Transmedia Terrors in Post-TV Horror : : Digital Distribution, Abject Spectrums and Participatory Culture / / James Rendell.
In the twenty-first century horror television has spread across the digital TV landscape, garnering mainstream appeal. Located within a transmedia matrix, Transmedia Terrors in Post-TV Horror triangulates this boom across screen content, industry practices, and online participatory cultures. Underst...
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Superior document: | Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2023 |
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Place / Publishing House: | Amsterdam : : Amsterdam University Press, , [2023] ©2023 |
Year of Publication: | 2023 |
Language: | English |
Series: | Transmedia ;
11 |
Online Access: | |
Physical Description: | 1 online resource (334 p.) |
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Table of Contents:
- Frontmatter
- Transmedia: Participatory Culture and Media Convergence
- Table of Contents
- Acknowledgements
- Introduction – TV Horror: What a Time to Be Alive… and Undead
- Part 1 Post-TV Horror Ecologies
- 1. Jekyll and Hyde: TV Horror’s Incorporation of Other Genres and Audiences
- 2. Streaming Screaming: Post-Television Horror Texts and Platforms
- 3. Digital Crypt Keepers: Informal Digital Dissemination and Consumption of Post-TV Horror
- Part 2 Post-TV Horror Audiences
- 4. Not Just Horrifying: TV Horror Audiences’ Abject Spectrums
- 5. Spreadable Splatter: TV Horror’s Online Fans’ Image Textuality
- 6. Sick Senses: Fan Food and Soundtracks as Materialities of Transmedia TV Horror
- Conclusion
- Index