The Aesthetics and Politics of Cinematic Pedestrianism : : Walking in Films / / Asli Özgen.
The Aesthetics and Politics of Cinematic Pedestrianism: Walking in Films offers a rich exploration of the cinematic aesthetics that filmmakers devised to reflect the corporeal and affective experience of walking in the city. Drawing from literature in urban studies, film theory, and aesthetic philos...
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Superior document: | Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2022 |
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Place / Publishing House: | Amsterdam : : Amsterdam University Press, , [2022] ©2022 |
Year of Publication: | 2022 |
Language: | English |
Series: | Film Culture in Transition
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Online Access: | |
Physical Description: | 1 online resource (256 p.) |
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100 | 1 | |a Özgen, Asli, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 4 | |a The Aesthetics and Politics of Cinematic Pedestrianism : |b Walking in Films / |c Asli Özgen. |
264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2022] | |
264 | 4 | |c ©2022 | |
300 | |a 1 online resource (256 p.) | ||
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338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
490 | 0 | |a Film Culture in Transition | |
505 | 0 | 0 | |t Frontmatter -- |t Table of Contents -- |t Acknowledgements -- |t Introduction: Cinematic Pedestrianism in the City -- |t 1. Moving Body, Moving Pictures: The Emergence of Cinematic Pedestrianism -- |t 2. The Flâneur as Filmmaker -- |t 3. The Flâneuse and the Aesthetics of the Female Gaze -- |t 4. A Wandering Eye: The Kino-Pedestrian -- |t 5. Walking amidst Ruins: A Pedestrian Cinema -- |t 6. Feminist Nomads: The Politics of Walking in Agnès Varda -- |t Cinematic Pedestrianism Afoot: A Conclusion -- |t Bibliography -- |t Filmography -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a The Aesthetics and Politics of Cinematic Pedestrianism: Walking in Films offers a rich exploration of the cinematic aesthetics that filmmakers devised to reflect the corporeal and affective experience of walking in the city. Drawing from literature in urban studies, film theory, and aesthetic philosophy, it is the first monograph to approach the history of cinema from the perspective of walking. A series of case studies providing nuanced analyses of widely referenced figures, such as the flaneur/flâneuse, vagabond, and nomad, reveal how filmmakers articulated their objection to repressive structures through depictions of walking: a common, everyday act yet transgressive, bold, and indomitable. Through the lens of Henri Lefebvre’s theory of space, Michel de Certeau’s concept of pedestrian acts, and Jacques Rancière’s treatment of the politics of aesthetics, Walking in Films traces how cinema evolved in conversation with the mobile body and the new images, styles, and techniques that emerged with it. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) | |
650 | 0 | |a Cities and towns in motion pictures. | |
650 | 0 | |a Walking in motion pictures. | |
650 | 4 | |a Cultural Studies. | |
650 | 4 | |a Film Studies. | |
650 | 4 | |a Film, Media, and Communication. | |
650 | 4 | |a Philosophy. | |
650 | 7 | |a PERFORMING ARTS / Film & Video / General. |2 bisacsh | |
653 | |a Film Theory, History of Film, Urban Studies, Philosophy Media Archaeology. | ||
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