Women Filmmakers in Sinophone World Cinema / / Zhen Zhang.

Women Filmmakers in Sinophone World Cinema portrays a group of important contemporary women filmmakers working across the Sinophone world including Taiwan, Hong Kong, the mainland, and beyond. The book delineates and conceptualizes their cinematic and trans-media practices within an evolving, multif...

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Superior document:Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2023
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Place / Publishing House:Amsterdam : : Amsterdam University Press, , [2023]
©2023
Year of Publication:2023
Language:English
Series:Asian Visual Cultures ; 14
Online Access:
Physical Description:1 online resource (340 p.)
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245 1 0 |a Women Filmmakers in Sinophone World Cinema /  |c Zhen Zhang. 
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505 0 0 |t Frontmatter --   |t Table of Contents --   |t Acknowledgements --   |t Introduction: Projecting Sinophone Cine-Feminisms --   |t 1. Migrating Hearts --   |t 2. Floating Light and Shadows --   |t 3. From Sidewalk Realism to Spectral Romance --   |t 4. Eggs, Stones, and Stretch Marks --   |t 5. “Spicy-Painful” Theater of History --   |t 6. In Praise of Trans-Asian Sisterhood --   |t 7. “We Are Alive” --   |t 8. Outcries and Whispers --   |t Epilogue --   |t Chinese Glossary --   |t Bibliography --   |t Filmography --   |t List of figures --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Women Filmmakers in Sinophone World Cinema portrays a group of important contemporary women filmmakers working across the Sinophone world including Taiwan, Hong Kong, the mainland, and beyond. The book delineates and conceptualizes their cinematic and trans-media practices within an evolving, multifaceted feminist intimate-public commons. The films by these experienced and emerging filmmakers, including Huang Yu-shan, Yau Ching, Ai Xiaoming, Wen Hui, Huang Ji and others, represent some of the most innovative and socially engaged work in both fictional and non-fictional modes in Chinese-language cinema as well as global women’s cinema. Their narrative, documentary, and experimental film practices from the 1980s to the present, along with their work in sister media such as dance, theater, literature, and contemporary art, their activities as scholars, educators, activists, and film festival organizers or jurors, have significantly reshaped the landscape of Sinophone film culture and expanded the borders of world cinema. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2023) 
650 4 |a Asian Studies. 
650 4 |a Contemporary Society. 
650 4 |a East Asia and North East Asia. 
650 4 |a Film Studies. 
650 4 |a Gender and Sexuality Studies. 
650 7 |a ART / Film & Video.  |2 bisacsh 
653 |a affectionate feminism, intimate-public sphere, melodrama, realism, documentary, Chinese-language cinema. 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t Amsterdam University Press Complete eBook-Package 2023  |z 9783111023748 
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