Women Filmmakers and the Visual Politics of Transnational China in the #MeToo Era / / Gina Marchetti.
Manoeuvring around mainland China’s censors and pushing back against threats of lawsuits, online harassment, and physical violence, #MeToo activists shed a particularly harsh light on the treatment of women in the cinema and entertainment industries. Focusing on films from the People’s Republic of C...
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Place / Publishing House: | Amsterdam : : Amsterdam University Press, , [2023] ©2023 |
Year of Publication: | 2023 |
Language: | English |
Series: | Critical Asian Cinemas ;
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Physical Description: | 1 online resource (400 p.) |
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Marchetti, Gina, author. aut http://id.loc.gov/vocabulary/relators/aut Women Filmmakers and the Visual Politics of Transnational China in the #MeToo Era / Gina Marchetti. Amsterdam : Amsterdam University Press, [2023] ©2023 1 online resource (400 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Critical Asian Cinemas ; 5 Frontmatter -- Critical Asian Cinemas -- Table of Contents -- Acknowledgements -- A Note on Romanization -- 1. Introduction : #MeToo and the Visual Politics of Transnational Chinese Cinema -- 2. The Look and the Stare : Looked Over and Overlooked in The Truth About Beauty (2014), My Way (2012), and Unfinished (2013) -- 3. The Leer and the Glare : Voyeurism and State Surveillance in Hooligan Sparrow (2016) and Angels Wear White (2017) -- 4. A Glimpse of the Glance : Women Scrutinize Men in Female Directors (2012) and Girls Always Happy (2018) -- 5. The Queer Gaze across the Gay-Straight Generational Divide : Small Talk (2016) and A Dog Barking at the Moon (2019) -- 6. The Alienated Gaze and the Activist Eye : Gender, Class, and Politics in Lotus (2012) and Outcry and Whisper (2020) -- 7. Oppositional Optics: The View from Hong Kong -- 8. From Activism to Exile : Our Youth in Taiwan (2018) and To Singapore, with Love (2013) -- 9. Viral Visions : The Pandemic Archive in Miasma, Plants, Export Paintings (2017) and Many Undulating Things (2019) -- 10. Conclusion : The View from the Chinese Diaspora in The Farewell (2019) -- Bilingual Filmography -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Manoeuvring around mainland China’s censors and pushing back against threats of lawsuits, online harassment, and physical violence, #MeToo activists shed a particularly harsh light on the treatment of women in the cinema and entertainment industries. Focusing on films from the People’s Republic of China, Hong Kong, Taiwan, and the Chinese diaspora, this book considers how female directors shape Chinese visual politics through the depiction of the look, the stare, the leer, the glare, the glimpse, the glance, the queer and the oppositional gaze in fiction and documentary filmmaking. In the years leading up to and following in the wake of #MeToo, these cosmopolitan women filmmakers offer innovative angles on body image, reproduction, romance, family relations, gender identity, generational differences, female sexuality, sexual violence, sex work, labor migration, career options, minority experiences, media access, feminist activism and political rights within the rapidly changing Chinese cultural orbit. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Jun 2024) MeToo movement China. Motion pictures Political aspects China. Motion pictures, Chinese. Women motion picture producers and directors China. Art and Material Culture. East Asia and North East Asia. Film Studies. Film, Media, and Communication. Gender and Sexuality Studies. Media Studies. PERFORMING ARTS / Film & Video / Direction & Production. bisacsh Feminist Visual Theory, Women Filmmakers, Transnational Chinese Cinema, the Cinematic Gaze. Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2023 9783111023748 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2023 9783111318103 ZDB-23-DPK Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2023 English 9783111319032 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2023 English 9783111319292 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2023 9783111318912 ZDB-23-DGG https://doi.org/10.1515/9789048553990?locatt=mode:legacy https://www.degruyter.com/isbn/9789048553990 Cover https://www.degruyter.com/document/cover/isbn/9789048553990/original |
language |
English |
format |
eBook |
author |
Marchetti, Gina, Marchetti, Gina, |
spellingShingle |
Marchetti, Gina, Marchetti, Gina, Women Filmmakers and the Visual Politics of Transnational China in the #MeToo Era / Critical Asian Cinemas ; Frontmatter -- Critical Asian Cinemas -- Table of Contents -- Acknowledgements -- A Note on Romanization -- 1. Introduction : #MeToo and the Visual Politics of Transnational Chinese Cinema -- 2. The Look and the Stare : Looked Over and Overlooked in The Truth About Beauty (2014), My Way (2012), and Unfinished (2013) -- 3. The Leer and the Glare : Voyeurism and State Surveillance in Hooligan Sparrow (2016) and Angels Wear White (2017) -- 4. A Glimpse of the Glance : Women Scrutinize Men in Female Directors (2012) and Girls Always Happy (2018) -- 5. The Queer Gaze across the Gay-Straight Generational Divide : Small Talk (2016) and A Dog Barking at the Moon (2019) -- 6. The Alienated Gaze and the Activist Eye : Gender, Class, and Politics in Lotus (2012) and Outcry and Whisper (2020) -- 7. Oppositional Optics: The View from Hong Kong -- 8. From Activism to Exile : Our Youth in Taiwan (2018) and To Singapore, with Love (2013) -- 9. Viral Visions : The Pandemic Archive in Miasma, Plants, Export Paintings (2017) and Many Undulating Things (2019) -- 10. Conclusion : The View from the Chinese Diaspora in The Farewell (2019) -- Bilingual Filmography -- Bibliography -- Index |
