Film Authorship in Contemporary Transmedia Culture : : The Paratextual Lives of Asian Auteurs / / Wikanda Promkhuntong.
Film Authorship in Contemporary Transmedia Culture: The Paratextual Lives of Asian Auteurs examines film authorship in the transmedia era whereby film directors have become public figures through a wide range of textual, material, and performative practices. The book draws on the notion of paratext...
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| Superior document: | Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2023 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | Amsterdam : : Amsterdam University Press, , [2023] ©2023 |
| Year of Publication: | 2023 |
| Language: | English |
| Series: | Transmedia ;
12 |
| Online Access: | |
| Physical Description: | 1 online resource (270 p.) |
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| 245 | 1 | 0 | |a Film Authorship in Contemporary Transmedia Culture : |b The Paratextual Lives of Asian Auteurs / |c Wikanda Promkhuntong. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2023] | |
| 264 | 4 | |c ©2023 | |
| 300 | |a 1 online resource (270 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |b PDF |2 rda | ||
| 490 | 0 | |a Transmedia ; |v 12 | |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a Film Authorship in Contemporary Transmedia Culture: The Paratextual Lives of Asian Auteurs examines film authorship in the transmedia era whereby film directors have become public figures through a wide range of textual, material, and performative practices. The book draws on the notion of paratext and its related term - palimpsest - to bring forth the idea of self-reflexive authorship as a method of examining the mediated past, present, and afterlife of East Asian filmmakers. The first part of the book pays attention to materials surrounding film festivals, multi-platform distribution, and cinephile/fan creative practices, which have been created, rewritten, and shared to foster and problematize the reputations of selected filmmakers. The second part examines alternative modes of self-projections and creative productions that address the filmmakers' sense of selves and relations with the industry and the public. Across different chapters, discourses surrrounding film authorship and East Asian cinema are revisited and expanded to highlight its multiple histories and possible futures. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) | |
| 650 | 0 | |a Motion picture authorship |z Asia. | |
| 650 | 4 | |a East Asia and North East Asia. | |
| 650 | 4 | |a Film Studies. | |
| 650 | 4 | |a Film, Media, and Communication. | |
| 650 | 4 | |a Media Studies. | |
| 650 | 7 | |a ART / Mixed Media. |2 bisacsh | |
| 653 | |a Authorship, East Asian cinema, film culture, transmedia. | ||
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Amsterdam University Press Complete eBook-Package 2023 |z 9783111023748 |
| 856 | 4 | 0 | |u https://www.degruyter.com/isbn/9789048539239 |
| 856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9789048539239/original |
| 912 | |a 978-3-11-102374-8 Amsterdam University Press Complete eBook-Package 2023 |b 2023 | ||
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