Titian's Allegory of Marriage : : New Approaches / / ed. by Daniel Unger.
This book offers nine new approaches toward a single work of art, Titian’s Allegory of Marriage or Allegory of Alfonso d’Avalos, dated to 1530/5. In earlier references, the painting was named simply Allegory, alluding to its enigmatic nature. The work follows in a tradition of such ambiguous Venetia...
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Superior document: | Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2022 |
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MitwirkendeR: | |
HerausgeberIn: | |
Place / Publishing House: | Amsterdam : : Amsterdam University Press, , [2022] ©2022 |
Year of Publication: | 2022 |
Language: | English |
Series: | Visual and Material Culture, 1300 –1700 ;
37 |
Online Access: | |
Physical Description: | 1 online resource (266 p.) |
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Table of Contents:
- Frontmatter
- Table of Contents
- List of Plates and Figures
- 1. Introduction: Poetic License
- 2. Love, Beauty, and the Human Body as a Reflection of the Divine
- 3. Amorosa visione: Titian’s Allegory of Marriage and the Poetry of the Half-length Format
- 4. The Arms and Armour of Titian’s Allegory of Marriage
- 5. ‘Un disio sol d’eterna gloria e fama’: A Literary Approach to Titian’s Allegory
- 6. Psyche, Venus, Ceres and Their Friends: Titian’s Remixes
- 7. Art and the Double Meaning of Reflection in Titian’s Allegory of Marriage
- 8. Titian’s Allegory of Marriage as an ‘Allegory of Peace’
- 9. Vision and Touch in the Allegory of Marriage
- 10. Of Crystal Orbs and Divinatory Mirrors : The Vicissitudes of Pregnancy and Artistic Agency in Titian’s Allegory of Marriage
- Index