author_facet |
Marchetti, Gina, Marchetti, Gina, |
author_variant |
g m gm g m gm |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Marchetti, Gina, |
title |
Women Filmmakers and the Visual Politics of Transnational China in the #MeToo Era / |
title_full |
Women Filmmakers and the Visual Politics of Transnational China in the #MeToo Era / Gina Marchetti. |
title_fullStr |
Women Filmmakers and the Visual Politics of Transnational China in the #MeToo Era / Gina Marchetti. |
title_full_unstemmed |
Women Filmmakers and the Visual Politics of Transnational China in the #MeToo Era / Gina Marchetti. |
title_auth |
Women Filmmakers and the Visual Politics of Transnational China in the #MeToo Era / |
title_alt |
Frontmatter -- Critical Asian Cinemas -- Table of Contents -- Acknowledgements -- A Note on Romanization -- 1. Introduction : #MeToo and the Visual Politics of Transnational Chinese Cinema -- 2. The Look and the Stare : Looked Over and Overlooked in The Truth About Beauty (2014), My Way (2012), and Unfinished (2013) -- 3. The Leer and the Glare : Voyeurism and State Surveillance in Hooligan Sparrow (2016) and Angels Wear White (2017) -- 4. A Glimpse of the Glance : Women Scrutinize Men in Female Directors (2012) and Girls Always Happy (2018) -- 5. The Queer Gaze across the Gay-Straight Generational Divide : Small Talk (2016) and A Dog Barking at the Moon (2019) -- 6. The Alienated Gaze and the Activist Eye : Gender, Class, and Politics in Lotus (2012) and Outcry and Whisper (2020) -- 7. Oppositional Optics: The View from Hong Kong -- 8. From Activism to Exile : Our Youth in Taiwan (2018) and To Singapore, with Love (2013) -- 9. Viral Visions : The Pandemic Archive in Miasma, Plants, Export Paintings (2017) and Many Undulating Things (2019) -- 10. Conclusion : The View from the Chinese Diaspora in The Farewell (2019) -- Bilingual Filmography -- Bibliography -- Index |
title_new |
Women Filmmakers and the Visual Politics of Transnational China in the #MeToo Era / |
title_sort |
women filmmakers and the visual politics of transnational china in the #metoo era / |
series |
Critical Asian Cinemas ; |
series2 |
Critical Asian Cinemas ; |
publisher |
Amsterdam University Press, |
publishDate |
2023 |
physical |
1 online resource (400 p.) |
contents |
Frontmatter -- Critical Asian Cinemas -- Table of Contents -- Acknowledgements -- A Note on Romanization -- 1. Introduction : #MeToo and the Visual Politics of Transnational Chinese Cinema -- 2. The Look and the Stare : Looked Over and Overlooked in The Truth About Beauty (2014), My Way (2012), and Unfinished (2013) -- 3. The Leer and the Glare : Voyeurism and State Surveillance in Hooligan Sparrow (2016) and Angels Wear White (2017) -- 4. A Glimpse of the Glance : Women Scrutinize Men in Female Directors (2012) and Girls Always Happy (2018) -- 5. The Queer Gaze across the Gay-Straight Generational Divide : Small Talk (2016) and A Dog Barking at the Moon (2019) -- 6. The Alienated Gaze and the Activist Eye : Gender, Class, and Politics in Lotus (2012) and Outcry and Whisper (2020) -- 7. Oppositional Optics: The View from Hong Kong -- 8. From Activism to Exile : Our Youth in Taiwan (2018) and To Singapore, with Love (2013) -- 9. Viral Visions : The Pandemic Archive in Miasma, Plants, Export Paintings (2017) and Many Undulating Things (2019) -- 10. Conclusion : The View from the Chinese Diaspora in The Farewell (2019) -- Bilingual Filmography -- Bibliography -- Index |
isbn |
9789048553990 9783111023748 9783111318103 9783111319032 9783111319292 9783111318912 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1995 |
callnumber-sort |
PN 41995.9 W6 |
geographic_facet |
China. |
url |
https://doi.org/10.1515/9789048553990?locatt=mode:legacy https://www.degruyter.com/isbn/9789048553990 https://www.degruyter.com/document/cover/isbn/9789048553990/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.4302/3082 |
dewey-sort |
3791.4302 43082 |
dewey-raw |
791.4302/3082 |
dewey-search |
791.4302/3082 |
doi_str_mv |
10.1515/9789048553990?locatt=mode:legacy |
oclc_num |
1390663806 |
work_keys_str_mv |
AT marchettigina womenfilmmakersandthevisualpoliticsoftransnationalchinainthemetooera |
status_str |
n |
ids_txt_mv |
(DE-B1597)665638 (OCoLC)1390663806 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2023 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2023 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2023 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2023 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2023 |
is_hierarchy_title |
Women Filmmakers and the Visual Politics of Transnational China in the #MeToo Era / |
container_title |
Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2023 |
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1806145922923495424 |
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