Christian Metz and the Codes of Cinema : : Film Semiology and Beyond / / Margrit Tröhler, Guido Kirsten, Julia Zutavern.
A pioneering figure in film studies, Christian Metz proposed countless new concepts for reflecting on cinema, rooted in his phenomenological structuralism. He also played a key role in establishing film studies as a scholarly discipline, making major contributions to its institutionalization in univ...
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| Place / Publishing House: | Amsterdam : : Amsterdam University Press, , [2017] ©2018 |
| Year of Publication: | 2018 2017 |
| Language: | English |
| Series: | Film theory in media history.
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| Physical Description: | 1 online resource (483 pages). |
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| 100 | 1 | |a Tröhler, Margrit |4 edt | |
| 245 | 0 | 0 | |a Christian Metz and the Codes of Cinema : |b Film Semiology and Beyond / |c Margrit Tröhler, Guido Kirsten, Julia Zutavern. |
| 260 | |b Amsterdam University Press |c 2018 | ||
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2017] | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (483 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Film Theory in Media History | |
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Sep 2019) | |
| 520 | |a A pioneering figure in film studies, Christian Metz proposed countless new concepts for reflecting on cinema, rooted in his phenomenological structuralism. He also played a key role in establishing film studies as a scholarly discipline, making major contributions to its institutionalization in universities worldwide. This book brings together a stellar roster of contributors to present a close analysis of Metz's writings, their theoretical and epistemological positions, and their ongoing influence today. | ||
| 546 | |a In English. | ||
| 505 | 0 | 0 | |t Frontmatter -- |t Table of Contents -- |t Acknowledgments -- |t Editorial Note -- |t 1. Christian Metz and Film Semiology / |r Tröhler, Margrit -- |t I. Metz and the Tradition of Film Theory -- |t 2. Two Ways of Thinking / |r Bellour, Raymond -- |t 3. Christian Metz and his Theoretical Legacy / |r Marie, Michel -- |t 4. Christian Metz for Today / |r Odin, Roger -- |t 5. Thinking Cinema / |r Kessler, Frank -- |t 6. Barthes' Early Film Semiology and the Legacy of Filmology in Metz / |r Kirsten, Guido -- |t II. Questions of Form and Aesthetics -- |t 7. Christian Metz and Aesthetics / |r Lefebvre, Martin -- |t 8. Christian Metz and Modern Cinema / |r Casetti, Francesco -- |t 9. Christian Metz, Editing, and Forms of Alternation1 / |r Gaudreault, André / Gauthier, Philippe -- |t III. Specificities of the Cinematic Code and the Imaginary -- |t 10. Between Classical and Postclassical Theory / |r Rosen, Philip -- |t 11. Cyber-Metz? / |r Krichane, Selim -- |t 12. Yes, the Image Lies Beyond Analogy / |r Vernet, Marc -- |t 13. The Cinematic Signifier and the Imaginary / |r Doane, Mary Ann -- |t 14. Fetishism and Scepticism , or the Two Worlds of Christian Metz and Stanley Cavell / |r Rodowick, D.N. -- |t IV. Narration, Enunciation, Cinephilia -- |t 15. Cinema: Image or Narrative? / |r Lété, Anne Goliot -- |t 16. Semiotics, Science, and Cinephilia / |r Polan, Dana -- |t 17. '"Theorize", he says... ' / |r Boillat, Alain -- |t 18. Personal Enunciation: Presences of Absences / |r Bluher, Dominique -- |t 19. Metz with Deleuze / |r Baumbach, Nico -- |t Two Interviews with Christian Metz -- |t 20. Thirty Years After / |r Dagrada, Elena -- |t 21. The Semiology of Cinema? It Is Necessary to Continue! / |r Dagrada, Elena / Pescatore, Guglielmo -- |t 22. Flashback to Winter 1990 / |r Tröhler, Margrit -- |t 23. 'I Never Expected Semiology to Thrill the Masses' / |r Blüher, Dominique / Tröhler, Margrit -- |t Postscript -- |t Conclusion -- |t Index - Names -- |t Index - Film Titles |
| 540 | |a This eBook is made available Open Access. Unless otherwise specified in the content, the work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives (CC BY-NC-ND) license: |u https://creativecommons.org/licenses/by-nc-nd/3.0 | ||
| 600 | 1 | 0 | |a Metz, Christian, |d 1794-1867. |
| 650 | 0 | |a Film criticism. | |
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 653 | |a Film Semiology, Filmology, History of Film Theory, Phenomenology, Narratology. | ||
| 700 | 1 | |a Kirsten, Guido, |e editor. | |
| 700 | 1 | |a Tröhler, Margrit, |e editor. | |
| 700 | 1 | |a Zutavern, Julia, |e editor. | |
| 776 | |z 90-8964-892-5 | ||
| 830 | 0 | |a Film theory in media history. | |
| 906 | |a BOOK | ||
| ADM | |b 2023-02-22 20:48:12 Europe/Vienna |f system |c marc21 |a 2018-10-13 18:43:58 Europe/Vienna |g false | ||
| AVE | |i DOAB Directory of Open Access Books |P DOAB Directory of Open Access Books |x https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5337326060004498&Force_direct=true |Z 5337326060004498 |b Available |8 5337326060004498 | ||