Animism, materiality, and museums : how do Byzantine things feel? / by Glenn Peers
Byzantine art is normally explained as devotional, historical, highly intellectualized, but this book argues for an experiential necessity for a fuller, deeper, more ethical approach to this art. Written in response to an exhibition the author curated at The Menil Collection in 2013, these essays ch...
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Place / Publishing House: | Leeds : ARC Humanities Press, [2020] [Berlin] : De Gruyter |
Year of Publication: | 2020 |
Language: | English |
Series: | Collection Development, Cultural Heritage, and Digital Humanities
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Physical Description: | 1 Online-Ressource (x, 167 Seiten); Illustrationen |
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AC16196040 (AT-OBV)AC16196040 (DE-B1597)574279 (DE-B1597)9781942401742 (DE-599)OBVAC16196040 (EXLNZ-43ACC_NETWORK)99146011465803331 |
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Peers, Glenn 1962- (DE-588)188346562 aut Animism, materiality, and museums how do Byzantine things feel? by Glenn Peers Leeds ARC Humanities Press [2020] [Berlin] De Gruyter 1 Online-Ressource (x, 167 Seiten) Illustrationen txt c cr Textdatei PDF Collection Development, Cultural Heritage, and Digital Humanities Byzantine art is normally explained as devotional, historical, highly intellectualized, but this book argues for an experiential necessity for a fuller, deeper, more ethical approach to this art. Written in response to an exhibition the author curated at The Menil Collection in 2013, these essays challenge us to search for novel ways to explore and interrogate the art of this distant culture. They marshal diverse disciplines-modern art, environmental theory, anthropology-to argue that Byzantine culture formed a special kind of Christian animism. While completely foreign to our world, that animism still holds important lessons for approaches to our own relations to the world. Mutual probings of subject and art, of past and present, arise in these essays-some new and some previously published-and new explanations therefore open up that will interest historians of art, museum professionals, and anyone interested in how art makes and remakes the world. Byzantine art is normally explained as devotional, historical, highly intellectualized, but this book argues for an experiential necessity for a fuller, deeper, more ethical approach to this art. Written in response to an exhibition the author curated at The Menil Collection in 2013, this monograph challenges us to search for novel ways to explore and interrogate the art of this distant culture. They marshal diverse disciplines-modern art, environmental theory, anthropology-to argue that Byzantine culture formed a special kind of Christian animism. While completely foreign to our world, that animism still holds important lessons for approaches to our own relations to the world. Mutual probings of subject and art, of past and present, arise in these essays-some new and some previously published-and new explanations therefore open up that will interest historians of art, museum professionals, and anyone interested in how art makes and remakes the world. CC BY 4.0 https://creativecommons.org/licenses/by/4.0/deed.de cc Unrestricted online access star History. ART / History / Medieval. bisacsh Byzantine. animism. art. christian animism. exhibition. museum experience. visitor experience. Erscheint auch als Druck-Ausgabe 9781942401735 https://doi.org/10.1515/9781942401742 Resolving-System Volltext kostenfrei Cover https://www.degruyter.com/cover/covers/9781942401742.jpg |
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English |
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author |
Peers, Glenn 1962- |
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Peers, Glenn 1962- Animism, materiality, and museums how do Byzantine things feel? Collection Development, Cultural Heritage, and Digital Humanities |
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Peers, Glenn 1962- |
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Peers, Glenn 1962- |
title |
Animism, materiality, and museums how do Byzantine things feel? |
title_sub |
how do Byzantine things feel? |
title_full |
Animism, materiality, and museums how do Byzantine things feel? by Glenn Peers |
title_fullStr |
Animism, materiality, and museums how do Byzantine things feel? by Glenn Peers |
title_full_unstemmed |
Animism, materiality, and museums how do Byzantine things feel? by Glenn Peers |
title_auth |
Animism, materiality, and museums how do Byzantine things feel? |
title_new |
Animism, materiality, and museums |
title_sort |
animism, materiality, and museums how do byzantine things feel? |
series |
Collection Development, Cultural Heritage, and Digital Humanities |
series2 |
Collection Development, Cultural Heritage, and Digital Humanities |
publisher |
ARC Humanities Press |
publishDate |
2020 |
physical |
1 Online-Ressource (x, 167 Seiten) Illustrationen |
isbn |
9781942401742 9781942401735 |
url |
https://doi.org/10.1515/9781942401742 https://www.degruyter.com/cover/covers/9781942401742.jpg |
illustrated |
Not Illustrated |
doi_str_mv |
10.1515/9781942401742 |
work_keys_str_mv |
AT peersglenn animismmaterialityandmuseumshowdobyzantinethingsfeel |
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(AT-OBV)AC16196040 (DE-B1597)574279 (DE-B1597)9781942401742 (DE-599)OBVAC16196040 (EXLNZ-43ACC_NETWORK)99146011465803331 |
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AC16196040 |
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Animism, materiality, and museums how do Byzantine things feel? |
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