The Matter of Violence in Baroque Painting / / Bogdan Cornea.

Baroque depictions of violence are often described in art historical literature as ‘over the top’ and ‘excessive’. Their material richness, exciting visual complexity, and the visceral corporeal engagement are often explained away as reflecting the presumed violence of early modern society. The book...

Full description

Saved in:
Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2022
VerfasserIn:
Place / Publishing House:Amsterdam : : Amsterdam University Press, , [2022]
©2022
Year of Publication:2022
Language:English
Series:Visual and Material Culture, 1300 –1700 ; 43
Online Access:
Physical Description:1 online resource (184 p.)
Tags: Add Tag
No Tags, Be the first to tag this record!
Description
Other title:Frontmatter --
Table of Contents --
Acknowledgments --
List of Images --
An Introduction --
1. Wound: On Caravaggio’s Martyrdom of Saint Ursula --
2. Touch: On Giovanni Lanfranco’s Saint Peter Healing Saint Agatha --
3. Skin: On Jusepe de Ribera’s Martyrdom of Saint Bartholomew --
4. Flesh: On Georges de La Tour’s Penitent Saint Jerome --
5. Blood: On Artemisia Gentileschi’s Judith Slaying Holofernes --
6. Death: On Francisco de Zurbarán’s The Martyrdom of Saint Serapion --
Conclusion --
General Bibliography --
Index
Summary:Baroque depictions of violence are often described in art historical literature as ‘over the top’ and ‘excessive’. Their material richness, exciting visual complexity, and the visceral corporeal engagement are often explained away as reflecting the presumed violence of early modern society. The book explores the intersection between materiality, excess, and violence in seventeenth-century paintings through a sustained interpretation of primary sources of some of the most iconic works of Baroque art. It ultimately argues that such works are better understood as generative and transformative – of paintings as having the power to become – and their effect of beholders as unforeseen, violent, and excessive – a violence of sensation.
Format:Mode of access: Internet via World Wide Web.
ISBN:9789048543830
9783110767094
9783110767001
9783110992809
9783110992816
9783110993899
9783110994810
DOI:10.1515/9789048543830?locatt=mode:legacy
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: Bogdan Cornea.