Politics and Aesthetics in European Baroque and Classicist Tragedy / / edited by Jan Bloemendal and Nigel Smith.

Politics and Aesthetics in European Baroque and Classicist Tragedy is a volume of essays investigating European tragedy in the seventeenth century, comparing Shakespeare, Vondel, Gryphius, Racine and several other vernacular tragedians, together with consideration of neo-Latin dramas by Jesuits and...

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Superior document:Drama and Theatre in Early Modern Europe Series ; Volume 5
TeilnehmendeR:
Place / Publishing House:Leiden, Netherlands : : Brill,, [2016]
©2016
Year of Publication:2016
Edition:First edition.
Language:English
Series:Drama and theatre in early modern Europe ; Volume 5.
Physical Description:1 online resource.
Notes:Bibliographic Level Mode of Issuance: Monograph
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spelling Politics and Aesthetics in European Baroque and Classicist Tragedy / edited by Jan Bloemendal and Nigel Smith.
First edition.
Leiden, Netherlands : Brill, [2016]
©2016
1 online resource.
text txt
computer c
online resource cr
Drama and Theatre in Early Modern Europe Series ; Volume 5
Bibliographic Level Mode of Issuance: Monograph
English
Description based on print version record and CIP data provided by publisher; resource not viewed.
Politics and Aesthetics in European Baroque and Classicist Tragedy is a volume of essays investigating European tragedy in the seventeenth century, comparing Shakespeare, Vondel, Gryphius, Racine and several other vernacular tragedians, together with consideration of neo-Latin dramas by Jesuits and other playwrights. To what extent were similar themes, plots, structures and styles elaborated? How is difference as well as similarity to be accounted for? European drama is beginning to be considered outside of the singular vernacular frameworks in which it has been largely confined (as instanced in the conferences and volumes of essays held in the Universities of Munich and Berlin 2010-12), but up-to-date secondary material is sparse and difficult to obtain. This volume intends to help remedy that deficit by addressing the drama in a full political, religious, legal and social context, and by considering the plays as interventions in those contexts. Contributors are: Christian Biet, Jan Bloemendal, Helmer J. Helmers, Blair Hoxby, Sarah M. Knight, Tatiana Korneeva, Frans-Willem Korsten, Joel B. Lande, Russell J. Leo, Howard B. Norland, Kirill Ospovat, James A. Parente, Jr., Freya Sierhuis, Nienke Tjoelker and Emily Vasiliauskas.
Includes bibliographical references and index.
Front Matter -- Introduction -- What Roman Paradigm for the Dutch Republic? Baroque Tragedies and Ambiguities Concerning Dominium and Torture / Frans-Willem Korsten -- Grotius among the Dagonists: Joost van den Vondel’s Samson, of Heilige Wraeck, Revenge and the Ius Gentium / Russ Leo -- Performing the Medieval Past: Vondel’s Gysbreght van Aemstel (1637) / Freya Sierhuis -- Political Martyrdom at the English College in Rome / Howard B. Norland -- Historical Tragedy and the End of Christian Humanism: Nicolaus Vernulaeus (1583–1649) / James A. Parente -- The Baroque Tragedy of the Roman Jesuits: Flavia and Beyond / Blair Hoxby -- Mortal Knowledge: Akrasia in English Renaissance Tragedy / Emily Vasiliauskas -- A fabulis ad veritatem: Latin Tragedy, Truth and Education in Early Modern England / Sarah Knight -- The Political Theater and Theatrical Politics of Andrea Giacinto Cicognini: Il Don Gastone di Moncada (1641) / Tatiana Korneeva -- French Tragedy during the Seventeenth Century: From Cruelty on a Scaffold to Poetic Distance on Stage / Christian Biet -- German Trauerspiel and Its International Nexus: On the Migration of Poetic Forms / Joel B. Lande -- The Politics of Mobility: Shakespeare’s Titus Andronicus, Jan Vos’s Aran en Titus and the Poetics of Empire / Helmer Helmers -- French Classicism in Jesuit Theater Poetics of the Eighteenth Century / Nienke Tjoelker -- Scenario of Terror: Royal Violence and the Origins of Russian Tragic Drama / Kirill Ospovat -- Index.
Description based on print version record.
Aesthetics in literature.
European drama (Tragedy) Classical influences.
European drama 17th century History and criticism.
Latin drama (Tragedy) History and criticism.
Politics in literature.
90-04-32341-4
Smith, Nigel, 1958- editor.
Bloemendal, Jan, 1961- editor.
Drama and theatre in early modern Europe ; Volume 5.
