Shellac in Visual and Sonic Culture : : Unsettled Matter / / Elodie A. Roy.
This book charts the unsettled media cultures and deep time of shellac, retracing its journey from the visual to the sonic, and back again. Each chapter unveils a situated moment in the long history of shellac - travelling from its early visual culture to Emile Berliner's discovery of its audit...
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Place / Publishing House: | Amsterdam : : Amsterdam University Press, , [2023] 2023 |
Year of Publication: | 2023 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (240 p.) |
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100 | 1 | |a Roy, Elodie A., |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Shellac in Visual and Sonic Culture : |b Unsettled Matter / |c Elodie A. Roy. |
264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2023] | |
264 | 4 | |c 2023 | |
300 | |a 1 online resource (240 p.) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
505 | 0 | 0 | |t Frontmatter -- |t Table of Contents -- |t List of illustrations -- |t Acknowledgements -- |t Introduction: From material culture to the materials of culture -- |t 1. Sheen: Early stories and circulation of shellac -- |t 2. Crackle: Assembling the record -- |t 3. Mirrors: Phono-fetishism and intersensory visions -- |t 4. Detonations: Shellac at war -- |t 5. Shards: Waste, obsolescence, and contemporary remediations -- |t Conclusion: Sonic sculptures -- |t Bibliography -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a This book charts the unsettled media cultures and deep time of shellac, retracing its journey from the visual to the sonic, and back again. Each chapter unveils a situated moment in the long history of shellac - travelling from its early visual culture to Emile Berliner's discovery of its auditory properties through to its recycling in contemporary art and design practices. Unforeseen correspondences between artefacts as diverse as mirrors, seals, gramophone discs and bombs are revealed. With its combinatory approach and commitment to material thinking, Shellac in Visual and Sonic Culture insists on moments of contact, encounter, and transformation. The book notably addresses the colonial unconscious underpinning the early transnational recording industry, highlighting the multiple gestures and forms of labour entombed within the production of the 78rpm disc. Roy explores shellac as a concrete substance, as well as the malleable stuff of which stories, histories and modern imaginings were made - and unmade. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 09. Dez 2023) | |
650 | 0 | |a Shellac. | |
650 | 0 | |a Sound recording industry |x History. | |
650 | 4 | |a Art and Material Culture. | |
650 | 4 | |a Cultural Studies. | |
650 | 4 | |a Film, Media, and Communication. | |
650 | 4 | |a Interdisciplinary Studies. | |
650 | 4 | |a Media Studies. | |
650 | 4 | |a Science and Technology. | |
650 | 7 | |a SCIENCE / Scientific Instruments. |2 bisacsh | |
653 | |a Phonography, media, materiality, waste, colonialism. | ||
856 | 4 | 0 | |u https://doi.org/10.1515/9789048553143?locatt=mode:legacy |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9789048553143 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9789048553143/original |
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