Disaster Cinema in Historical Perspective : : Mediations of the Sublime / / Nikita Mathias.
'Disaster Cinema in Historical Perspective: Mediations of the Sublime is a genuine and original contribution to the fields of art history and cinema studies as well as to discussions on the concept of the sublime in the field of aesthetics. It is well-organized, well-informed, and lucidly writt...
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| Superior document: | Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2020 |
|---|---|
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| Place / Publishing House: | Amsterdam : : Amsterdam University Press, , [2020] ©2020 |
| Year of Publication: | 2020 |
| Language: | English |
| Series: | Film Culture in Transition
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| Online Access: | |
| Physical Description: | 1 online resource (356 p.) |
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| 100 | 1 | |a Mathias, Nikita, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Disaster Cinema in Historical Perspective : |b Mediations of the Sublime / |c Nikita Mathias. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2020] | |
| 264 | 4 | |c ©2020 | |
| 300 | |a 1 online resource (356 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 347 | |a text file |b PDF |2 rda | ||
| 490 | 0 | |a Film Culture in Transition | |
| 505 | 0 | 0 | |t Frontmatter -- |t Table of Contents -- |t 1. Introduction -- |t 2. Starting Points -- |t 3. The Iconography of the Sublime -- |t 4. Mediating the Sublime -- |t 5. Cinema – A Medium of the Sublime? -- |t 6. Disaster Cinema. A Historical Overview -- |t 7. The Sublime in Disaster Cinema -- |t Bibliography -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a 'Disaster Cinema in Historical Perspective: Mediations of the Sublime is a genuine and original contribution to the fields of art history and cinema studies as well as to discussions on the concept of the sublime in the field of aesthetics. It is well-organized, well-informed, and lucidly written and draws on an impressive body of empirical and theoretical materials. As importantly, it is critical and nuanced in its claims and assertions, leaving ample room for discussion and counter-argument.' (Ina Blom, University of Chicago, University of Oslo) | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) | |
| 650 | 0 | |a Disaster films |x History and criticism. | |
| 650 | 0 | |a Sublime, The, in motion pictures. | |
| 650 | 4 | |a Art and Material Culture. | |
| 650 | 4 | |a Film Studies. | |
| 650 | 4 | |a Film, Media, and Communication. | |
| 650 | 4 | |a Media Studies. | |
| 650 | 4 | |a Philosophy. | |
| 650 | 7 | |a ART / Criticism. |2 bisacsh | |
| 653 | |a The sublime, disaster cinema, media history, art history. | ||
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