language English
format eBook
author2 Smith, Nigel, 1958-
Bloemendal, Jan, 1961-
author_facet Smith, Nigel, 1958-
Bloemendal, Jan, 1961-
author2_variant n s ns
j b jb
author2_role TeilnehmendeR
TeilnehmendeR
author_additional Frans-Willem Korsten --
Russ Leo --
Freya Sierhuis --
Howard B. Norland --
James A. Parente --
Blair Hoxby --
Emily Vasiliauskas --
Sarah Knight --
Tatiana Korneeva --
Christian Biet --
Joel B. Lande --
Helmer Helmers --
Nienke Tjoelker --
Kirill Ospovat --
title Politics and Aesthetics in European Baroque and Classicist Tragedy /
spellingShingle Politics and Aesthetics in European Baroque and Classicist Tragedy /
Drama and Theatre in Early Modern Europe Series ;
Front Matter --
Introduction --
What Roman Paradigm for the Dutch Republic? Baroque Tragedies and Ambiguities Concerning Dominium and Torture /
Grotius among the Dagonists: Joost van den Vondel’s Samson, of Heilige Wraeck, Revenge and the Ius Gentium /
Performing the Medieval Past: Vondel’s Gysbreght van Aemstel (1637) /
Political Martyrdom at the English College in Rome /
Historical Tragedy and the End of Christian Humanism: Nicolaus Vernulaeus (1583–1649) /
The Baroque Tragedy of the Roman Jesuits: Flavia and Beyond /
Mortal Knowledge: Akrasia in English Renaissance Tragedy /
A fabulis ad veritatem: Latin Tragedy, Truth and Education in Early Modern England /
The Political Theater and Theatrical Politics of Andrea Giacinto Cicognini: Il Don Gastone di Moncada (1641) /
French Tragedy during the Seventeenth Century: From Cruelty on a Scaffold to Poetic Distance on Stage /
German Trauerspiel and Its International Nexus: On the Migration of Poetic Forms /
The Politics of Mobility: Shakespeare’s Titus Andronicus, Jan Vos’s Aran en Titus and the Poetics of Empire /
French Classicism in Jesuit Theater Poetics of the Eighteenth Century /
Scenario of Terror: Royal Violence and the Origins of Russian Tragic Drama /
Index.
title_full Politics and Aesthetics in European Baroque and Classicist Tragedy / edited by Jan Bloemendal and Nigel Smith.
title_fullStr Politics and Aesthetics in European Baroque and Classicist Tragedy / edited by Jan Bloemendal and Nigel Smith.
title_full_unstemmed Politics and Aesthetics in European Baroque and Classicist Tragedy / edited by Jan Bloemendal and Nigel Smith.
title_auth Politics and Aesthetics in European Baroque and Classicist Tragedy /
title_alt Front Matter --
Introduction --
What Roman Paradigm for the Dutch Republic? Baroque Tragedies and Ambiguities Concerning Dominium and Torture /
Grotius among the Dagonists: Joost van den Vondel’s Samson, of Heilige Wraeck, Revenge and the Ius Gentium /
Performing the Medieval Past: Vondel’s Gysbreght van Aemstel (1637) /
Political Martyrdom at the English College in Rome /
Historical Tragedy and the End of Christian Humanism: Nicolaus Vernulaeus (1583–1649) /
The Baroque Tragedy of the Roman Jesuits: Flavia and Beyond /
Mortal Knowledge: Akrasia in English Renaissance Tragedy /
A fabulis ad veritatem: Latin Tragedy, Truth and Education in Early Modern England /
The Political Theater and Theatrical Politics of Andrea Giacinto Cicognini: Il Don Gastone di Moncada (1641) /
French Tragedy during the Seventeenth Century: From Cruelty on a Scaffold to Poetic Distance on Stage /
German Trauerspiel and Its International Nexus: On the Migration of Poetic Forms /
The Politics of Mobility: Shakespeare’s Titus Andronicus, Jan Vos’s Aran en Titus and the Poetics of Empire /
French Classicism in Jesuit Theater Poetics of the Eighteenth Century /
Scenario of Terror: Royal Violence and the Origins of Russian Tragic Drama /
Index.
title_new Politics and Aesthetics in European Baroque and Classicist Tragedy /
title_sort politics and aesthetics in european baroque and classicist tragedy /
series Drama and Theatre in Early Modern Europe Series ;
series2 Drama and Theatre in Early Modern Europe Series ;
publisher Brill,
publishDate 2016
physical 1 online resource.
edition First edition.
contents Front Matter --
Introduction --
What Roman Paradigm for the Dutch Republic? Baroque Tragedies and Ambiguities Concerning Dominium and Torture /
Grotius among the Dagonists: Joost van den Vondel’s Samson, of Heilige Wraeck, Revenge and the Ius Gentium /
Performing the Medieval Past: Vondel’s Gysbreght van Aemstel (1637) /
Political Martyrdom at the English College in Rome /
Historical Tragedy and the End of Christian Humanism: Nicolaus Vernulaeus (1583–1649) /
The Baroque Tragedy of the Roman Jesuits: Flavia and Beyond /
Mortal Knowledge: Akrasia in English Renaissance Tragedy /
A fabulis ad veritatem: Latin Tragedy, Truth and Education in Early Modern England /
The Political Theater and Theatrical Politics of Andrea Giacinto Cicognini: Il Don Gastone di Moncada (1641) /
French Tragedy during the Seventeenth Century: From Cruelty on a Scaffold to Poetic Distance on Stage /
German Trauerspiel and Its International Nexus: On the Migration of Poetic Forms /
The Politics of Mobility: Shakespeare’s Titus Andronicus, Jan Vos’s Aran en Titus and the Poetics of Empire /
French Classicism in Jesuit Theater Poetics of the Eighteenth Century /
Scenario of Terror: Royal Violence and the Origins of Russian Tragic Drama /
Index.
isbn 90-04-32342-2
90-04-32341-4
callnumber-first P - Language and Literature
callnumber-subject PN - General Literature
callnumber-label PN1892
callnumber-sort PN 41892 P655 42016
era_facet 17th century
illustrated Illustrated
dewey-hundreds 800 - Literature
dewey-tens 800 - Literature, rhetoric & criticism
dewey-ones 809 - History, description & criticism
dewey-full 809.2512094
dewey-sort 3809.2512094
dewey-raw 809.2512094
dewey-search 809.2512094
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