Moving Pictures and Renaissance Art History / / Patricia Emison.
Film, like the printed imagery inaugurated during the Renaissance, spread ideas---not least the idea of the power of visual art---across not only geographical and political divides but also strata of class and gender. Moving Pictures and Renaissance Art History examines the early flourishing of film...
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| Superior document: | Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2021 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | Amsterdam : : Amsterdam University Press, , [2021] ©2021 |
| Year of Publication: | 2021 |
| Language: | English |
| Series: | Film Culture in Transition
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| Online Access: | |
| Physical Description: | 1 online resource (582 p.) |
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| 100 | 1 | |a Emison, Patricia, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Moving Pictures and Renaissance Art History / |c Patricia Emison. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2021] | |
| 264 | 4 | |c ©2021 | |
| 300 | |a 1 online resource (582 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 347 | |a text file |b PDF |2 rda | ||
| 490 | 0 | |a Film Culture in Transition | |
| 505 | 0 | 0 | |t Frontmatter -- |t Table of Contents -- |t Foreword -- |t Prologue -- |t 1. The New and the Old in the Art of Cinema -- |t 2. The Machine Aesthetic -- |t 3. Competing with Text -- |t 4. After Eve -- |t Epilogue -- |t Bibliography -- |t List of Films -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a Film, like the printed imagery inaugurated during the Renaissance, spread ideas---not least the idea of the power of visual art---across not only geographical and political divides but also strata of class and gender. Moving Pictures and Renaissance Art History examines the early flourishing of film, 1920s-mid-60s, as partly reprising the introduction of mass media in the Renaissance, allowing for innovation that reflected an art free of the control of a patron though required to attract a broad public. Rivalry between word and image, narrative and visual composition shifted in both cases toward acknowledging the compelling nature of the visual. The twentieth century also saw the development of the discipline of art history; transfusions between cinematic practice and art historical postulates and preoccupations are part of the story told here. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) | |
| 650 | 0 | |a Art and motion pictures. | |
| 650 | 0 | |a Art, Renaissance. | |
| 650 | 0 | |a Motion pictures |x History. | |
| 650 | 4 | |a Art and Material Culture. | |
| 650 | 4 | |a Film Studies. | |
| 650 | 4 | |a Film, Media, and Communication. | |
| 650 | 4 | |a Media Studies. | |
| 650 | 7 | |a ART / Film & Video. |2 bisacsh | |
| 653 | |a gender, Hollywood, narrative, Renaissance. | ||
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Amsterdam University Press Complete eBook-Package 2021 |z 9783110743227 |
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| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE COMPLETE 2021 |z 9783110753776 |o ZDB-23-DGG |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9789048551620?locatt=mode:legacy |
| 856 | 4 | 0 | |u https://www.degruyter.com/isbn/9789048551620 |
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