Conflict and Development in Iranian Film / / ed. by Seyed-Gohrab, Kamran Talattof.

The chapters in this volume explore the philosophical underpinnings and cinematic techniques characteristic of Iranian film. Collectively, they show how the pervasive themes of Iranian cinema, such as martyrdom and war, gender roles, and social policy issues have been addressed, and how directors ha...

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Superior document:Title is part of eBook package: De Gruyter Amsterdam University Press Backlist eBook-Package 2000-2013
HerausgeberIn:
Place / Publishing House:Amsterdam : : Amsterdam University Press, , [2012]
©2012
Year of Publication:2012
Language:English
Series:Iranian Studies Series
Online Access:
Physical Description:1 online resource (152 p.)
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520 |a The chapters in this volume explore the philosophical underpinnings and cinematic techniques characteristic of Iranian film. Collectively, they show how the pervasive themes of Iranian cinema, such as martyrdom and war, gender roles, and social policy issues have been addressed, and how directors have approached them using a variety of techniques. Some chapters outline the poetic and mystical dimensions of Abbas Kiarostami's movies. Other chapters describe the effects of the Islamic Revolution on codes of morality and their expression in film as well as on directors' tactics in response to the new theocratic system. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2024) 
650 0 |a Motion pictures  |x Iran  |x Iran. 
650 0 |a Motion pictures  |z Iran. 
650 4 |a Asian Studies. 
650 4 |a FIL. 
650 4 |a LIN. 
650 7 |a HISTORY / Middle East / Iran.  |2 bisacsh 
653 |a Iran, film, cinematic techniques, Abbas Kiarostami, Islamic Revolution. 
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700 1 |a Talattof, Kamran,   |e editor.  |4 edt  |4 http://id.loc.gov/vocabulary/relators/edt 
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