The role of music in European integration : : conciliating eurocentrism and multiculturalism / / edited by Albrecht Riethmüller.

The volume focuses on music during the process of European integration since the Second World War. Often music in Europe is defined by its relation to the concept of Occidentalism (Musik im Abendland; western music). The emphasis here turns rather to recent manifestations of its evolvement in ensemb...

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Superior document:Discourses on Intellectual Europe ; Volume 2
VerfasserIn:
:
TeilnehmendeR:
Place / Publishing House:Berlin, [Germany] ;, Boston, [Massachusetts] : : Walter de Gruyter GmbH,, 2017.
©2017
Year of Publication:2017
Edition:1st ed.
Language:English
Series:Discourses on intellectual Europe ; Volume 2.
Physical Description:1 online resource (268 pages).
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245 0 4 |a The role of music in European integration :  |b conciliating eurocentrism and multiculturalism /  |c edited by Albrecht Riethmüller. 
250 |a 1st ed. 
260 |b De Gruyter  |c 2017 
264 1 |a Berlin, [Germany] ;  |a Boston, [Massachusetts] :  |b Walter de Gruyter GmbH,  |c 2017. 
264 4 |c ©2017 
300 |a 1 online resource (268 pages). 
336 |a text  |2 rdacontent 
337 |a computer  |2 rdamedia 
338 |a online resource  |2 rdacarrier 
490 1 |a Discourses on Intellectual Europe ;  |v Volume 2 
546 |a In English. 
505 0 0 |t Frontmatter --   |t Foreword by the Series Editor --   |t Contents --   |t Preface --   |t Music in Europe Today - A Dialogue --   |t Seid umschlungen, Millionen! - Zur Rezeption von Beethovens 9. Symphonie /   |r Kraus, Beate Angelika --   |t Europa-Hymnen - Musikalische Insignien von Verständigung und Identität /   |r Betzwieser, Thomas --   |t Musikerausbildung in Deutschland und Frankreich/La formation du musicien en France et en Allemagne /   |r Brzoska, Matthias / Raymond, Louise Bernard de --   |t Alternative Identitäten und popkulturelle Integration auf der Bühne des Eurovision Song Contest /   |r Jaszoltowski, Saskia --   |t European Opera as Viewed from a Distance /   |r Schröder, Julia H. --   |t Epilogue /   |r Riethmüller, Albrecht --   |t Appendices --   |t About the Authors 
520 |a The volume focuses on music during the process of European integration since the Second World War. Often music in Europe is defined by its relation to the concept of Occidentalism (Musik im Abendland; western music). The emphasis here turns rather to recent manifestations of its evolvement in ensembles, events, musical organisations and ideas; questions of unity and diversity from Bergen to Tel Aviv, from Lisbon to Baku; and deals with the tension between local, regional and national music within the larger confluence of European music. The status of classical and avante-garde music, and to a degree rock and pop, during Europe's development the past sixty years are also reviewed within the context of eurocentrism - the domination of European music within world music, a term propagated by anthropologists and ethnomusicologists several decades ago and based on multiculturalism. Conversely, the search for a musical European identity and the ways in which this search has in turn been influenced by multiculturalism is an ongoing, dynamic process.  
504 |a Includes bibliographical references. 
588 |a Description based on print version record. 
540 |a This eBook is made available Open Access under a FA license:   |u https://www.degruyter.com/dg/page/free-access-policy   |u https://www.degruyter.com/dg/page/open-access-policy 
530 |a Issued also in print. 
650 0 |a Music  |x Social aspects  |z Europe. 
653 |a Ethnomusicology. 
653 |a European identity. 
653 |a Multiculturalism. 
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700 1 |a Riethmüller, Albrecht,  |e author. 
830 0 |a Discourses on intellectual Europe ;  |v Volume 2. 
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