Exhibiting Antonio Canova : : Display and the Transformation of Sculptural Theory / / / Christina Ferando.
Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory argues that the display of Canova's sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of subjects. By enshrining his marble figures alongside plas...
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Superior document: | Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2023 |
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Place / Publishing House: | Amsterdam : : : Amsterdam University Press, , [2023] ©2023 |
Year of Publication: | 2023 |
Language: | English |
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Physical Description: | 1 online resource (296 p.) |
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Ferando, Christina, author. aut http://id.loc.gov/vocabulary/relators/aut. Exhibiting Antonio Canova : Display and the Transformation of Sculptural Theory / / Christina Ferando. Amsterdam : : Amsterdam University Press, [2023] ©2023 1 online resource (296 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Table of Contents -- Table of Contents -- Introduction: Canova on Display -- 1. Imagining Sculptural Practice -- 2. Reevaluating Ancients and Moderns -- 3. Anatomizing the Female Nude -- 4. Challenging the Supremacy of Painting -- 5. Defining Modern Sculpture -- Conclusion: Aftereffects -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory argues that the display of Canova's sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of subjects. By enshrining his marble figures alongside plaster casts of ancient works, bathing them in candlelight, staining and waxing their surfaces, and even setting them in motion on rotating bases, Canova engaged viewers intellectually, physically, and emotionally. These displays inspired discussions on topics as diverse as originality and artistic production, the association between the sculptural surface, flesh, and anatomy, the relationship between painting and sculpture, and the role of public museums. Beholders' discussions also shaped the legacy of important sculptural theories. They helped usher in their modern definitions and created the lenses through which we experience and interpret works of art, establishing modern attitudes not just towards sculpture, but towards cultural patrimony in general. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 18. Sep 2023) . Art and Material Culture. History, Art History, and Archaeology . Modern History. Antonio Canova, Sculpture, Art theory, Display, Reception theory. Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2023 9783111023748 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2023 9783111318103 ZDB-23-DPK Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2023 English 9783111319032 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2023 English 9783111319292 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2023 9783111318912 ZDB-23-DGG print 9789463724098 https://doi.org/10.1515/9789048557509?locatt=mode:legacy https://www.degruyter.com/isbn/9789048557509 Cover https://www.degruyter.com/document/cover/isbn/9789048557509/original |
language |
English |
format |
eBook |
author |
Ferando, Christina, Ferando, Christina, |
spellingShingle |
Ferando, Christina, Ferando, Christina, Exhibiting Antonio Canova : Display and the Transformation of Sculptural Theory / / Frontmatter -- Table of Contents -- Introduction: Canova on Display -- 1. Imagining Sculptural Practice -- 2. Reevaluating Ancients and Moderns -- 3. Anatomizing the Female Nude -- 4. Challenging the Supremacy of Painting -- 5. Defining Modern Sculpture -- Conclusion: Aftereffects -- Bibliography -- Index |
author_facet |
Ferando, Christina, Ferando, Christina, |
author_variant |
c f cf c f cf |
author_role |
VerfasserIn |
author_sort |
Ferando, Christina, |
title |
Exhibiting Antonio Canova : Display and the Transformation of Sculptural Theory / / |
title_sub |
Display and the Transformation of Sculptural Theory / / |
title_full |
Exhibiting Antonio Canova : Display and the Transformation of Sculptural Theory / / Christina Ferando. |
title_fullStr |
Exhibiting Antonio Canova : Display and the Transformation of Sculptural Theory / / Christina Ferando. |
title_full_unstemmed |
Exhibiting Antonio Canova : Display and the Transformation of Sculptural Theory / / Christina Ferando. |
title_auth |
Exhibiting Antonio Canova : Display and the Transformation of Sculptural Theory / / |
title_alt |
Frontmatter -- Table of Contents -- Introduction: Canova on Display -- 1. Imagining Sculptural Practice -- 2. Reevaluating Ancients and Moderns -- 3. Anatomizing the Female Nude -- 4. Challenging the Supremacy of Painting -- 5. Defining Modern Sculpture -- Conclusion: Aftereffects -- Bibliography -- Index |
title_new |
Exhibiting Antonio Canova : |
title_sort |
exhibiting antonio canova : display and the transformation of sculptural theory / / |
publisher |
Amsterdam University Press, |
publishDate |
2023 |
physical |
1 online resource (296 p.) |
contents |
Frontmatter -- Table of Contents -- Introduction: Canova on Display -- 1. Imagining Sculptural Practice -- 2. Reevaluating Ancients and Moderns -- 3. Anatomizing the Female Nude -- 4. Challenging the Supremacy of Painting -- 5. Defining Modern Sculpture -- Conclusion: Aftereffects -- Bibliography -- Index |
isbn |
9789048557509 9783111023748 9783111318103 9783111319032 9783111319292 9783111318912 9789463724098 |
callnumber-first |
A - General Works |
callnumber-subject |
AM - Museums and Collecting |
callnumber-label |
AM |
callnumber-sort |
AM |
genre_facet |
. |
url |
https://doi.org/10.1515/9789048557509?locatt=mode:legacy https://www.degruyter.com/isbn/9789048557509 https://www.degruyter.com/document/cover/isbn/9789048557509/original |
illustrated |
Not Illustrated |
dewey-hundreds |
000 - Computer science, information & general works |
dewey-tens |
060 - Associations, organizations & museums |
dewey-ones |
069 - Museum science |
dewey-full |
069 |
dewey-sort |
269 |
dewey-raw |
069 |
dewey-search |
069 |
doi_str_mv |
10.1515/9789048557509?locatt=mode:legacy |
work_keys_str_mv |
AT ferandochristina exhibitingantoniocanovadisplayandthetransformationofsculpturaltheory |
status_str |
n |
ids_txt_mv |
(DE-B1597)651033 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2023 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2023 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2023 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2023 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2023 |
is_hierarchy_title |
Exhibiting Antonio Canova : Display and the Transformation of Sculptural Theory / / |
container_title |
Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2023 |
_version_ |
1778510947569106944 |
fullrecord |
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