Film Festivals, Ideology and Italian Art Cinema : : Politics, Histories and Cultural Value / / Rachel Johnson.

Film Festivals, Ideology and Italian Art Cinema is the first systematic study of the role ideology plays in film festivals’ construction of dominant ideas about art cinema. Film festivals are considered the driving force of the film industry outside Hollywood, disseminating ideals of cinematic art a...

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Superior document:Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2023
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Place / Publishing House:Amsterdam : : Amsterdam University Press, , [2023]
©2023
Year of Publication:2023
Language:English
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Physical Description:1 online resource (308 p.)
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245 1 0 |a Film Festivals, Ideology and Italian Art Cinema :  |b Politics, Histories and Cultural Value /  |c Rachel Johnson. 
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505 0 0 |t Frontmatter --   |t Table of Contents --   |t List of Illustrations --   |t Acknowledgements --   |t Introduction --   |t 1. Film Festivals and Ideology Critique --   |t Section I Artistic Universality --   |t 2. Enjoy Your Auteurism! The Son’s Room at Cannes --   |t 3. Gendering Art: The Great Beauty at Cannes and Tallinn --   |t Section II Political Universality --   |t 4. There Is No Sexual Relationship: Facing Window at Karlovy Vary --   |t 5. Brutal Humanism: Fire at Sea at the Berlinale --   |t Section III Capital --   |t 6. Capitalism and Orientalism: Gomorrah at Cannes --   |t Conclusion: Da capo senza fine --   |t Appendices --   |t Bibliography --   |t Filmography --   |t Index of Films --   |t Index of Names --   |t Index of Subjects 
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520 |a Film Festivals, Ideology and Italian Art Cinema is the first systematic study of the role ideology plays in film festivals’ construction of dominant ideas about art cinema. Film festivals are considered the driving force of the film industry outside Hollywood, disseminating ideals of cinematic art and humanist politics. However, the question of what drives them remains highly contentious. In a rare consideration of the European competitive film festival circuit as a whole, this book analyses the shared economic, geopolitical and cultural histories that characterise ‘European A festivals’. It offers, too, the first extensive analysis of such festivals’ role in the canonisation of select Italian films, from Rome, Open City to The Great Beauty and Gomorrah. The book proposes a new approach to ideology critique, one that enables detailed examination of how film festivals construct ideas about not only contemporary art cinema, but assumptions about gender, race, colonialism and capitalism. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Jun 2024) 
650 0 |a Film festivals  |x Political aspects  |z Italy. 
650 4 |a Festivals, Theatre, and Performance. 
650 4 |a Film Studies. 
650 4 |a Film, Media, and Communication. 
650 7 |a PERFORMING ARTS / Film & Video / General.  |2 bisacsh 
653 |a Film festivals, European cinema, Italian cinema, Ideology, Psychoanalysis. 
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