Hands on Film : : Actants, Aesthetics, Affects / / Barry Monahan.

Hands on Film is a comprehensive study of the representations and uses of that human limb from the birth of cinema to contemporary times. It examines how filmmakers have framed the hand for a variety of effects, from stylistic to thematic, and for the development of characterisation and narrative. T...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2022
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Place / Publishing House:Amsterdam : : Amsterdam University Press, , [2022]
©2022
Year of Publication:2022
Language:English
Series:Film Culture in Transition
Online Access:
Physical Description:1 online resource (270 p.)
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Description
Other title:Frontmatter --
Table of Contents --
List of Images --
Acknowledgements --
Introduction --
1. Themes – The Framed Hand and Being --
2. Symbolism – The Semiotic Hand --
3. Aesthetics – The Stylised Hand: Beauty, Ugliness, Genre --
4. Narration – Hands Doing and Being --
5. Characterisation – Hands and Identity --
Concluding Case Study – Steven Spielberg’s Jaws (1975) --
Filmography --
Index
Summary:Hands on Film is a comprehensive study of the representations and uses of that human limb from the birth of cinema to contemporary times. It examines how filmmakers have framed the hand for a variety of effects, from stylistic to thematic, and for the development of characterisation and narrative. The book offers insights into how films have created meaning by focusing on that part of the anatomy and, in turn, proposes a variety of ways in which its on-screen appearances might shed light on what it means to be sentient, cultured, and creative beings in the world.
Format:Mode of access: Internet via World Wide Web.
ISBN:9789048544769
9783110767094
9783110767001
9783110992809
9783110992816
9783110993899
9783110994810
DOI:10.1515/9789048544769?locatt=mode:legacy
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: Barry Monahan.