Korean Cinema in Global Contexts : : Post-Colonial Phantom, Blockbuster and Trans-Cinema / / Soyoung Kim.

• Superior document: Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2022
• VerfasserIn: Kim, Soyoung,
• Place / Publishing House: Amsterdam : : Amsterdam University Press, , [2022]; ©2022
• Year of Publication: 2022
• Language: English
• Series: Critical Asian Cinemas ; 3
• Physical Description: 1 online resource (212 p.)
• Other title: Frontmatter --; Table of Contents --; Acknowledgements --; Introduction --; Part 1 From Pre-Cinematic Culture to Trans-Cinema --; 1. Cartography of Catastrophe : Precolonial Surveys, Postcolonial Vampires and the Plight of Korean Modernity --; 2. The State of Fantasy in Emergency: Fantasmatic Others in South Korean Film --; 3. Modernity in Suspense: The Logic of Fetishism in Korean Cinema --; 4. “Do Not Include Me in Your ‘Us’” : Peppermint Candy and the Politics of Difference --; 5. “Cine-mania” or Cinephilia: Film Festivals and the Identity Question --; 6. The Birth of the Local Feminist Sphere in the Global Era : Yeoseongjang and “Trans-Cinema” --; Part 2 Korean Cinema in a Trans-Asia Framework --; 7. Inter-Asia Comparative Framework : Postcolonial Film Historiography in Taiwan and South Korea --; 8. Postcolonial Genre as Contact Zone: Hwalkuk and Action Cinema --; 9. Geopolitical Fantasy : Continental (Manchurian) Action Movies during the Cold War Era --; 10. Anagram of Inter-Asian Korean Film: The Case of My Sassy Girl --; 11. Comparative Film Studies : Detour, Demon of Comparison and Dislocative Fantasy --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9789048553112; 9783110767094; 9783110767001; 9783110992809; 9783110992816; 9783110993899; 9783110994810
• DOI: 10.1515/9789048553112?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Soyoung Kim.

Offering the most comprehensive analysis of Korean cinema from its early history to the present, and including the films of Park Chan-wook, Bong Joon-ho and Kim Ki-young, Korean Cinema in Global Contexts: Postcolonial Phantom, Blockbuster and Trans-Cinema situates itself in the local, Inter-Asian, and transnational contexts by mobilizing the critical frameworks of feminism, postcolonial critique and comparative film studies. It is attentive to an enmeshment of the cinematic, aesthetics, politics and cultural history.