Die frühen Klaviersonaten Joseph Haydns : eine methodisch-vergleichende Studie / eingereicht von Federico Celestini

eng: The subject of the dissertation is the shift of style within Haydn's early keyboard sonatas and a comparative study between Haydn and the contemporary keyboard composers. At the beginning different models of stylistic systems are worked out, which allow to cower the variety of style of th...

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Place / Publishing House:1998
Year of Publication:1998
Language:German
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Physical Description:241 Bl.; graph. Darst., zahlr. Notenbeisp.; Zsfassung
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Summary:eng: The subject of the dissertation is the shift of style within Haydn's early keyboard sonatas and a comparative study between Haydn and the contemporary keyboard composers. At the beginning different models of stylistic systems are worked out, which allow to cower the variety of style of the mid 18th century keyboard sonatas. The style shift can be transformed thanks to this into a model change and the main features of the variation process can be emphasized. Those features are also the points of reference for the following stylistic comparison. In the second part of the dissertation a method for comparison of style is developed, which presupposes a criticism of the term influence and consists of 2 phases. First the relationships in regard to history (biographical reports and sources distribution) and music (melodic similarities) are examined. And after that the stylistic convergences are found out by analysis and evaluated. Because of that method is possible to discuss the relationships between Haydn and Wagenseil (beginning of the stylistic development), D. Scarlatti (keyboard technique) and C. Ph. E. Bach (thematic unity and differentiation of -the flow of movement).
ac_no:AC02244155
Hierarchical level:Monograph
Statement of Responsibility: eingereicht von Federico Celestini