The Colour Fantastic : : Chromatic Worlds of Silent Cinema / / Elif Rongen-Kaynakci, Victoria Jackson, Giovanna Fossati, Sarah Street, Bregt Lameris, Joshua Yumibe.

• Superior document: Title is part of eBook package: De Gruyter AUP eBook Package 2016-2018
• MitwirkendeR: Alimi, Benjamin,; Anckarman, Tina,; Belton, John,; Carlos, Michelle,; D'haeyere, Hilde,; Delannoy, Thierry,; Delpeut, Peter,; Dixon, Bryony,; Flueckiger, Barbara,; Fossati, Giovanna,; Føreland, Tone,; Genaitay, Sonia,; Gipponi, Elena,; Gray, Frank,; Jackson, Victoria,; Kross, Annike,; Lameris, Bregt,; Op den Kamp, Claudy,; Peterson, Jennifer,; Pfluger, David,; Pierotti, Federico,; Rongen-Kaynakci, Elif,; Ruedel, Ulrich,; Snoyman, Natalie,; Street, Sarah,; Thompson, Kirsten Moana,; Tsuneishi, Fumiko,; Turquety, Benoît,; Watkins, Liz,; Yumibe, Joshua,
• HerausgeberIn: Fossati, Giovanna,; Jackson, Victoria,; Lameris, Bregt,; Rongen-Kaynakci, Elif,; Street, Sarah,; Yumibe, Joshua,
• Place / Publishing House: Amsterdam : : Amsterdam University Press, , [2018]; ©2018
• Year of Publication: 2018
• Language: English
• Series: Framing Film
• Physical Description: 1 online resource (312 p.) :; 34 color plates, 28 halftones

Sparked by a groundbreaking Amsterdam workshop titled "Disorderly Order: Colours in Silent Film," scholarly and archival interest in color as a crucial aspect of film form, technology and aesthetics has enjoyed a resurgence in the past twenty years. In the spirit of the workshop, this anth...

Table of Contents

• Frontmatter
• TABLE OF CONTENTS
• Introduction
• Prologue. Questions of Colours: Taking Sides
• NONFICTION AND AMATEUR CINEMA
• 1. Fireworks and Carnivals: Applied and Natural Colours in Italian Home Movies
• 2. Liminal Perceptions: Intermediality and the Exhibition of Nonfiction Film
• 3. Rough Seas: The Blue Waters of Early Nonfiction Film
• NATURAL-COLOUR PROCESSES: THEORY AND PRACTICE
• 4. 'Taking the color out of color': Two-Colour Technicolor, The Black Pirate, and Blackened Dyes
• 5. Why Additive? Problems of Colour and Epistemological Networks in Early (Film) Technology
• 6. Ziegfeldized Slapstick, Useful Comedy: Mack Sennett's Slapstick Comedies under the Influence of Natural Colour
• 7. Kinemacolor and Kodak: The Enterprise of Colour
• INTERMEDIALITY AND ADVERTISING
• 8. Rainbow Ravine: Colour and Animated Advertising in Times Square
• 9. Kodachrome's Hope: The Making and Promotion of McCall Colour Fashion News
• 10. Chromatic Objects: Colour Advertising and French Avant-garde Films of the 1920s
• ARCHIVING AND RESTORATION: EARLY DEBATES AND CURRENT PRACTICES
• 11. La Ligue du Noir et Blanc: French Debates on Natural Colour Film and Art Cinema 1926-1927
• 12. A Material-Based Approach to the Digitization of Early Film Colours
• ARCHIVAL PANELS (EDITED TRANSCRIPTS)
• Preservation, Restoration, Presentation, and Policy
• Digital Restoration
• AUTHORS' BIOGRAPHIES
• BIBLIOGRAPHY
• ACKNOWLEDGEMENTS
• INDEX