György Ligetis "drei Stücke für zwei Klaviere" : eine Gesamtanalyse / Stephen Ferguson
eng: The thesis treats Ligeti's '3 pieces' as a paradigm of late 20th century piano composition, evaluating them analytically from mainly structural but also acoustic, psychological, interpretative, receptive and diachronic perspectives. The starting point is a discussion of the prob...
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Place / Publishing House: | 1991 |
Year of Publication: | 1991 |
Language: | German |
Subjects: | |
Physical Description: | 258 Bl.; Notenbeisp. |
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100 | 1 | |a Ferguson, Stephen |4 aut | |
245 | 1 | 0 | |a György Ligetis "drei Stücke für zwei Klaviere" |b eine Gesamtanalyse |c Stephen Ferguson |
264 | 1 | |c 1991 | |
300 | |a 258 Bl. |b Notenbeisp. | ||
502 | |a Wien, Univ., Diss., 1991 | ||
520 | |a eng: The thesis treats Ligeti's '3 pieces' as a paradigm of late 20th century piano composition, evaluating them analytically from mainly structural but also acoustic, psychological, interpretative, receptive and diachronic perspectives. The starting point is a discussion of the problems of notation as the object of analysis, illustrated by a MIDI- sequencer printout of an recording of 14 bars of Chopin's Sonata Opus 35, 4th movement. This leads to the proposal of a 'Gesamtanalyse', which is defined as an analytical response to the various productive and receptive phases of the composition, performance and reception of a musical work. After further theoretical discussion ('data and interpretation', 'pre- selective analysis'), chapters on acoustical, psychological and performance aspects of the Ligeti pieces follow, laying the foundation for a highly detailed structural analysis. After a discussion of the critical response to the Cologne premiere, there is a chapter on various categories of piano music today and on the role of analysis in the general appraisal of contemporary art music. The ultimate aims are identified as 1) a discussion of the analytical object and the proposal of a 'Gesamtanalyse' 2) an exhaustive account of Ligeti's composition technique in these pieces 3) a positive contribution to the often negative debate on the state of new music at the end of the 20th century. | ||
689 | 0 | 0 | |a Ligeti, György |d 1923-2006 |t Monument, Selbstportrait, Bewegung |D p |0 (DE-588)4367738-1 |
689 | 0 | |5 AT-OBV |5 ONB | |
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971 | 5 | |a Universität Wien | |
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