Towards a Political Aesthetics of Cinema : : The Outside of Film / / Sulgi Lie.
Towards a Political Aesthetics of Cinema: The Outside of Film is a contribution to an aesthetics of cinema rooted in Marxist theory. Rather than focusing on the role that certain films, or the cinema as an institution, might play in political consciousness, the book asks a different question: how ca...
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| Superior document: | Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2020 |
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| Place / Publishing House: | Amsterdam : : Amsterdam University Press, , [2020] ©2020 |
| Year of Publication: | 2020 |
| Language: | English |
| Series: | Film Culture in Transition
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| Online Access: | |
| Physical Description: | 1 online resource (332 p.) |
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Table of Contents:
- Frontmatter
- Table of Contents
- New Preface to the English Edition
- Preface
- Part I. The Absent Cause of Film: On the Theory of Enunciation and Suture
- Introduction
- 1. On Enunciation in Apparatus Theory
- 2. On Enunciation without an Enunciator: Suture
- 3. On the Pragmatics of Enunciation
- 4. On the Acousmatics of Enunciation: Back to the Suture
- 5. The Political Uncanny, or the Return of the Repressed: Caché
- Part II. Allegories of Totality: Fredric Jameson’s Political Film Aesthetics
- Introduction
- 6. The Dialectics of Mass Culture
- 7. Cartographies of the Postmodern
- 8. Geopolitical Aesthetics
- 9. The Political Uncanny, or the Return of Domination: The Shining
- Filmography
- Bibliography
- Index of Names