Ephemeral Cinema Spaces : : Stories of Reinvention, Resistance and Community / / Maria Vélez-Serna.
With changing technologies and social habits, the communal cinema experience would seem to be a legacy from another era. However, the last decade has seen a surge in interest for screening films in other, temporary public settings. This desire to turn pubs, galleries, parks, and even boats, into tem...
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Superior document: | Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2020 |
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VerfasserIn: | |
Place / Publishing House: | Amsterdam : : Amsterdam University Press, , [2020] ©2020 |
Year of Publication: | 2020 |
Language: | English |
Series: | Film Culture in Transition
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Online Access: | |
Physical Description: | 1 online resource (228 p.) |
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Other title: | Frontmatter -- Table of Contents -- List of figures -- Introduction -- 1. Unstable constellations: Recognizing cinema out of place -- 2. Relocations: Mapping the non-theatrical field in Scotland -- 3. A desire for the civic: Community cinemas and volunteer work -- 4. Film clubs and subcultural cinephile spaces -- 5. On the ground: Participatory screenings in everyday spaces -- 6. Crafting the extraordinary: site-specificity and liveness -- 7. Against enclosure: DIY exhibition as prefigurative action -- Coda -- Acknowledgements -- About the author -- Bibliography -- Index |
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Summary: | With changing technologies and social habits, the communal cinema experience would seem to be a legacy from another era. However, the last decade has seen a surge in interest for screening films in other, temporary public settings. This desire to turn pubs, galleries, parks, and even boats, into temporary cinema spaces is moved not only by a love for movies, but also a search for ways of being and working together. This book documents current practices of pop-up and site-specific cinema exhibition in the UK (with a focus on Scotland), tracing their links with historical forms of non-theatrical exhibition such as public hall cinema and fairground bioscopes. Through archival research, observation and interviews, the project asks how exhibitors create ephemeral social spaces, and how the combination of film and venue reinvents cinema as device and as social practice. |
Format: | Mode of access: Internet via World Wide Web. |
ISBN: | 9789048537822 9783110689556 9783110696295 9783110704716 9783110704518 9783110704747 9783110704532 9783110696301 |
DOI: | 10.1515/9789048537822?locatt=mode:legacy |
Access: | restricted access |
Hierarchical level: | Monograph |
Statement of Responsibility: | Maria Vélez-Serna. |