Repertoires of Slavery : : Dutch Theater Between Abolitionism and Colonial Subjection, 1770-1810 / / Sarah Adams.

Through the lens of a hitherto unstudied repertoire of Dutch abolitionist theatre productions, Repertoires of Slavery prises open the conflicting ideological functions of antislavery discourse within and outside the walls of the theatre and examines the ways in which abolitionist protesters wielded...

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Superior document:Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2023
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Place / Publishing House:Amsterdam : : Amsterdam University Press, , [2023]
©2023
Year of Publication:2023
Language:English
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Physical Description:1 online resource (258 p.)
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Other title:Frontmatter --
Table of Contents --
List of Figures --
Acknowledgements --
Introduction --
1 Dutch Politics, the Slavery-Based Economy, and Theatrical Culture in 1800 --
2 Suffering Victims: Slavery, Sympathy, and White Self-Glorification --
3 Contented Fools: Ridiculing and Re- Commercializing Slavery --
4 Black Rebels: Slavery, Human Rights, and the Legitimacy of Resistance --
5 Conclusions --
Bibliography --
Appendix --
Index
Summary:Through the lens of a hitherto unstudied repertoire of Dutch abolitionist theatre productions, Repertoires of Slavery prises open the conflicting ideological functions of antislavery discourse within and outside the walls of the theatre and examines the ways in which abolitionist protesters wielded the strife-ridden question of slavery to negotiate the meanings of human rights, subjecthood, and subjection. The book explores how dramatic visions of antislavery provided a site for (re)mediating a white metropolitan—and at times a specifically Dutch—identity. It offers insight into the late-eighteenth- and early-nineteenth-century theatrical modes, tropes, and scenarios of racialised subjection and considers them as materials of the “Dutch cultural archive,” or the Dutch “reservoir” of sentiments, knowledge, fantasies, and beliefs about race and slavery that have shaped the dominant sense of the Dutch self up to the present day.
Format:Mode of access: Internet via World Wide Web.
ISBN:9789048554829
9783111023748
9783111319292
9783111318912
9783111319131
9783111318189
DOI:10.1515/9789048554829?locatt=mode:legacy
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: Sarah Adams.