "><subfield code="b">2024-07-17 06:29:48 Europe/Vienna</subfield><subfield code="f">system</subfield><subfield code="c">marc21</subfield><subfield code="a">2018-09-01 19:45:54 Europe/Vienna</subfield><subfield code="g">false</subfield></datafield><datafield tag="AVE" ind1=" " ind2=" "><subfield code="i">DOAB Directory of Open Access Books</subfield><subfield code="P">DOAB Directory of Open Access Books</subfield><subfield code="x">https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5341200060004498&Force_direct=true</subfield><subfield code="Z">5341200060004498</subfield><subfield code="b">Available</subfield><subfield code="8">5341200060004498</subfield></datafield><datafield tag="AVE" ind1=" " ind2=" "><subfield code="i">DOAB Directory of Open Access Books</subfield><subfield code="P">DOAB Directory of Open Access Books</subfield><subfield code="x">https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5345709770004498&Force_direct=true</subfield><subfield code="Z">5345709770004498</subfield><subfield code="b">Available</subfield><subfield code="8">5345709770004498</subfield></datafield></record></collection> |